Conference Agenda
The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview | |
| Location: Plaza Ballroom E |
| Date: Thursday, 09/Nov/2023 | |
| 2:15pm - 3:45pm |
Change and Conflict in Chant Location: Plaza Ballroom E Chair: Barbara Haggh-Huglo A Gregorian Chant, a Melodic Revelation from Mount Sinai, and the Burning of Martyrs at the Stake: The Legends and Presumed Relationship of Sanctus and Aleinu The Sequentiaries from Cividale: New Insights into Local History Were Crusader Scribes the Heralds of Square Notation? |
| 4:00pm - 5:30pm |
Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Katherine Reed , Location: Plaza Ballroom E Chair: Daniel Bishop Chair: Jordan Carmalt Stokes, West Chester University of Pennsylvania - Wells School of Music Presenter: Katherine Reed, California State University, Fullerton |
| Date: Friday, 10/Nov/2023 | |
| 9:00am - 10:30am |
Boethius, Harmonic Theory, and the Alia musica: New Perspectives Location: Plaza Ballroom E Presentations of the Symposium A Revised Geometry of Musical Pitch in the Tenth Century: Evidence from Amended Diagrams in Boethius’s Musica “Wrong-Way Corrigan?” or just a little off-course? The Alia musica´s Expositor and the Modes The Number System of the First Quidam of the Alia musica: A Mystery Solved |
| 10:45am - 12:15pm |
Fragments to Footlights: What can we learn from operatic sketches? Location: Plaza Ballroom E Presentations of the Symposium Beyond bel canto: Donizetti’s Maria di Rohan Lost Liszt reclaimed: editing Sardanapalo Modernism, Mosaics, Major-third cycles, and #MeToo: A new finale for Puccini’s Turandot |
| 12:30pm - 2:00pm |
Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Stephen S. Hudson , Location: Plaza Ballroom E |
| 2:15pm - 3:45pm |
Public Scholarship: How We Got Here, Where We’re Going Reba Wissner , Location: Plaza Ballroom E Chair: Imani Mosley |
| 4:00pm - 5:30pm |
Quotation and Borrowing in the Sacred Location: Plaza Ballroom E Chair: Kelly Huff 'Imitatio’ and Josquin in the Sixteenth Century: The Benedicta es Complex and the Mass attributed to Hesdin and Willaert Imitating Birdsong or Praising Saint Catherine? The Courtly Remaking of a Fourteenth-Century Virelai Sarum Plainchant in A Reformist Biblical Play: Problem or Solution? |
| 8:00pm - 10:00pm |
Queer Musicology from Dykecore to the Quare Canon Maria Murphy University of Pennsylvania, Location: Plaza Ballroom E Presentations of the Symposium Making Something from Nothing: How Playing Pretend in 1990s Dykecore Created Community “The eternally music-loving, music-making, intersexual Uranian”: Finding Queer Musicology at the Turn of the Twentieth Century The Quare Canon: Queer Women-Identifying Songs of the Twenty-First Century Mudang, Hwarang, and Han: Tracing Decolonial Expressions in eddy kwon's UMMA-YA |
| Date: Saturday, 11/Nov/2023 | |
| 9:00am - 10:30am |
Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Douglas Shadle Vanderbilt University, Location: Plaza Ballroom E Chair: Douglas Shadle, Vanderbilt University Presentations of the Symposium New York Musicians in Revolt: the 1828 Musical Fund Society as an Inspiration for the 1842 Philharmonic The True Story of the New-York American Music Association, 1855–1858 Early Nineteenth-Century American Chamber Music: Unknown and Unloved? |
| 10:45am - 12:15pm |
Georgia, Ukraine, and Decolonizing Soviet Music History Peter Schmelz , Location: Plaza Ballroom E Chair: Peter Schmelz Presentations of the Symposium Music in Uniform: The Case of Georgia Georgian Opera under Stalinism: From Celebrations to Complications The Kyiv Avant-garde Revisited: Decolonial Reflections on the Music of Valentyn Sylvestrov and Borys Lyatoshynsky |
| 12:30pm - 2:00pm |
AMS Global Music History Business Meeting Hyun Kyong Hannah Chang University of Sheffield Location: Plaza Ballroom E |
| 4:00pm - 5:30pm |
Histories of Pedagogy/Pedagogies of History Darren Mueller Eastman School of Music, Location: Plaza Ballroom E Presentations of the Symposium The Performance and Pedagogy of Ron Miles Supporting Gender Inclusivity in Jazz Education Jazz and Academization in Los Angeles and Oakland, California The Institutes in Jazz Criticism |
| 10:00pm - 11:59pm |
Cornell Reception Location: Plaza Ballroom E |
| Date: Sunday, 12/Nov/2023 | |
| 9:00am - 10:30am |
Music and Quackery in Britain and America Remi Chiu Peabody Institute of the Johns Hopkins University, Location: Plaza Ballroom E Chair: Ellen Lockhart Presentations of the Symposium Music’s Uses at the Advent of England’s Pharmaceutical Trade Singers, Piano Players, and Pill Poppers: The Musical Marketing of Medicine in Victorian England Selling Sweet Songs and Vicious Fraud: Music and Patent-Medicine Advertising, 1890–1906 |
| 10:45am - 12:15pm |
France and the Politics of Cultural Exchange Location: Plaza Ballroom E Chair: Jeanice Brooks Crossing the Pyrenees: The Spanish troupe of queen Maria Theresa at the court of France (1660-1672). Dedicating Songs to Citizen Youth: Gender, Language, and Thomas Rousseau’s _Les Chants du patriotisme_ (1792, 1795) Opéra-Comique, Politics, and the French in Early America: Monsigny’s _Le déserteur_ in Philadelphia |
Contact and Legal Notice · Contact Address:  Conference: AMS-SMT 2023 Joint Annual Meeting |
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