Conference Agenda
The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
Use the "Filter by Track or Type of Session" or "Filter by Session Topic" dropdown to limit results by type.
Use the search bar to search by name or title of paper/session. Note that this search bar does not search by keyword.
Click on the session name for a detailed view (with participant names and abstracts).
|
Session Overview | |
Location: Governor's Sq. 16 |
Date: Thursday, 09/Nov/2023 | |
4:00pm - 5:30pm |
British Imaginings of the Other Location: Governor's Sq. 16 Chair: Arman Schwartz “Look Not in My Eyes”: Musical Readings of A. E. Housman’s Strategies of Concealment in A Shropshire Lad Music Aesthetics and the Urban Imaginary in Late-Victorian London Projecting Britishness to the Soviet Union: Music Coverage in Britain’s Russian-Language Journal Angliia |
8:00pm - 10:00pm |
AMS Ecomusicology Study Group Lightning Talks and Business Meeting Heidi Lee Jensen Alfred University Location: Governor's Sq. 16 |
Date: Friday, 10/Nov/2023 | |
9:00am - 10:30am |
Fairy tales and music between “Asia” and “Germany” Amanda Hsieh Durham University, Location: Governor's Sq. 16 Chair: Anicia Timberlake Presentations of the Symposium Wagner, Fairy Tales, and the Staging of _Hänsel und Gretel_ in Japan, 1913 Modern Magic and Demystified Difference: Musical Fairy Tales in Weimar Republic Germany Making a Modern Fairy Tale: Music and Narrative in _Ponyo_ (2008) |
10:45am - 12:15pm |
Mobility, Media, and Money in Early Modern Popular Music Erica Pauline Levenson SUNY Potsdam, Location: Governor's Sq. 16 Chair: Rebecca Geoffroy-Schwinden Presentations of the Symposium Servants and the Circulation of Opera Airs in Seventeenth-Century France Fashionable Farces: The Economics of French Musical Theater in Early Eighteenth-Century London Bubble Ballads, Moving Media: Music and Financial Crisis, circa 1720 |
12:30pm - 2:00pm |
Society for Seventeenth Century Music Business Meeting Location: Governor's Sq. 16 |
2:15pm - 3:45pm |
Historicizing Celebrity Shaena Weitz University of Bristol, Location: Governor's Sq. 16 Chair: Clair Rowden |
4:00pm - 5:30pm |
Music, Technology, and Communication Location: Governor's Sq. 16 Chair: James Gabrillo, University of Texas at Austin Medium, Message, Performance: Technological Inadequacy in Igor Levit’s “House Concerts" Raising a Proper American Citizen: The Politics of Childhood in the Music of American Cartoons of the 1950s Timbre Dematerialized: Illusory Instruments in "Arrival" and "The Lighthouse" |
8:00pm - 10:00pm |
Student Engagement: Texts and Tools Esther Marie Morgan-Ellis University of North Georgia, Location: Governor's Sq. 16 Presentations of the Symposium Music History Texts in the Modern College Classroom Tools for Active Learning |
Date: Saturday, 11/Nov/2023 | |
9:00am - 10:30am |
Medieval Polyphony Location: Governor's Sq. 16 Chair: John Thomas Brobeck, University of Arizona Asses and Ales: Locating Ethnicity through Parody in Thirteenth-Century Balaam Motets Machaut’s Rests in Scribal Hands Repetition in the Insular Polyphonic Alleluya and the Integrity of Plainchant |
10:45am - 12:45pm |
European Music and Caribbean Slavery in the Eighteenth Century Maria Ryan Florida State University, Location: Governor's Sq. 16 Chair: Naomi Andre, University of North Carolina at Chapel Hill |
2:15pm - 3:45pm |
Fields, Gardens, and Labyrinths Location: Governor's Sq. 16 Chair: Emily Loeffler Escaping from “dust and noise” to the “verdant abodes of feather’d minstrels”: The Politics of Sound in London’s Eighteenth-Century Pleasure Gardens From the Tiber to the Thames: Thomas Watson’s Italian Madrigalls Englished and the Naturalization of Marenzio’s Musical Arcadia Gardens, Modulations and Sacred Architecture in Marin Marais’s “Le Labyrinthe” |
4:00pm - 5:30pm |
Late 16th–Early 17th-Century Polyphony Location: Governor's Sq. 16 Chair: Melinda Latour Ad sacrum convivium: The Mediating Role of Confraternal Music in the German Counter-Reformation Motet persona: Vicente Lusitano, polyphonist of color, and his quest for legitimacy Motets and Mandates: Austrian Habsburg Responses to the Ottoman Empire during the Long War (1593–1606) |
9:30pm - 11:30pm |
CUNY Party Location: Governor's Sq. 16 |
Date: Sunday, 12/Nov/2023 | |
9:00am - 10:30am |
Music and World War II Location: Governor's Sq. 16 Chair: Heather de Savage, Central Connecticut State University "The Answer to the Enemy's Siren": GI Jill and Government Sponsored Intimacy in World War II Radio Thriving in a WWII Margaritaville: Musical Ecology, Leonard Bernstein, and Key West in 1941 |
10:45am - 12:15pm |
On the Totalitarian Stage Location: Governor's Sq. 16 Chair: Gabrielle Cornish Bartók, Communist Propaganda, and the Ban on Musical Works under Rákosi In 'The Land of Smiles:' Ideology, theatricality and responsibility on the totalitarian stage Late Operetta and Early Fascism: Politics of Light Music in Italy, 1920–30 |
Contact and Legal Notice · Contact Address: Conference: AMS-SMT 2023 Joint Annual Meeting |
Conference Software: ConfTool Pro 2.6.149+TC © 2001–2024 by Dr. H. Weinreich, Hamburg, Germany |