Conference Agenda
The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Click on the session name for a detailed view (with participant names and abstracts).
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Session Overview |
| Date: Friday, 10/Nov/2023 | ||||
| 12:00am - 12:30am |
AMS/SMT After Dark (con't) Location: Windows |
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| 7:00am - 9:00am |
W. W. Norton Focus Group Location: Director's Row I Closed session. |
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| 7:15am - 8:45am |
SMT Music Notation & Visualization Interest Group Meeting Location: Governor's Sq. 15 |
SMT Student Breakfast Reception Location: Plaza Ballroom A |
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| 7:30am - 9:00am |
American Brahms Society Board of Directors Business Meeting Location: Tower Court C |
AMS Communications Committee Meeting Sarah Eyerly Florida State University Location: Governor's Sq. 10 |
AMS Publications Committee Location: Tower Court D Chair: Nancy Rao, Rutgers University |
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| 7:45am - 8:45am |
AMS Student Chapter Representatives to Council Location: Director's Row E |
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| 8:00am - 9:30am |
SMT Poster Session Location: Columbine Investigating Relationships among Mindset, Rapport, and Belonging in Undergraduate Music Theory Learners Metric Irregularity as Characterization in Death Note (2006) Computational Analysis of Melodic Contour Based on CSIM and Clustering Techniques: A Model Tested by J. S. Bach’s Preludes in Cello Suites No.2 and 3 The “Colors” of Parsimony in Cohn’s Reinterpreted Tonnetz The Antiphonal Stream in Popular Music Animated Harmonic Analysis Using DFT Phase Spaces and Coefficient Products Contextualizing Hildegard of Bingen’s Compositional Style through Computational Analysis Emo Guitar Tunings: The Impact of Guitar Tunings on Fretboard Distances Measuring the Uncanny: Chromatic Mediant Motion in Elliott Smith's, XO Them bars really ain't hittin' like a play fight - Analysing weak alternative lineations and ambiguous lineation in relation to metrical structure in rap flows. Planting Another Tree: Relational Salience as a Hierarchical Form-Building Mechanism Choral Repertoire: Promising New Directions for Music Theory Teaching |
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| 8:30am - 10:00am |
Eileen Southern Scholars Breakfast and Mentoring Session Location: Tower Court B |
Eileen Southern Travel Fund Committee Location: Tower Court A |
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| 8:30am - 10:30am |
New Approaches in Popular Music, Performance, and Technology Location: Windows Chair: John J. Sheinbaum, University of Denver AI Song Contest Revisited: Collaborative Songwriting, Technological Ethics, and an Inter/Transdisciplinary Dialogue Elizabeth Cotten, Joni Mitchell, and the Guitar/Body Interface Reconceiving Genre: Gender and Asian American Identity in Post-Millennial Rock "We are not anonymous": Gender crisis and Self-identity in Chinese Pop Star Tan Weiwei's 2020 Virtual Performance |
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| 8:30am - 6:00pm |
Exhibit Hall Open Location: Plaza Exhibit Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served. |
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| 9:00am - 10:30am |
Boethius, Harmonic Theory, and the Alia musica: New Perspectives Location: Plaza Ballroom E Presentations of the Symposium A Revised Geometry of Musical Pitch in the Tenth Century: Evidence from Amended Diagrams in Boethius’s Musica “Wrong-Way Corrigan?” or just a little off-course? The Alia musica´s Expositor and the Modes The Number System of the First Quidam of the Alia musica: A Mystery Solved |
Catholic Circles Location: Majesty Ballroom Chair: James Parsons "Symphonies for God": The Disenchantment and Re-enchantment of Joseph Haydn's Mass Settings Musical oratory and Catholic networks: A prolegomenon to Elgar’s The Dream of Gerontius Sacred Neoclassicism: Catholic Ritual and Modernist Objectivism in Interwar France |
Constructions of Race and Gender in Film Location: Vail Chair: Jasmine Henry End of Empire? Scoring for African-based Narrative Film, 1937-1966 Film-Opera as Transnational Activism: The Queer “Retro-Futurist” Politics of ORFEAS2021 Nondiegetic Sound and Queer Disembodiment in "Laura" (1944) |
Exploring Feminist Scholarship in Music Theory Location: Governor's Sq. 15 Presentations of the Symposium (There is no separate title for this presentation) |
| Fairy tales and music between “Asia” and “Germany” Amanda Hsieh Durham University, Location: Governor's Sq. 16 Chair: Anicia Timberlake Presentations of the Symposium Wagner, Fairy Tales, and the Staging of _Hänsel und Gretel_ in Japan, 1913 Modern Magic and Demystified Difference: Musical Fairy Tales in Weimar Republic Germany Making a Modern Fairy Tale: Music and Narrative in _Ponyo_ (2008) |
Lost and Found: New Work in Ravel Studies Location: Governor's Sq. 14 Presentations of the Symposium Towards Unimaginable Sound: The Impact of Modern Sound Advancements on Ravel’s Orchestrations Leaning into Ravel's "Unresolved Appoggiaturas" On the Musical Cliché: Revisiting Ravel’s Bolero |
Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Location: Grand Ballroom II Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion |
Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Tanya Landau Roosevelt University, Location: Governor's Sq. 12 Chair: David Kjar Presentations of the Symposium Two Concertos, Both Alike in Dignity: Signifyin’ Tchaikovsky as Cultural Familiarity within Price’s First Violin Concerto To Know Myself: Shostakovich’s Jewish Existential Irony in Satires (Pictures of the Past) Outrageous Fortune: Signifying Modern “Royalty” with New Old-Music |
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| Sounds, Materialities, and Pleasures in the Garden Devanney Turpin Haruta Brown University, Location: Plaza Ballroom F Chair: Denise Von Glahn Presentations of the Symposium Pleasure Gardens, Audible Landscapes: ‘Venedig in Wien’ and Schreker’s Elysium Glassy Gardens, Shattered Sounds: Tinkering with the Botanical Sonic Tranquility: Cultivating Quiet in Japanese Gardens in the United States |
The Genesis of Popular Song Location: Silver The "Nostalgic Sentence": Historical Contexts and Sample Analyses (Chip)songs without words: Hearing Traditional and Ambiguous Rock Form in 8-bit NES Chiptunes Play a song from the Jukebox: Music composition and analysis in the age of generative AI |
Theory, History, and the Practice of Listening Location: Grand Ballroom I Chair: Maryam Aline Moshaver, University of Alberta Theorizing Musical Listening in Ottoman Istanbul (1560-1640 CE): Ontology, Perception, Affect and Multiplicity “The Unpsychological Notion That Music is Made Up of Tones”: Comparative Musicology and Gestalt Theory in Berlin, 1906-1913 “There Aren’t Seven Notes”: The Affordances of Small-Vocabulary Solmization Systems |
Transnational Politics of the Stage Location: Plaza Ballroom D Chair: Anne Searcy Negotiating Racial Identity: Racialized Assimilation in the Performances of Lee Tung Foo as the First Chinese American Vaudeville Singer Mozart and Verdi for the Revolution: Performing Classical Music in Allende’s Chile (1970-73) Representation, Performative Exchange, and Afropolitanism: Rethinking Opera Production in Nigeria through The Magic Flute. |
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| 9:00am - 12:00pm |
Graduate Student Workshop: Feminist Analysis Location: Plaza Court 6 Rachel Lumsden, leader |
Graduate Student Workshop: Marxism, Music Studies, and Hermeneutics Location: Plaza Court 7 Sumanth Gopinath, leader |
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| 9:00am - 12:15pm |
A Survey of the Sources of Serialism at its Centenary Location: Governor's Sq. 11 Presentations of the Symposium Walter Piston’s Serial Journey: What Archival Documents Reveal about the Composer and Pedagogue Serialism as Source of Inspiration for the Creation of (New) Musical Gestures Expanding the Search Parameters: Uncovering Evidence of Gerhard’s Expansion of Serialism in Notebooks, Scores, Folders, and Enigmatic Manuscripts The Twelve Tones of “Twelve-Tone Lizzie:” Elisabeth Lutyens’ Serialism of the 1960s Confronting Serialism: Kaija Saariaho’s Early Compositional Practice Surveying Serialism in the 12 Hommages à Paul Sacher |
Microtonal Listenings Location: Governor's Sq. 17 Presentations of the Symposium “…per aiutare una consonanza…”: Learning Vicentino's Enharmonic Music by Ear Listening to Recursive Translations of Easley Blackwood’s Twelve Microtonal Etudes Danger! Wolf Crossing: Expressive Discordance in Froberger’s Keyboard Music Sonic Shadings in Two Versions of BWV 21/3, “Seufzer, Tränen, Kummer, Not” Finding Meter in Acoustics: Ryoji Ikeda’s matrix NANO-TONALITY: Queer Phenomenology or dis-Oriented Noumenology? |
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| 10:15am - 11:15am |
Cultural History of Western Music Location: Plaza Ballroom A |
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| 10:15am - 11:30am |
Coffee Break Location: Plaza Exhibit Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served. |
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| 10:30am - 11:30am |
SMT Retired Members Coffee Hour Location: Director's Row J |
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| 10:45am - 12:15pm |
Fragments to Footlights: What can we learn from operatic sketches? Location: Plaza Ballroom E Presentations of the Symposium Beyond bel canto: Donizetti’s Maria di Rohan Lost Liszt reclaimed: editing Sardanapalo Modernism, Mosaics, Major-third cycles, and #MeToo: A new finale for Puccini’s Turandot |
Mediation of Blackness in Mid-Twentieth-Century America Location: Plaza Ballroom D Chair: Christopher Lynch (Re)introducing Marian Anderson: Television’s Normative Power at the _Ford 50th Anniversary Show_ (1953) RCA’s Portrait of America: Opera, Blackness, and Industrial Integration Post-World War II |
Mobility, Media, and Money in Early Modern Popular Music Erica Pauline Levenson SUNY Potsdam, Location: Governor's Sq. 16 Chair: Rebecca Geoffroy-Schwinden Presentations of the Symposium Servants and the Circulation of Opera Airs in Seventeenth-Century France Fashionable Farces: The Economics of French Musical Theater in Early Eighteenth-Century London Bubble Ballads, Moving Media: Music and Financial Crisis, circa 1720 |
Music Education and Cultural Identity in 19th-century France Location: Plaza Ballroom F Chair: Fabio Morabito, University of Alberta À première vue: Sightreading as Performance in the Paris Conservatoire Church and State in the Music of a Small French Town: Moulins, c.1890 |
| Musical Utopias Location: Majesty Ballroom Chair: Lesley Hughes Politics on the Program: Rudolf Mengelberg and the 1920 Mahler Festival Reexamining the Dismissed: Cecilia Macca and the “Doom” of Sacred Nineteenth-Century Sicilian Music Utopian In Form, Bourgeois in Content: Moscow’s Conductorless Orchestra and Early Soviet Musical Life |
New Approaches to Studying Recorded Jewish Music Mark Kligman UCLA, Location: Governor's Sq. 12 Chair: Randall Goldberg Presentations of the Symposium “Gendered Voices of Home and Hopes for Tomorrow: Examining the Recorded Lullaby in Jewish Émigré Life through the Database of Recorded Jewish Music in America” Immigration and the Sound of American Jewry: How the Immigration Act of 1924 Affected the Production of Commercial Jewish Music Recordings “The Frequent Sounds of Sacred Jewish Music” |
Performance, Analysis, and Embodiment Location: Governor's Sq. 15 Chair: Daphne Leong, University of Colorado Boulder Interpretive Agency: Flexibilities, Constraints, and Departures in Reena Esmail’s “Jhula Jhule” Performative Effort and Temporal Experience in Two Works by Elisabeth Lutyens Gestural Analysis of Caroline Shaw’s Entr’acte |
Queer Musical Codes in Disguise Location: Governor's Sq. 14 Chair: Jane Isabelle Forner The Enemy Without: Blitzstein’s Reuben Reuben, Silence, and Biopolitics What is “Wild” about Wildeiana Music? Music and Oscar Wilde in 1882 Queering Premodern Japan: Polycultural Vocality and Transhistorical Reappropriation in J-Pop |
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| Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Location: Grand Ballroom I Chair: Vivian Luong, University of Oklahoma Presentations of the Symposium Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation |
Songs of the Self / Sounds of the Nation Location: Vail Chair: Pierpaolo Polzonetti “Listen, Remember, and Recreate”: Jazz 101 in Occupied Japan “Wilderness of Wickedness”: How a Musical Battle between Sex Workers and the Salvation Army Shaped Montana’s Settler Ideology (Re)remembering Theodorakis: ‘Art-popular’ song as the afterlife of Greek wartime and resistance music making |
The Shape of Musicology to Come (AMS Critical Race Lecture) Location: Grand Ballroom II Chair: Lisa Barg Chair: Jessica Perea This session features contributions from: Invited Panelists
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Workshop: Rethinking Aural Skills Through Backwards Design Location: Silver Presentations of the Symposium Workshop: Rethinking Aural Skills Through Backwards Design |
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| 10:45am - 12:45pm |
18th-Century Poietics Location: Windows Chair: Bertil van Boer, Western Washington University Between Idomeneo and Tito: Seria Style and Genre in Mozart's Concert Arias of the 1780s The Metamorphosis of Style GROTESQUE AS AN ALTERNATIVE AESTHETIC MODE IN MADRILENIAN CHAMBER MUSIC DURING THE SECOND HALF OF THE EIGHTEENTH CENTURY. Johann Sebastian Bach’s Goldberg Variations as Music of Protest and Tragedy: Intertextual Readings in Theatrical Works of the Twentieth and Twenty-First Centuries |
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| 11:00am - 12:30pm |
AMS Board Meet & Greet 2 Location: Plaza Exhibit |
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| 11:00am - 2:15pm |
Music Copyright Office Hours: Ask a Theorist-Attorney! Location: Plaza Exhibit SMT Booth 408 Bring your burning music copyright questions to the Exhibit Hall and chat with music theorists whose work in music theory has brought them to the law. |
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| 12:30pm - 2:00pm |
AMS Global East Asian Music Research Study Group Business Meeting Kunio Hara University of South Carolina Location: Plaza Ballroom D Chair: Kunio Hara, University of South Carolina Chair: Amanda Hsieh, Durham University |
AMS Music and Disability Study Group Business Meeting Location: Grand Ballroom II Chair: Elizabeth McLain, Virginia Tech Chair: James Deaville, Carleton University Presenter: Jeannette Jones, College of the Holy Cross Presenter: Tekla Babyak, Disabled Independent Scholar |
Committee on Career-Related Issues Brown-Bag Lunch Catherine Mayes University of Utah Location: Director's Row E |
Jazz and Improvisation Study Group Business Meeting Kimberly Hannon Teal University of North Texas, Location: Governor's Sq. 17 |
| Mozart Society of America Business Meeting and Study Session Location: Vail |
Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Stephen S. Hudson , Location: Plaza Ballroom E |
Music, Sound, and Trauma Study Group Business Meeting Jillian C Rogers Indiana University Bloomington Location: Governor's Sq. 12 |
Pedagogy Study Group Business Meeting Esther Marie Morgan-Ellis University of North Georgia, Location: Plaza Ballroom F |
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| Skills and Resources for Early Musics Study Group Business Meeting and Keynote Daniel DiCenso College of the Holy Cross Location: Majesty Ballroom Chair: Daniel DiCenso, College of the Holy Cross Chair: Catherine Saucier, Arizona State University |
SMT Autographs & Archival Documents Interest Group Meeting Location: Governor's Sq. 15 |
SMT Committee on Disability & Accessibility Brown Bag Lunch Location: Governor's Sq. 10 |
SMT Committee on Feminist Issues & Gender Equity Brown Bag Lunch Location: Director's Row H |
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| SMT Committee on LGBTQ+ Issues Meeting Location: Governor's Sq. 9 Closed Meeting. |
SMT Music & Psychoanalysis Interest Group Meeting Location: Grand Ballroom I |
SMT Popular Music Interest Group Meeting Location: Denver |
SMT Post-1945 Music Analysis Interest Group Meeting Location: Silver |
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| SMT Russian Music Theory Interest Group Meeting Location: Governor's Sq. 11 |
Society for Seventeenth Century Music Business Meeting Location: Governor's Sq. 16 |
Speed Mentoring Location: South Convention Lobby |
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| 1:00pm - 3:00pm |
SMT CV Review Session Location: Plaza Court 6 |
SMT CV Review Waiting Room Location: Plaza Court 7 |
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| 1:30pm - 3:00pm |
AMS/MLA Joint RISM Committee Location: Director's Row G Chair: Paul Allen Sommerfeld, Library of Congress |
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| 1:45pm - 3:45pm |
Rethinking Representation and Experience Location: Windows Chair: Naomi Andre, University of North Carolina at Chapel Hill Mid-Century Mood Music as Racial Kitsch The “Black” Dutchman: Race, Casting, and Der Fliegende Holländer on the Bayreuth Stage Working Conditions, Networking, Musical Aesthetics: Exploring Gendered Minoritarian Experiences within the Classical Music Profession |
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| 2:15pm - 3:45pm |
Analyzing Hip-Hop Location: Denver Chair: Noriko Manabe, Indiana University Hip-Hop Sampling as Analytic Act Formal Development in Hip-Hop: Vocal Groove and Phrase Structure in the Verses of 2Pac and The Notorious B.I.G. Rhythm and Vocal Expression in Hip Hop Soul |
Hearing Hybridity Location: Governor's Sq. 15 Chair: Bruno Alcalde Tonal and Narrative Teleologies in Chris Thile's Music "What's Up Danger?" and the Assimilative Implications of its Musical Hybridity in Spider-Man: Into the Spiderverse Hearing the Sonata Through Hensel's Sonata o Capriccio |
Historicizing Celebrity Shaena Weitz University of Bristol, Location: Governor's Sq. 16 Chair: Clair Rowden |
Interrogating "Global East Asia" Kunio Hara University of South Carolina, Location: Grand Ballroom II |
| Materials that Matter: Cultivating a Musical Tradition with Found Objects Luke Helker Benedictine College Location: Governor's Sq. 14 |
Missionaries and Music Location: Plaza Ballroom F Chair: Alicia Doyle Britons in Transit: Music, Moravians, and the Beginnings of the Modern British Missionary Movement, 1790-1834 Reconsidering the Music of the California Missions Rethinking Translation: Hymns and Historical Changes in Korea in the Age of Pacific Empires |
Music, Labor, and Jewish Identity Location: Governor's Sq. 12 Chair: Karen Painter Concept, Laboratory, Playground: Ursula Burghardt as Composer-Artist in the 5-Day-Race (1968) The “Undesirable” in Box 14: A Counter-History of Jewish Men’s Labor for the Metropolitan Opera House, 1880-1940 Voices from the East and the South: Isaac Nathan’s Global-Historical Pedagogy in Regency Britain |
Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Location: Majesty Ballroom Presentations of the Symposium Heitor Villa-Lobos and Political Opportunism in Music Education Workers’ Choirs, Eugenics, and Cultural Intimacy in 1930s Colombia Music and Populism in Mexican Post-Revolutionary Education |
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| New Considerations in Black Music Research Location: Vail Chair: Mark Burford, Reed College From Out of Bondage to The Underground Railroad: Early African-American Musical Theatre Rediscovered Washington Conservatory Alumni in the Long History of Black Music Studies |
Public Scholarship: How We Got Here, Where We’re Going Reba Wissner , Location: Plaza Ballroom E Chair: Imani Mosley |
Puppetry, Music, and National Identity Location: Governor's Sq. 17 Chair: Margaret Lucia, Shippensburg University Between Human and Machine in Manuel de Falla’s _El retablo de Maese Pedro_ Reclaiming the Puppet’s Voice at the Petit-Théâtre de la Marionnette (1888-1894) |
Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Location: Silver Presentations of the Symposium Al-ʿAbdarī's Questions on the Fundamentals of Music: Music Theory in the Medieval Muslim West Al-Fārābī in Hebrew: Elements of an Iberian-Provençal Jewish Epistemology of Music Islamicate Music Theory in Christianate Seville: Solomon ibn Yaʿīsh (d. 1345) on the Musical Motion of the Pulse |
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| Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Áine Palmer Yale University, Location: Plaza Ballroom D Chair: Mark Everist Presentations of the Symposium Rethinking Musical Historiographies of Thirteenth-Century Paris: Benedicamus Domino and Unwritten Polyphony Notating Contrafacta in the Chansonnier Cangé What Killed Petrus de Cruce? |
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| 2:15pm - 4:15pm |
Harmonic Effects Location: Governor's Sq. 11 Chair: Daniel Harrison, Yale University Analyzing Displacement Techniques in Prokofiev’s Music Theorizing the Modal Double-Tonic Complex with Maurice Duruflé’s Works as a Case Study Theorizing Tonal Function in a Messiaen Mode 2 Idiom Samuel Coleridge-Taylor and Schubert’s Promissory Note |
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| 2:15pm - 5:30pm |
Professional Ins and Outs: Practicing/Performing Public Music Theory Location: Grand Ballroom I Presentations of the Symposium Public music theory outside the academy Public Music Theory Within the Academy |
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| 4:00pm - 5:00pm |
Ambient Music and EDM Location: Silver Chair: Victor Szabo, Hampden-Sydney College A Posthuman Voice: Vocal Aesthetic and Identity in 2010s Witch House Don't Pop the Bubble: Intersections of ambient music, attention, expectation, and flow in Tim Hecker's Virgins |
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| 4:00pm - 5:30pm |
Classical Forms Location: Governor's Sq. 15 Chair: Olga Sánchez-Kisielewska, The University of Chicago Cutting Out the Middle Man: The Medial Moment and the Binary-Ternary Transformation of Sonata Form Galant Schemata and Irregular Phrase Rhythm in late-Eighteenth-Century Spanish Keyboard Sonatas Mozart's "operatic cadence" |
Composing the "Other" in the Early 20th Century Location: Majesty Ballroom Chair: Daniel Callahan Associations & Politics in Henriëtte Bosmans’s Concertino voor piano en orkest (1928) European or Oriental? Armenian Folksong Publications, Transnational Networks, and Self-Making in Fin-De-Siècle France Exotic Novelties and New Women: Orientalism and Appropriation in Tin Pan Alley |
Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Kari Lindquist , Location: Plaza Ballroom F Chair: Marysol Quevedo Presentations of the Symposium Untangling Governmental and Philanthropic Cultural Diplomacy in Antonio Fernández-Cid’s La música en los Estados Unidos Wind Bands in Cold War Diplomacy and The University of Michigan Symphony Band’s 1961 Tour Aerobic Sound, Neoliberal Bodies: Fashioning the “New American Person” in the US Cultural Imaginary |
Message Music: Musicology and Social Movements Jessie Ann Owens University of California, Davis, Location: Plaza Ballroom D Chair: Jessie Ann Owens, University of California, Davis Chair: Roger Freitas, Eastman School of Music Presenter: Reiland Rabaka, University of Colorado Boulder Presenter: Loren Kajikawa, George Washington University |
| Metric Modulations, Patterns, and Schemas Location: Denver Chair: Ben Baker Temporal Transformations in the Timekeeper's Toolkit: Metric Modulation in Popular Music Drumming Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012–2021 Cue Schemas |
Music, Technology, and Communication Location: Governor's Sq. 16 Chair: James Gabrillo, University of Texas at Austin Medium, Message, Performance: Technological Inadequacy in Igor Levit’s “House Concerts" Raising a Proper American Citizen: The Politics of Childhood in the Music of American Cartoons of the 1950s Timbre Dematerialized: Illusory Instruments in "Arrival" and "The Lighthouse" |
Orality in Italian Popular Song Location: Governor's Sq. 12 Chair: Claudio Vellutini, University of British Columbia Archiving Orality: Notation and Mimesis of Acts of Poetic Recitation in Musical Print Napule è mille culure: Popular Neapolitan Music pre-1750 Operetta, Neapolitan Song, and the Southern Origins of Italy’s Popular Music Industry |
Quotation and Borrowing in the Sacred Location: Plaza Ballroom E Chair: Kelly Huff 'Imitatio’ and Josquin in the Sixteenth Century: The Benedicta es Complex and the Mass attributed to Hesdin and Willaert Imitating Birdsong or Praising Saint Catherine? The Courtly Remaking of a Fourteenth-Century Virelai Sarum Plainchant in A Reformist Biblical Play: Problem or Solution? |
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| Reframing the Music Theory Curriculum with Sarah Louden (NYU Steinhardt) & Paula Maust (Peabody Institute), Presented by Auralia & Musition Location: Vail |
Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Location: Windows Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields |
Silence, Dissonance, and Dialogue: New Perspectives on French Modernism David T. Salkowski University of Tennessee, Location: Grand Ballroom II Chair: Louis Kaiser Epstein, St. Olaf College Presentations of the Symposium On “Silence” in Music: Six Settings of “Un grand sommeil noir” Les Six and Dissonant Combination: Both a Unifying Technique and a Target for Antisemitic Criticism Music as Asymmetrical Encounter in Arthur Lourié, Raïssa Maritain, and Simone Weil |
Transauralities: Thinking Trans in Music/Sound Studies Alejandrina M. Medina University of California San Diego, Location: Governor's Sq. 17 Chair: Amy Cimini Presentations of the Symposium The Trans Ear/(h)earing Vocal Transcendence: Performing and Perceiving Transgender Drag Vocal Performance "I’ll figure out a way to get us out of here": Cavetown and Trans Youthful Care |
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| 4:30pm - 5:30pm |
Gospel Music Location: Governor's Sq. 11 Modal Fluidity in Millennial Gospel Situating Gospel’s Inverted M2m |
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| 4:30pm - 6:00pm |
Music Copyright Office Hours: Ask a Theorist-Attorney! Location: Plaza Exhibit SMT Booth 408 Bring your burning music copyright questions to the Exhibit Hall and chat with music theorists whose work in music theory has brought them to the law. |
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| 5:45pm - 6:30pm |
AMS Career Development Grants in American Music: Check-in 1 Location: Director's Row E |
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| 5:45pm - 6:45pm |
Joint Prospective Graduate Student Fair Location: South Convention Lobby |
Reception for Friends of the AMS Jessie Ann Owens University of California, Davis, Location: Governor's Sq. 10 |
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| 5:45pm - 7:45pm |
Eastman School of Music Alumni Reception Location: Director's Row I |
Friends of Stony Brook Location: Tower Court A |
Rice University Alumni Reception Location: Tower Court B |
RIPM / RILM Reception Location: Director's Row H |
| University of Kansas School of Music Meet and Greet Location: Plaza Court 1 |
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| 6:45pm - 7:45pm |
Joint Student Reception Location: Plaza Ballroom D |
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| 7:00pm - 9:00pm |
Case Western Reserve University Reception Location: Tower Court C |
Florida State University Reception Location: Plaza Ballroom F |
New York University Reception Location: Vail |
Project Spectrum Reception Location: Tower Court D |
| W. W. Norton Party Location: Majesty Ballroom |
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| 7:30pm - 9:00pm |
SMT Composition Interest Group Meeting Location: Governor's Sq. 11 |
SMT Film and Multimedia Interest Group Meeting Location: Silver |
SMT Global Interculturalism & Musical Peripheries Interest Group Meeting Location: Governor's Sq. 15 |
SMT Hip-Hop & Rap Interest Group Meeting Location: Denver |
| SMT Musical Theater Interest Group Meeting Location: Grand Ballroom I |
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| 8:00pm - 10:00pm |
“Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Gabrielle Cornish , Location: Governor's Sq. 14 Presentations of the Symposium The Pope, Solidarity, and religious awakening of Polish composers in the 1980s Incidentally On Purpose: Religious Content in Willis Conover’s Voice of America Jazz Hour Spirituality and Collective Memory in the Last Soviet Kazakh Opera |
AMS Ludomusicology Poster Session: Music, Games, and Play Cristian Martinez Vega AMS Ludomusicology Study Group, Location: Governor's Sq. 12 Presentations of the Symposium Poster 1 Poster 20 |
Disability Identity in Music Scholarship Elizabeth McLain Virginia Tech, Location: Governor's Sq. 17 Presentations of the Symposium Ethnography Through All Of Our Bodies: Reconsidering Methodology through Disability Expertise I got a right to be Mad: Madness in Beyoncé’s Lemonade Perspective Inclusive Music Workshops An Initial Exploration of Autistic, Synesthetic Queer Listening You Want Us to do What? : Analysing the Disability Identity in Music Scholarship Call for Papers Crip-Punk! Exploring Disability and Liberation Through Music |
Queer Musicology from Dykecore to the Quare Canon Maria Murphy University of Pennsylvania, Location: Plaza Ballroom E Presentations of the Symposium Making Something from Nothing: How Playing Pretend in 1990s Dykecore Created Community “The eternally music-loving, music-making, intersexual Uranian”: Finding Queer Musicology at the Turn of the Twentieth Century The Quare Canon: Queer Women-Identifying Songs of the Twenty-First Century Mudang, Hwarang, and Han: Tracing Decolonial Expressions in eddy kwon's UMMA-YA |
| Rethinking (Im)mobility in Global Music History Studies Hyun Kyong Hannah Chang , Location: Windows |
Student Engagement: Texts and Tools Esther Marie Morgan-Ellis University of North Georgia, Location: Governor's Sq. 16 Presentations of the Symposium Music History Texts in the Modern College Classroom Tools for Active Learning |
University of Chicago Reception Location: Grand Ballroom II |
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| 9:30pm - 10:30pm |
University of Alberta Reception Location: Tower Court B |
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| 9:30pm - 11:30pm |
Society for Christian Scholarship in Music Annual Reception Location: Tower Court A |
University of North Carolina at Chapel Hill Reception Location: Plaza Ballroom D |
University of Oregon Reception Location: Director's Row I |
Viola da Gamba Jam Location: Governor's Sq. 15 |
| 10:00pm - 11:59pm |
Columbia University Reception Location: Vail |
LGBTQ Study Group Party Maria Murphy University of Pennsylvania, Location: Plaza Ballroom F |
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