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Index of Authors

A list of all persons who contribute to the sessions of this conference. Please select a letter below to list all persons with the corresponding surname. Select the presentation in the right-hand column to access session and presentation details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

List Options: Authors and Sessions · Authors and Presentations | Include Session Chairs

Author(s)	Organization(s)	Contribution Title
Saenz, Juan Patricio	McGill University	From Topic to Prime Sonority: The Structural Evolution of the "Guitar Chord" in Alberto Ginastera’s Oeuvre
Salem, Joseph	University of Victoria (Canada)	A Survey of the Sources of Serialism at its Centenary Presenter
Salinas, Edgardo Raul	The Juilliard School	Medium, Message, Performance: Technological Inadequacy in Igor Levit’s “House Concerts"
Salkowski, David	University of Tennessee, Knoxville	Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter
Saltzstein, Jennifer	University of Oklahoma	Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Chair
Samples, Mark	Central Washington University	Duke Ellington’s Publicity Manuals and the Shaping of an Iconic Career, 1931–1967
Sánchez-Rojo, Ana Paola	Tulane University	Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Chair
Santana, M. Myrta Leslie	University of California, San Diego	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Sarno, Megan	The University of Texas at Arlington	Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter
Saucier, Catherine	Arizona State University	What is Latin Song in the Medieval World? Presenter
Sauvey, Tadhg	University of Cambridge	Sacred Neoclassicism: Catholic Ritual and Modernist Objectivism in Interwar France
Sayrs, Elizabeth	Ohio University	Professional Ins and Outs: Practicing/Performing Public Music Theory Chair
Schindler, Jake	Western University	Contextualizing Hildegard of Bingen’s Compositional Style through Computational Analysis
Schmelz, Peter	Arizona State Uniiversity; Johns Hopkins/Arizona State University	Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Chair Georgia, Ukraine, and Decolonizing Soviet Music History Chair Georgia, Ukraine, and Decolonizing Soviet Music History Presenter
Schossberger, Barak	Hebrew University, Jerusalem	Cutting Out the Middle Man: The Medial Moment and the Binary-Ternary Transformation of Sonata Form
Schreter, Uri	Harvard University	Anti-Semitism, Music, and Music Studies: Views from the Field Chair
Schubert, Peter	McGill University	Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter
Schulenburg, Martha	RILM	Exotic Novelties and New Women: Orientalism and Appropriation in Tin Pan Alley
Schüler, Nico	Texas State University	From Out of Bondage to The Underground Railroad: Early African-American Musical Theatre Rediscovered
Schwartz-Bishir, Rebecca	University of Michigan	Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Chair Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Presenter
Scoggin, Lisa	San Diego, CA	_Crusader Rabbit_ and the Transition from the Theater to the Television
Sears, David R. W.	Texas Tech University	Developing Corpora for Musical Traditions Across the Globe: Music Analysis with the MIRAGE-MetaCorpus
Sebulsky, Micheal	University of Oregon	Recombinant Teleology in Improvised Popular Music
Segall, Christopher	University of Cincinnati	Specters of Bach: Hauntology in the Music of Sofia Gubaidulina
Shababi, Lily	University of California, Los Angeles	Culturally Situating Trans-Femininity through Hyperpop’s Technologically-Processed Vocals
Shadle, Douglas	Vanderbilt University	Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Chair Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter
Shaffer, Melanie	Radboud University	What is Latin Song in the Medieval World? Presenter
Shannon, Alexander Michael	Indiana University,	Chord-Member Space and Transformations
Sharikadze, Nana	Tbilisi Conservatory	Georgia, Ukraine, and Decolonizing Soviet Music History Presenter
Shepherd, Lauren	Columbia University	Reconceiving Genre: Gender and Asian American Identity in Post-Millennial Rock
Shiflett, Campbell	Oklahoma City University	Lost and Found: New Work in Ravel Studies Presenter
Short, Rachel	Shenandoah Conservatory, Shenandoah University	What is “Wild” about Wildeiana Music? Music and Oscar Wilde in 1882
Shupe, Abigail	Colorado State University	Professional Ins and Outs: Practicing/Performing Public Music Theory Presenter
Sigua, Maia	Tbilisi Conservatory	Georgia, Ukraine, and Decolonizing Soviet Music History Presenter
Simpson-Litke, Rebecca Suzanne	University of Manitoba,	Not Just a “Little Parade”: Engaging Interactions Between Music and Dance in “La cumparsita” from Carlos Saura’s Tango
Siso, Alexandra	University of Sheffield	From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter
Smialek, Eric	University of Huddersfield,	Literary Worlds and Storytelling Narratives in the Technical Death Metal of Nile: Western Subjectivities and Ancient Egyptian Historical Imagination
Smith, Jeremy	Ohio State University	Teaching Popular Music Studies: Pedagogy and Curriculum Presenter
Smith, Jeremy L.	University of Colorado at Boulder	From Political Work to Homoerotic Play: Music in Cults of James and Anna
Smith, Mags	Independent Researcher	Disability Identity in Music Scholarship
Smith, Peter	University of Notre Dame	Corpus Studies, Sonata Typology, and the 19th-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression
Snyder, Beth M	University of North Texas,	Debating Cosmopolitan Utopia: Women Singers at the Glyndebourne Opera Festival in the 1930s
Sommerfeld, Paul Allen	Library of Congress	From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film through Data Analysis and Musical Topoi
Son, Mingyeong	Harvard University	Decentralized Duets: The Dynamics of Music-Making in American-Korean Collaborations Presenter
Sonevytsky, Maria	Bard College	Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Presenter
Sosa, Helkin	University of Massachusetts Amherst	The “what” and “when” of cadences
Southard-Dobbs, Shana	Lander University	Investigating Relationships among Mindset, Rapport, and Belonging in Undergraduate Music Theory Learners
Spencer, Stephen	Hunter College and the Graduate Center, CUNY	Visualizing the relative brightness of concurrent textural layers in Ruth Crawford’s Music for Small Orchestra (1926)
St. Pierre, Kelly	Wichita State University	Representing Racialized Selves and Others in Czech Music Chair
Stahl, Matt	University of Western Ontario	Music and the Law Presenter
Starr, Pamela F.	University of Nebraska-Lincoln	Decolonizing Mode in the Twenty-First Century Music History Classroom Chair
Stegall, Dmitriy	The University of Texas, Austin	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Steigerwald Ille, Megan	University of Cincinnati	Contemporary American Opera at the Intersection of Genre and Institution Presenter
Stein, Danielle R.	UCLA	New Approaches to Studying Recorded Jewish Music Presenter
Stemke, Ash	Murray State University	The "Nostalgic Sentence": Historical Contexts and Sample Analyses
Stepherson, Madison	University of Oregon	She Tells the Story: The Lyrical Narrator, Persona, and Empowerment in Country Songs
Stevens, Daniel B.	University of Delaware	Workshop: Rethinking Aural Skills Through Backwards Design Organizer Workshop: Rethinking Aural Skills Through Backwards Design Professional Ins and Outs: Practicing/Performing Public Music Theory
Stoecker, Philip	Hofstra University	A Survey of the Sources of Serialism at its Centenary Organizer A Survey of the Sources of Serialism at its Centenary Chair
Stokes, Jordan	West Chester University	Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Chair
Stoll, Henry	University of Michigan	European Music and Caribbean Slavery in the Eighteenth Century Presenter
Stover, Chris	Queensland Conservatorium, Griffith University	“A network of interacting forces”: rhythm, African philosophy, and music theory Redefining Music Theory through Translation Chair
Straus, Joseph	CUNY Graduate Center,	Poetic Meter: A View from Music Theory
Strohschein, Heather	Bowling Green State University	Disability Identity in Music Scholarship Presenter
Styskal, Madeline	The University of Texas, Austin	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Sullivan, James	Michigan State University	The Energetics of Florence Price’s Caged Birds
Summers, William J.	Dartmouth College	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Swanson, Cole D.	Duke University	Timbre Dematerialized: Illusory Instruments in "Arrival" and "The Lighthouse"
Swift, Kristy	University of Cincinnati College-Conservatory of Music	Student Engagement: Texts and Tools

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Conference: AMS-SMT 2023 Joint Annual Meeting