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Index of Authors

A list of all persons who contribute to the sessions of this conference. Please select a letter below to list all persons with the corresponding surname. Select the presentation in the right-hand column to access session and presentation details.

List by Initial Letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z All Authors

List Options: Authors and Sessions · Authors and Presentations | Include Session Chairs

Author(s)	Organization(s)	Contribution Title
Abrahamyan, Knar	Columbia University	“Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Presenter Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant The Racializing Logic of Kazakh “Free Meter” in Soviet Theoretical Writings
Accornero, Giulia	Yale University	Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter Beyond the Staff: Notation Pedagogies and Practices Chair
Affatato, Giovanni	Julius-Maximilians-Universität Würzburg	Animated Harmonic Analysis Using DFT Phase Spaces and Coefficient Products
Ai, Stephen Tian-You	Harvard University	Microtonal Listenings Presenter
Alonso Mutti, Ana R.	University of New Mexico	Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter
Alonso-Minutti, Ana	University of New Mexico	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Amarosa, Leah	University of Oregon	Formal Development in Hip-Hop: Vocal Groove and Phrase Structure in the Verses of 2Pac and The Notorious B.I.G. Presenter
Amati, Alexandra	Harvard University	Napule è mille culure: Popular Neapolitan Music pre-1750 Fragments to Footlights: What can we learn from operatic sketches? Chair
Analogue, Suzi	University of North Carolina at Chapel Hill	Teaching Popular Music Studies: Pedagogy and Curriculum Presenter
Anatone, Richard	Prince George's Community College	(Chip)songs without words: Hearing Traditional and Ambiguous Rock Form in 8-bit NES Chiptunes AMS Ludomusicology Poster Session: Music, Games, and Play Chair
André, Naomi	University of North Carolina at Chapel Hill	European Music and Caribbean Slavery in the Eighteenth Century Chair
Andre, Naomi	University of North Carolina at Chapel Hill,	Opera’s New Realism: Engaging Harm, Care, and Repair
Arango Calle, Miguel	Indiana University	Ending with Flair: Final Transformations in Late-Eighteenth-Century Magical Operas
Arewa, Olufunmilayo B.	Antonin Scalia Law School at George Mason University	Beyond the Staff: Notation Pedagogies and Practices Presenter
Arnold, Cory	12Tone	SMT Plenary: Public Music Theory
Aschheim, Victoria	Carleton College	Putting Ecstatic Minimalism into Words
Atkinson, Charles M.	The Ohio State University	Boethius, Harmonic Theory, and the Alia musica: New Perspectives Presenter
Austern, Linda	Northwestern University	From Political Work to Homoerotic Play: Music in Cults of James and Anna Chair From Political Work to Homoerotic Play: Music in Cults of James and Anna Discussant
Avila, Jacqueline	University of Texas at Austin	Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Discussant Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Ayers, William	University of Central Florida	Microtonal Listenings Presenter
Babyak, Tekla	Independent Scholar, Davis, CA	The SMT Committee on Disability and Accessibility Session Discussant
Baileyshea, Matt	University of Rochester	Professional Ins and Outs: Practicing/Performing Public Music Theory Presenter
Bain, Jennifer	Dalhousie University	Contextualizing Hildegard of Bingen’s Compositional Style through Computational Analysis
Baker, Ben	Eastman School of Music	Tonal and Narrative Teleologies in Chris Thile's Music
Ban, Steph	Independent Scholar	Disability Identity in Music Scholarship Presenter
Bangura, Lydia	University of Michigan	SMT Plenary: Public Music Theory
Banta, AJ	University of Michigan	Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter
Bar-Yoshafat, Yonatan	The Open University of Israel	Retracted Tonal Areas in Sonata-Form Expositions: Circular Directionality in Early Nineteenth-Century Music
Baranello, Micaela	Temple University	Contemporary American Opera at the Intersection of Genre and Institution Presenter
Barker, Kirsten	University of Illinois	Music, Sound, and the Making of Eco-Culture Presenter
Barna, Alyssa	University of Minnesota	SMT Plenary: Public Music Theory
Barolsky, Daniel	Beloit College	Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter
Barrett, Andrew L.	Northwestern University	Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter
Bartig, Kevin	Michigan State University	Utopian In Form, Bourgeois in Content: Moscow’s Conductorless Orchestra and Early Soviet Musical Life
Bassler, Samantha	New York University	Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter
Bates, Morgan	UCLA	Transauralities: Thinking Trans in Music/Sound Studies Presenter
Batterman Cháirez, Chris	University of Chicago	Tracing Sounds, Sounding Traces: Indigenous Musical Histories of a Mexican Island
Bauer, Amy	UC Irvine	Bases and Superstructures: Academic Music Studies and the Capitalist Present Chair
Beaudoin, Richard	Dartmouth College	Sound, Sex, and Somaesthetics
Beavers, Jennifer	University of Texas at San Antonio	Lost and Found: New Work in Ravel Studies Presenter Professional Ins and Outs: Practicing/Performing Public Music Theory
Beckerman, Michael	New York University	Representing Racialized Selves and Others in Czech Music Discussant
Beisel Hollenbach, Katie	University of Washington	"The Answer to the Enemy's Siren": GI Jill and Government Sponsored Intimacy in World War II Radio
Bell, M. Jerome	Eastman School of Music	Modal Fluidity in Millennial Gospel
Belt, Chelsey Lee	Indiana University	Archiving Orality: Notation and Mimesis of Acts of Poetic Recitation in Musical Print
Bennett, Michael Andrew	University of Washington	Sex Crimes and 1990s Politics in KISS OF THE SPIDER WOMAN and PARADE
Berlin, Lauren	Eastman School of Music	(Re)introducing Marian Anderson: Television’s Normative Power at the _Ford 50th Anniversary Show_ (1953)
Bertolani, Valentina	University of Birmingham	Archives Presenter
Bhogal, Gurminder K.	Wellesley College	Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter
Bilik, Matthew Allan	Anderson University	Pivot Sonority Markedness as Bass-Chord Disjunction in Pop and Rock
Bishop, Daniel	Indiana University	Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Chair
Blaszkiewicz, Jack	Wayne State University	À première vue: Sightreading as Performance in the Paris Conservatoire
Bleish, Nicholas	Katholieke Universiteit, Leuven	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Blim, Dan	Denison University	“Doing Musicology” with Primary Sources Presenter
Boleslawska, Beata	Institute of Art, Polish Academy of Sciences	“Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Presenter
Bomberger, E. Douglas	Elizabethtown College	“The new life is hard”: Amy Beach’s European Years and the Launching of her Second Career
Boone, Christine	University of North Carolina Asheville	Professional Ins and Outs: Practicing/Performing Public Music Theory
Booth, Annie	University of Denver	Histories of Pedagogy/Pedagogies of History Presenter
Borowski, Devon J	University of Chicago	Voices from the East and the South: Isaac Nathan’s Global-Historical Pedagogy in Regency Britain
Boucher, Daniel Thomas	University of Birmingham	Opera on the periphery: 'Orpheus und Eurydike' in Kassel
Bourne, Janet	University of California, Santa Barbara,	A “Woman’s Way of Listening” to Beethoven: Topical Competencies and Perceiving a Lullaby Topic in Beethoven’s Op. 90/II and Op. 101/I
Bowden, Sara	Northwestern University	Spinning in Silence: Musical Visuality in the Marching Arts
Bower, Calvin M.	Notre Dame University	Boethius, Harmonic Theory, and the Alia musica: New Perspectives Presenter
Boyd, Clifton	New York University	Music in the Blood: Race Pseudoscience in Barbershop Harmony
Boynton, Susan	Columbia University	Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Chair
Bradley, Catherine A.	University of Oslo	Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Presenter
Brewer, Charles	Florida State University	What is Latin Song in the Medieval World? Presenter
Brooks, Erin M	SUNY Potsdam	Popular Music, Gendered Violence, and Trauma Studies Chair
Brown, Jenine	Johns Hopkins Peabody Institute	Workshop: Rethinking Aural Skills Through Backwards Design Organizer Workshop: Rethinking Aural Skills Through Backwards Design
Brown, Jordan	Harvard University	Queer Musicology from Dykecore to the Quare Canon Presenter
Bullivant, Joanna	University of Oxford,	Musical oratory and Catholic networks: A prolegomenon to Elgar’s The Dream of Gerontius
Bullock, Philip	University of Oxford (UK)	Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Presenter
Bunch, Ryan	Rutgers University-Camden	Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Chair
Burkholder, J. Peter	Indiana University Jacobs School of Music	Student Engagement: Texts and Tools Presenter
Burnam, Henry	Yale University	“The Unpsychological Notion That Music is Made Up of Tones”: Comparative Musicology and Gestalt Theory in Berlin, 1906-1913
Burnett, Philip	University of York	Britons in Transit: Music, Moravians, and the Beginnings of the Modern British Missionary Movement, 1790-1834
Burns, Chelsea	University of Texas at Austin	Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter
Burton, Deborah	Boston University	Fragments to Footlights: What can we learn from operatic sketches? Presenter
Bussert, Jack	Indiana University	Microtonal Listenings Presenter
Butler, Margaret	University of Wisconsin-Madison	Luigi Marescalchi and the Circulation of Power: Women on the Late Eighteenth-Century Italian Opera Stage
Byl, Julia	University of Alberta	Upstream of Global Music History: Against the Musical Flow in North Sumatra
C. Moss, Fabian	Politecnico di Milano	Animated Harmonic Analysis Using DFT Phase Spaces and Coefficient Products
Caldwell, Mary Channen	University of Pennsylvania	What is Latin Song in the Medieval World? Chair
Calico, Joy	University of California, Los Angeles	Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant
Camp, Gregory Louis	University of Auckland	Inside the Score: Towards a Poetics of Theme Park Music
Camp, Melissa	University of North Carolina at Chapel Hill	Sound Recording and Global Imperialism in the Early Twentieth Century Presenter
Campo-Bowen, Christopher	Virginia Tech University	Representing Racialized Selves and Others in Czech Music Presenter
Camprubi, Marcel	Princeton University	Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter
Carlson, Michael	University of North Carolina at Chapel Hill	Contrafacts: A Template for Agency and Identity Formation Presenter
Carroll, Rebecca	Rutgers University,	Intervening in Art: A Case Study in Contemporizing Consent for the Archive
Carter, David Scott	Loyola Marymount University	“We All Have a Hunger”: Formal Blends as Rebuilds in Popular Song
Carter, Stewart Arlen	Wake Forest University,	Chinese Musical Instruments, from Ming to Qing: Zhu Zaiyu’s Yuelü quanshu and Its Influence on Joseph-Marie Amiot’s Treatises
Castle, Harry	University of Michigan	Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter
Castro Pantoja, Daniel	University of North Carolina-Greensboro; UNC Greensboro	Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter Rethinking (Im)mobility in Global Music History Studies Chair
Cawyer, Brad	Texas Tech University	Measuring the Uncanny: Chromatic Mediant Motion in Elliott Smith's, XO
Celora, Eleonora	University of Notre Dame	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter The Sequentiaries from Cividale: New Insights into Local History
Cerin, Jean Bernard	Cornell University	Lisette: A Song's Journey From Haiti & Back
Cerveux, Alexandre	University of Oxford	Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter
Chandrasekhar, Varun	Washington University in St. Louis	Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter
Chang, Hyun Kyong Hannah	University of Sheffield	AMS Global Music History Business Meeting Rethinking (Im)mobility in Global Music History Studies Chair Rethinking Translation: Hymns and Historical Changes in Korea in the Age of Pacific Empires
Chang, Lidia Aurora	N/A; Colorado College	Lessons from Avian Organology Chair Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter
Chapman, Dale	Bates College	Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter
Charney, Joshua	N/A	The First Instrument: Paleolithic Organology and Other Considerations on the Origins of Music
Chávez, Hermán Luis	King's College London	Transauralities: Thinking Trans in Music/Sound Studies Presenter
Chávez Bárcenas, Ireri E	Bowdoin College,	Listening to Black Voices in Early Modern New Spain
Chen, Joyce Wei-Jo	Princeton University; University of Oregon	Music and Dance in Zhu Zaiyu’s Ceremonial Music: An Ontological Intervention on Early Modern Dance Studies
Chen, Sitong	University of Oregon	Luo Zhongrong’s trio ensemble One Yun Sharing Three-Gong Systems and the blending of Chinese and Western theoretical systems
Chenette, Timothy	Utah State University,	Workshop: Rethinking Aural Skills Through Backwards Design Organizer Workshop: Rethinking Aural Skills Through Backwards Design Chair Workshop: Rethinking Aural Skills Through Backwards Design Presenter
Cheng, William	Dartmouth	Demystifying Public Musicology Presenter Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Chair Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter
Cherry, Nicole	University of Texas at San Antonio	How George Bridgetower Flourished: A Violinist's Bridge Between Past and Future
Chiu, Matt	Baldwin Wallace University	Emo Guitar Tunings: The Impact of Guitar Tunings on Fretboard Distances
Chiu, Remi	Peabody Institute of the Johns Hopkins University	Music and Quackery in Britain and America Presenter
Cho, Jennifer Ye Ji	University of California, Berkeley	Histories of Pedagogy/Pedagogies of History Presenter
Christensen, Thomas	University of Chicago	Expanded Anthology of Sources in the History of Music Theory
Chu, Allison	Yale University	Anthemic Aspirations and Operatic Opinions: Rallying Communities in An American Soldier (2018) and The Central Park Five (2019)
Cimini, Amy	UC San Diego	Transauralities: Thinking Trans in Music/Sound Studies Chair
Clark, Walter A.	University of California, Riverside	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Clawson-Cannestra, Kaitlyn	University of Oregon	Text, Texture, and Timbre: An Interdisciplinary Approach to Art Song
Cobb, Nathan	UC Santa Barbara	A Survey of the Sources of Serialism at its Centenary Presenter
Coddington, Amy	Amherst College	Popular Music Study Group Business Meeting Teaching Popular Music Studies: Pedagogy and Curriculum Chair Turning Rap into Pop on Commercial Radio Stations
Cohen, David	Max-Planck-Institut für empirische Äesthetik	Boethius, Harmonic Theory, and the Alia musica: New Perspectives Discussant
Cohen, Sara Jo	University of Michigan Press	Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter
Colanduoni, Christina	University of Chicago	Belisario’s Blindness: The Disabling of Operatic Conventions
Cole, Christa	Oberlin College and Conservatory	Performative Effort and Temporal Experience in Two Works by Elisabeth Lutyens
Cole, Janie	Yale University	Traces of European Renaissance Keyboards in Early Modern Sub-Saharan Africa
Coleman, Jeremy	University of Malta	Wagnerian Parodies Presenter
Colletti, Carla	Webster University,	Exploring Feminist Scholarship in Music Theory Organizer Exploring Feminist Scholarship in Music Theory Chair
Collison, Thomas Charles	Indiana University	Metric Irregularity as Characterization in Death Note (2006)
Coluzzi, Seth J	Colgate University	Cipriano de Rore’s _Il primo libro de madrigali a5_ (1542) and a Defense of Mode
Conlee, Jade	Yale University	Mid-Century Mood Music as Racial Kitsch
Cook, James	University of Edinburgh	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Cooper, Samantha Madison	University of Pennsylvania	The “Undesirable” in Box 14: A Counter-History of Jewish Men’s Labor for the Metropolitan Opera House, 1880-1940
Cornish, Gabrielle	University of Miami	“Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Chair
Corrigan, Ralph	independent scholar	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Corvalan Ocampos, Camila	N/A	'Barroco hispano-guaraní' Music: Decolonizing Paraguayan Early Modern Repertories
Cosme-Clifford, Nicole	Yale University	Play a song from the Jukebox: Music composition and analysis in the age of generative AI
Cottle, Alyssa	Harvard University	Mozart and Verdi for the Revolution: Performing Classical Music in Allende’s Chile (1970-73)
Coury-Hall, M. A.	New York City, NY	The “Colors” of Parsimony in Cohn’s Reinterpreted Tonnetz
Cowgill, Rachel	University of York	Britons in Transit: Music, Moravians, and the Beginnings of the Modern British Missionary Movement, 1790-1834
Crosson, Dylan	The Ohio State University	On Earth as it is in Scale Degree Seven: Understanding the Mixolydian Mode in “Revelation Song”
Cruz, Gabriela	University of Michigan	In 'The Land of Smiles:' Ideology, theatricality and responsibility on the totalitarian stage
Cumming, Julie	McGill University	Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter
Cunnigham, Maya	N/A	HBCUs and Music Theory Presenter
Cypess, Rebecca	Rutgers University	Anti-Semitism, Music, and Music Studies: Views from the Field Presenter Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter “My Harmonious Companion”: English Square Pianos as Sites of Women’s Agency in the Eighteenth Century
Daley, Mark	Western University	Contextualizing Hildegard of Bingen’s Compositional Style through Computational Analysis
Dang, Tommy	Texas Tech University	Developing Corpora for Musical Traditions Across the Globe: Music Analysis with the MIRAGE-MetaCorpus
David, Joshua Tolulope	University of Toronto, Canada	Representation, Performative Exchange, and Afropolitanism: Rethinking Opera Production in Nigeria through The Magic Flute.
Davidson, Echo Lee	University of Pittsburgh	Reconstructing Wheelchair-using Sexual Women: Ali Stroker, Oklahoma!, and the Politics of Visibility in Music Performance
Davies, Drew Edward	Northwestern University	Contrafacts: A Template for Agency and Identity Formation Chair Contrafacts: A Template for Agency and Identity Formation Discussant
Davis, Stacey	University of Texas at San Antonio	Workshop: Rethinking Aural Skills Through Backwards Design Organizer Workshop: Rethinking Aural Skills Through Backwards Design Chair Workshop: Rethinking Aural Skills Through Backwards Design
Davis-Abraham, Hannah	University of Toronto	Hypnagogia, Oppression, and Sexual Desire in Rebecca Saunders’s O (2017)
Dawarzani, Amir	University of Colorado at Boulder	The Ur of the Ore: Moments in the Origins of Heavy Metal Presenter
Deaville, James	Carleton University	The SMT Committee on Disability and Accessibility Session Presenter
Dekovich, Michael	Loyola Marymount University	Form as a Technology of Cultural Production in Heavy Metal Music
Delécluse, François	Université libre de Bruxelles	Wagnerian Parodies Presenter
Dell'Antonio, Andrew	UT Austin	Disability Identity in Music Scholarship Chair
Dell’Antonio, Andrew	University of Texas at Austin	Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter
Dellenbaugh, Ginger	Yale University; American Musicological Society,	Beyond the Staff: Notation Pedagogies and Practices Chair Music and the Law Presenter Notation, Inscription and Visualization Study Group Business Meeting
Denk, Lucia	Princeton University	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Desinord, Richard	N/A	HBCUs and Music Theory
Desmond, Karen	Maynooth University	Repetition in the Insular Polyphonic Alleluya and the Integrity of Plainchant
Devaney, Johanna	Brooklyn College and Graduate Center, City University of New York,	Stability and Instability in Vocal Performance: A Case Study of Rihanna’s Anti (2016)
Diamantouli, Eirini	University of Cambridge	(Re)remembering Theodorakis: ‘Art-popular’ song as the afterlife of Greek wartime and resistance music making
DiBernardo Jones, Jeannette	College of the Holy Cross	Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Chair Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Presenter
DiCenso, Daniel	College of the Holy Cross	Skills and Resources for Early Musics Study Group Business Meeting and Keynote
Dickensheets, Janice	University of Northern Colorado	Student Engagement: Texts and Tools Presenter
DiPiero, Dan	University of Missouri Kansas-City	“‘Real Pain’: Trauma and Good Non-Sovereignty in the music of Indigo De Souza.”
Dobbs, Benjamin	Furman University	Investigating Relationships among Mindset, Rapport, and Belonging in Undergraduate Music Theory Learners
Doe, Julia	Columbia University	European Music and Caribbean Slavery in the Eighteenth Century Presenter
Dolan, Emily I.	Brown University	Lessons from Avian Organology Presenter
Doll, Christopher	Rutgers University	Formal Features of the Songs of Chuck Berry
Driessen, Veerle Maria Everdina	Radboud University, Nijmegen, The Netherlands	Operetta and cultural transfer in Europe Presenter
Drott, Eric	University of Texas at Austin	Music and the Law Chair
Drummond, Henry	Katholieke Universiteit, Leuven	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter What is Latin Song in the Medieval World? Presenter
Duane, Ben	Washington University in St. Louis,	“So Lonesome I Could Cry”: The Tear-Jerking Refrain in Country Music
Dubois, Taryn	Yale University,	Chasing modernity on two wheels: Music for bicycling on stage in fin-de-siècle Milan
Duinker, Ben	McGill University	Theorizing Timbre, Texture, and Space in Hip-Hop Music Presenter
Duker, Philip	University of Delaware	Workshop: Rethinking Aural Skills Through Backwards Design Organizer Workshop: Rethinking Aural Skills Through Backwards Design
Easley, David	Oklahoma City University	The SMT Committee on Disability and Accessibility Session Organizer The SMT Committee on Disability and Accessibility Session Chair
Ebright, Ryan	Bowling Green State University	Contemporary American Opera at the Intersection of Genre and Institution Presenter
Eckelhoff, Kristofer	CUNY Graduate Center	Popular Music, Gendered Violence, and Trauma Studies Presenter
Eckenroth, Lindsey	The New School	Popular Music, Gendered Violence, and Trauma Studies Presenter
Eichhorn, Jacob	Eastman School of Music	"Here is where I'll end it": (Un)finishedness, (In)completeness, and Agency in Popular Music
Elkins, Alan	Cleveland Institute of Music	From Galant to Gaming: Schemata in Early Video Game Music
Ellis, Katharine	University of Cambridge	Church and State in the Music of a Small French Town: Moulins, c.1890
Elssner, Philipp	McGill University	Theorizing Timbre, Texture, and Space in Hip-Hop Music Presenter
Endrinal, Christopher	Florida Gulf Coast University,	HBCUs and Music Theory Organizer HBCUs and Music Theory Chair
Epstein, Louis Kaiser	St. Olaf College	“Doing Musicology” with Primary Sources Presenter Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Chair Washington Conservatory Alumni in the Long History of Black Music Studies
Espinosa, Bryan Stevens	Sam Houston State University	Galant Schemata and Irregular Phrase Rhythm in late-Eighteenth-Century Spanish Keyboard Sonatas
Everist, Mark	University of Southampton	What is Latin Song in the Medieval World? Discussant Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Chair
Eyerly, Sarah	Florida State University	AMS Communications Committee Meeting
Fairclough, Pauline	University of Bristol (UK)	Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Presenter
Falotico, Sam	Eastman School of Music	Grouping Against the Groove: Metrical Dissonance in Hiromi’s “Voice”
Fassler, Margot	University of Notre Dame	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Fauser, Annegret	University of North Carolina at Chapel Hill	Historicizing Celebrity Presenter
Fava, Maria Cristina	Western Michigan University	Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Chair
Favila, Cesar D.	University of California, Los Angeles	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Fazeli Masayeh, Sara	University of Florida	Sounding Freedom at the Capital: Persian Protest Music in the Woman, Life, Freedom Movement
Feldkamp, Suzanna	Case Western Reserve	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Chair
Feller-Simmons, Paul Gustav	Northwestern University	Contrafacts: A Template for Agency and Identity Formation Presenter
Ferrari, Gabrielle Elaine	Columbia University	Dead Divas and Duets for One: Jesse Shepard, Queer Musical Mediumship, and Intermundane Vocal Drag
Feustle, Maristella	University of North Texas	“Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Presenter
Finley, Sarah	Christopher Newport University	Power and Aurality in Colonial Latin America Discussant
Fisher, Alexander John	University of British Columbia	Ad sacrum convivium: The Mediating Role of Confraternal Music in the German Counter-Reformation
Fitz Gibbon, Elaine	Harvard University	Concept, Laboratory, Playground: Ursula Burghardt as Composer-Artist in the 5-Day-Race (1968)
Flint de Médicis, Catrina	Vanier College, OICRM	Reclaiming the Puppet’s Voice at the Petit-Théâtre de la Marionnette (1888-1894)
Flory, Andrew	Carleton College	Listening for Tammi: Vocal Identity in the Duets of Gaye and Terrell
Fontijn, Claire	Wellesley College	Chorale Transformation and Triumph in Mendelssohn's Sinfonia VI and Hensel's Das Jahr
Forner, Jane Isabelle	University of Toronto	Film-Opera as Transnational Activism: The Queer “Retro-Futurist” Politics of ORFEAS2021
Forrest, David	Texas Tech University	The Antiphonal Stream in Popular Music
Foskett, Brandon Lane	The University of Texas at Austin, Austin, TX	The Colonial Effects of Opera in Portuguese Brazil: An Overview
Fosler-Lussier, Danielle	Ohio State University	Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter Student Engagement: Texts and Tools
Frakes, Stephanie	University of Manitoba	Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Presenter Le Prophète and Its Sun: Electrifying Audiences at the Paris Opera
Francis, Kimberly	University of Guelph,	Le Prophète and Its Sun: Electrifying Audiences at the Paris Opera
Franseen, Kristin	McGill University	Queer Musicology from Dykecore to the Quare Canon Presenter
Frederick, Leah	University of Michigan	Geometry and Fingerboard Shapes: Voice Leading in the Instrumental Space of the Violin
Freedman, Richard	Haverford College,	Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Chair
Freitas, Roger	Eastman School of Music	Message Music: Musicology and Social Movements Chair
Frolova-Walker, Marina	University of Cambridge (UK)	Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Presenter
Frühauf, Tina	City University of New York	Representing Racialized Selves and Others in Czech Music Presenter
Fry, Katherine	King's College London,	Music Aesthetics and the Urban Imaginary in Late-Victorian London
Fulton, Hannah	University of Oregon	Singing Lyrics to Life: Melody and Lyrical Meaning in Recent Singer-Songwriter Music
Gabriel, John	University of Melbourne	Fairy tales and music between “Asia” and “Germany” Presenter
Gabrillo, James	University of Texas at Austin	Surveilled Soundscapes of Big Brother
Gage, Christopher	University of Delaware	Vanishing Variations: Motivic Uniqueness as a Signifier of Prize Value on "The Price Is Right"
Gaillard, Kira	University of North Carolina at Chapel Hill,	The Enemy Without: Blitzstein’s Reuben Reuben, Silence, and Biopolitics
Gain, Rachel	Yale University	The Affordances of a Pegleg: Disablist Music-Making and (A)symmetry in Rhythm Tap Dance
Galik, Ryan	Michigan State University	Don't Pop the Bubble: Intersections of ambient music, attention, expectation, and flow in Tim Hecker's Virgins
Galloway, Kate	Rensselaer Polytechnic Institute	Microtonal Listenings Discussant Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter
Ganade D'Acol, Mítia	Indiana University, Bloomington	Krump Meets Rameau: Affect, Bodies, and the Communication of Emotions
Gao, Yiyi	University of North Texas (Denton, TX)	Understanding Metric Flexibility and Performance Practice in Chinese Traditional Singing
García Sudo, Alejandro	University of California, Los Angeles	Rethinking (Im)mobility in Global Music History Studies Presenter
Garrett, Charles	University of Michigan	Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter
Gauvreau, Joseph Olivier	Harvard University	From the Tiber to the Thames: Thomas Watson’s Italian Madrigalls Englished and the Naturalization of Marenzio’s Musical Arcadia
Gawboy, Anna	The Ohio State University,	Music and Sun Ra’s Atlantean-Egyptian Magic
Ge, Ken Tianyuan	University of North Carolina at Chapel Hill	Teaching Popular Music Studies: Pedagogy and Curriculum Presenter
Geary, David	Wake Forest University	Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012–2021
Geoffroy-Schwinden, Rebecca	University of North Texas	European Music and Caribbean Slavery in the Eighteenth Century Presenter Mobility, Media, and Money in Early Modern Popular Music Chair
Georgallas, Virginia	University of California, Berkeley	The Metamorphosis of Style
Getz, Christine	University of Iowa	Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter
Gilbert, Alison Elizabeth	University of Wisconsin - Eau Claire	“Look Not in My Eyes”: Musical Readings of A. E. Housman’s Strategies of Concealment in A Shropshire Lad
Gilbert, Matthew	Stanford University	“Animales sin Razón” in 16th Century New Spain: Music as a Theopolitical Intervention on the Capacities of the Human
Gkoulimaris, Dimitris	University of Texas at Austin	Music, Sound, and the Making of Eco-Culture Presenter
Goetjen, Michael	Massachusetts Institute of Technology	Between Idomeneo and Tito: Seria Style and Genre in Mozart's Concert Arias of the 1780s
Goh, Ting Ting	Texas Tech University	Developing Corpora for Musical Traditions Across the Globe: Music Analysis with the MIRAGE-MetaCorpus
Goldberg, Daniel	University of Connecticut	Redefining Music Theory through Translation Presenter
Goldberg, Randall	California State University, Fullerton	New Approaches to Studying Recorded Jewish Music Chair
Golden, Rachel May	University of Tennessee	What is Latin Song in the Medieval World? Presenter
Gómez, Jonathan A.	University of Southern California	Between Worlds: Making Community in Black Music Presenter Beyond the Staff: Notation Pedagogies and Practices Presenter
González, Aimee	University of Chicago	European Music and Caribbean Slavery in the Eighteenth Century Presenter
Gopinath, Sumanth	University of Minnesota	Rethinking (Im)mobility in Global Music History Studies Presenter
Gordillo Brockmann, Bernard	University of California, Los Angeles	Reconsidering the Music of the California Missions Taking Stock: The Ibero-American Music Study Group Turns Thirty Chair
Gordon, Bonnie	University of Virginia	Anti-Semitism, Music, and Music Studies: Views from the Field Presenter
Gorzelany-Mostak, Dana	Georgia College & State University	Music and Quackery in Britain and America Presenter
Gower, Gillian	UCLA/University of Edinburgh	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Graham, Pheaross	Stanford University	Rehab in the Nightclub: Don Shirley, Middlebrow Music, and the Civil Rights Movement
Grapes, K. Dawn	Colorado State University	From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter
Grasso, Julianne	Florida State University	Public Scholarship: How We Got Here, Where We’re Going Presenter
Graziano, John	Music in Gotham	Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter
Greathouse, Ashley	University of Cincinnati	Escaping from “dust and noise” to the “verdant abodes of feather’d minstrels”: The Politics of Sound in London’s Eighteenth-Century Pleasure Gardens
Greenberg, Yoel	Hebrew University, Jerusalem	Cutting Out the Middle Man: The Medial Moment and the Binary-Ternary Transformation of Sonata Form
Greenfield-Casas, Stefan	University of Richmond	AMS Ludomusicology Poster Session: Music, Games, and Play Discussant Playing Between Forms: Intersemiotic Translation and the Classical Arrangement of Video Game Music
Gregg, Justin	Columbia University	Politics on the Program: Rudolf Mengelberg and the 1920 Mahler Festival
Grier, James Norman	University of Western Ontario,	Boethius, Harmonic Theory, and the Alia musica: New Perspectives Chair
Grissom-Broughton, Paula	N/A	HBCUs and Music Theory
Gruver, Laine	Northwestern University	A Semiotic Exploration of the Music of Game of Thrones and House of the Dragon
Guerrero, Devin Ariel	Texas Tech University	Measuring the Uncanny: Chromatic Mediant Motion in Elliott Smith's, XO
Guhl-Miller, Solomon	N/A	Alignment between Mode and Character in Operas by Francesca Caccini and Elisabeth de la Guerre
HaCohen (Pinczower), Ruth	The Hebrew University of Jerusalem	Anti-Semitism, Music, and Music Studies: Views from the Field Presenter
Haefeli, Sara	Ithaca College	Student Engagement: Texts and Tools
Haefer, Richard	Arizona State University	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Hallenbeck, Alexander James	UCLA	Notational Complexity and the Construction of Legitimacy: Steve Vai Transcribes Frank Zappa Note for Note
Hamilton, Robert	Eastman School of Music	Theorizing Tonal Function in a Messiaen Mode 2 Idiom
Hannaford, Marc Edward	University of Michigan	Between Worlds: Making Community in Black Music Presenter
Hannan, Calder	Columbia University	Contextual counting: an insider approach to metal analysis
Hannon Teal, Kimberly	University of North Texas,	Dissertation to Book: Recent Survivors Chair Jazz and Improvisation Study Group Business Meeting
Hara, Kunio	University of South Carolina	AMS Global East Asian Music Research Study Group Business Meeting Interrogating "Global East Asia" Chair
Hardman, Kristi	University of North Carolina at Charlotte	Representations of Stuttering in Popular Song from 1965 to Present and the Rhythmic Implications
Haruta, Devanney	Brown University	Sounds, Materialities, and Pleasures in the Garden Presenter
Hatfield, Meghan	Utah State University	Choral Repertoire: Promising New Directions for Music Theory Teaching
Havelková, Tereza	Charles University, Prague	Representing Racialized Selves and Others in Czech Music Presenter
Haws, Barbara	New College, University of Oxford	Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter
Hearfield, Katelyn	University of Pennsylvania,	“Lady Gaga Hits Rock Bottom!”: The Embodied Crisis of Pop Performance
Heck, Adeline Anastasia	Université libre de Bruxelles	Wagnerian Parodies Presenter
Helgert, Lars	University of Maryland	The Guitar Music of Leopold Meignen: Popular Music Subsidization of Concert Music in Antebellum America
Helker, Luke	Benedictine College	Materials that Matter: Cultivating a Musical Tradition with Found Objects
Heller, Michael	University of Pittsburgh	Archives Presenter
Helsen, Kate	Western University	Contextualizing Hildegard of Bingen’s Compositional Style through Computational Analysis
Heminger, Anne	University of Tampa	Sarum Plainchant in A Reformist Biblical Play: Problem or Solution?
Heng, Lena	McGill University	Ulezo: Mapping Acoustic Attributes to Timbre Descriptors in Zambian Luvale Drum Tuning
Hennig, Molly	University of Wisconsin-Madison	AMS Ludomusicology Poster Session: Music, Games, and Play Discussant
Herrera, Eduardo	Indiana University	Demystifying Public Musicology Chair
Hess, Carol A.	University of California, Davis	Taking Stock: The Ibero-American Music Study Group Turns Thirty Chair
Hibbard, Laura	University of Connecticut	Whole-Tone-Plus Hexachords and Row Partitioning Strategies in Two Works by Roger Sessions
Hibberd, Sarah	University of Bristol	Historicizing Celebrity Presenter Operetta and cultural transfer in Europe Chair
Hicks, Andrew	Cornell University	Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Chair
Hisama, Ellie	University of Toronto	Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Discussant
Hoag, Melissa	Oakland University,	Professional Ins and Outs: Practicing/Performing Public Music Theory Organizer
Hoppenjans, Kelly	University of Michigan	Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter
Horton, Julian	Durham University	Corpus Studies, Sonata Typology, and the 19th-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression
Hottle, Rachel	McGill University	Elizabeth Cotten, Joni Mitchell, and the Guitar/Body Interface
Howie, Tyler M.	University of Texas at Austin	Emo Guitar Tunings: The Impact of Guitar Tunings on Fretboard Distances
Hsieh, Amanda	Durham University	Fairy tales and music between “Asia” and “Germany” Presenter Interrogating "Global East Asia" Presenter
Huang, Cheng-Zhi Anna	Google DeepMind; Mila - Quebec AI Institute, Université de Montréal	AI Song Contest Revisited: Collaborative Songwriting, Technological Ethics, and an Inter/Transdisciplinary Dialogue
Huang, Rujing Stacy	The University of Hong Kong	AI Song Contest Revisited: Collaborative Songwriting, Technological Ethics, and an Inter/Transdisciplinary Dialogue
Hudson, Stephen S.	Occidental College	Music and Dance Study Group Business Meeting Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Chair Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Presenter
Huether, Kathryn	Bowdoin College	Anti-Semitism, Music, and Music Studies: Views from the Field Presenter
Hugh Sam, Jordan	University of California at Los Angeles	From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter
Hunt, Graham G	University of Texas at Arlington	Medial Caesura, wherefore art thou? The Augmented Sixth chord as a Formal Initiator in 19th-Century Sonata Expositions
Hutchinson, Kyle	Colgate University	Plagal and Authentic Conflict as Tonal and Narrative Structure in Jesus Christ Superstar
Illari, Bernardo	University of North Texas	Motet persona: Vicente Lusitano, polyphonist of color, and his quest for legitimacy
Irizarry, Larissa A.	Gettysburg College	Teaching Popular Music Studies: Pedagogy and Curriculum Presenter
Jacob, Uri	University of Western Ontario	Were Crusader Scribes the Heralds of Square Notation?
Janeczko, Jeff	Milken Archive and UCLA	New Approaches to Studying Recorded Jewish Music Presenter
Jenkins, J. Daniel	University of South Carolina	Public Scholarship: How We Got Here, Where We’re Going Presenter SMT Plenary: Public Music Theory
Jensen, Heidi Lee	Alfred University	Music, Sound, and the Making of Eco-Culture Chair AMS Ecomusicology Study Group Lightning Talks and Business Meeting
Jensen-Moulton, Stephanie	Brooklyn College	Popular Music, Gendered Violence, and Trauma Studies Presenter Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Chair
Johnson, Isaac	University of Colorado at Boulder	The Ur of the Ore: Moments in the Origins of Heavy Metal Presenter
Johnson, Samar	University of Kentucky	Disability Identity in Music Scholarship Presenter
Jonker, Alexandrea	McGill University	Consonance, Dissonance, and Gender: A Queer-Theoretical Approach to Johanna Beyer's Clarinet Suites (1932)
Jordan, Daniel David	University of Toronto, Faculty of Music	“A Letter from Siberia”: Tālivaldis Ķeniņš and Canadian Cultural Diplomacy within the Latvian SSR (1989-1991)
Jordon-Conlin, Tamyka	N/A	HBCUs and Music Theory
Joyce, Molly	University of Virginia	Disability Identity in Music Scholarship Presenter
Kahan, Sylvia	City University of New York	Between Human and Machine in Manuel de Falla’s _El retablo de Maese Pedro_ Presenter
Kahrs, Noah	Eastman School of Music	Microtonal Listenings Presenter
Kajikawa, Loren	George Washington University	Message Music: Musicology and Social Movements Presenter
Kaplan, Kyle	University College Dublin	Archives Chair
Kapusta, John	Eastman School of Music	“Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Discussant
Katz, Daniel Seth	Martin Buber Institute, University of Cologne (Germany),	A Gregorian Chant, a Melodic Revelation from Mount Sinai, and the Burning of Martyrs at the Stake: The Legends and Presumed Relationship of Sanctus and Aleinu
Katz, Mark	University of North Carolina at Chapel Hill	Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter
Kehrer, Lauron	Western Michigan University	Dissertation to Book: Recent Survivors Presenter Popular Music, Gendered Violence, and Trauma Studies Presenter
Kidger, David Michael	Oakland University, Rochester, MI 48309,	'Imitatio’ and Josquin in the Sixteenth Century: The Benedicta es Complex and the Mass attributed to Hesdin and Willaert
Kim, Catrina S.	University of Massachusetts Amherst	Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter Hearing the Sonata Through Hensel's Sonata o Capriccio
Kim, Christina	Standford University	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Chair
Kirby, Sarah	Grainger Museum, University of Melbourne, Australia	Inventing Percy Grainger on Stage and Screen
Kirchdorfer, Mary	University of Vienna,	Tracking Women’s Multiple Roles in the Concert Life of Vienna 1780-1830: Opportunities, Networking, and Agency
Kjar, David	Roosevelt University	Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Chair Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Presenter
Kleppinger, Stanley V.	University of Nebraska–Lincoln	An Experiential Model for Pitch Centricity
Kligman, Mark	UCLA	New Approaches to Studying Recorded Jewish Music Presenter
Klorman, Edward	McGill University	Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation
Klotchkov, Nikolai	Peabody Institute of the Johns Hopkins University	Quantitatively derived markers of socio-political biases in popular music contests: Eurovision 2022 case study
Klotz, Kelsey	University of North Carolina, Charlotte	Dissertation to Book: Recent Survivors Presenter
Knyt, Erinn	University of Massachusetts Amherst	Johann Sebastian Bach’s Goldberg Variations as Music of Protest and Tragedy: Intertextual Readings in Theatrical Works of the Twentieth and Twenty-First Centuries
Kok, Roe-Min	McGill University	Home Divided: Social Class in the Schumann Marriage
Kolin, Diane	York University	Disability Identity in Music Scholarship Presenter
Koozin, Timothy	University of Houston	Rhythm and Vocal Expression in Hip Hop Soul The SMT Committee on Disability and Accessibility Session Presenter
Korzeniewski, Emily	Yale University	Machaut’s Rests in Scribal Hands
Koval, Sarah	Harvard University	Music and Quackery in Britain and America Presenter
Krause, William Craig	Hollins University	Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Chair
Krebs, Harald	University of Victoria (emeritus)	SMT Plenary: Public Music Theory
Krivov, Ala	The University of Western Ontario	Raising a Proper American Citizen: The Politics of Childhood in the Music of American Cartoons of the 1950s
Kuo, Tiffany	Mount San Antonio College	Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter
Lachapelle, Sofie	Wilfrid Laurier University	Le Prophète and Its Sun: Electrifying Audiences at the Paris Opera
Ladd, Marco	King's College London	Late Operetta and Early Fascism: Politics of Light Music in Italy, 1920–30
LaLena, Anthony	Eastman School of Music	Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter
Lamothe, Peter	Belmont University	Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Presenter
Landau, Tanya	Roosevelt University	Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Presenter
Larson, Zane	University of Iowa	Thriving in a WWII Margaritaville: Musical Ecology, Leonard Bernstein, and Key West in 1941
Laskey, Kevin Connor	New York University	EDB (Electronic Dance Bluegrass): Acoustic Representations of EDM in the Punch Brothers' "Familiarity"
Lau, Wing	University of Illinois Chicago	Twisted Tones and Jumbled Styles: Musical Humor in Hong Kong Mo Lei Tau Movies.
Law, Hedy	University of British Columbia	Dedicating Songs to Citizen Youth: Gender, Language, and Thomas Rousseau’s _Les Chants du patriotisme_ (1792, 1795)
Laws-Nicola, TJ	University of Kansas	AMS Ludomusicology Poster Session: Music, Games, and Play Discussant
Le Guin, Elisabeth	University of California, Los Angeles	Rethinking (Im)mobility in Global Music History Studies Presenter
Lee, Feng-Shu	National Yang Ming Chiao Tung University	Finding the Ghostly Tones: Wagner’s Audiovisual Constructions of the Phantom Crew in _Der fliegende Holländer_ Wagnerian Parodies Chair
Lee, Hayoung Heidi	West Chester University of Pennsylvania	Student Engagement: Texts and Tools
Lee, Jung-Min Mina	Duke University	Un-yung La, Béla Bartók, and the Beginning of Korean Musical Avant-garde
Legault, Eleanor	The Juilliard School	A Lost Legacy: Multivalent Nationalism in the Works of Emilie Mayer
Lehman, Frank Martin	Tufts University	Spawn of the Symphonic Boa Constrictor: Formal Strategies from the Post- and Neo-Brucknerians
Lenchitz, Jordan	Epic Systems Corporation	Microtonal Listenings Chair Microtonal Listenings Presenter
Lerner, Neil	Davidson College	Pinball’s Influence on Early Video Game Music
Leson, Lena	Dickinson College	“‘No Anthem Linked to Russia’: Tchaikovsky’s Piano Concerto No. 1 as a Substitute Russian Anthem at the Olympic Games”
Levenson, Erica	SUNY Potsdam	Mobility, Media, and Money in Early Modern Popular Music Presenter
Li, Edwin	The Chinese University of Hong Kong	Redefining Music Theory through Translation Organizer Retranslating Mahler’s Das Lied von der Erde Teaching Popular Music Studies: Pedagogy and Curriculum Presenter
Li, Stella	The University of North Carolina at Chapel Hill	“Listen, Remember, and Recreate”: Jazz 101 in Occupied Japan
Lindquist, Kari	University of North Carolina-Chapel Hill	Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter
Lingold, Mary Caton	Virginia Commonwealth University	European Music and Caribbean Slavery in the Eighteenth Century Presenter
Liu, Addi	Cornell University	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Liu, Annie Yangan	University of Oregon	Shanghai Nights: The Cultural Politics of Vocal Timbre in 20th-century Chinese Popular Music
Liu, Bess Xintong	University of Pennsylvania	Interrogating "Global East Asia" Presenter
LIU, FANGYUAN	Washington University in St. Louis	Negotiating Racial Identity: Racialized Assimilation in the Performances of Lee Tung Foo as the First Chinese American Vaudeville Singer
Liu, Peng	Truman State University	From Matinée Musicale to the Brighton Musical Union: Anna Caroline de Belleville and the Cultivation of “Classical” Chamber Music Culture Interrogating "Global East Asia" Presenter
Lloyd, Zachary	Florida State University	“Welcome to America”: Exoticizing the United States in David Henry Hwang/Jeanine Tesori’s Soft Power (2018)
Lochhead, Judith	Stony Brook University	Exploring Feminist Scholarship in Music Theory Presenter
Locke, Brian	Western Illinois University	Representing Racialized Selves and Others in Czech Music Presenter
Lockhart, Ellen	University of Toronto	Music and Quackery in Britain and America Chair
Loepp Thiessen, Anneli	University of Ottawa,	Facing the Music: Evangelical Beliefs and Queer Identities in the Christian Contemporary Music Industry
Lomanno, Mark	Albright College	Between Worlds: Making Community in Black Music Presenter
Long, Megan	Oberlin College	“There Aren’t Seven Notes”: The Affordances of Small-Vocabulary Solmization Systems
Long, Megan Kaes	Oberlin College-Conservatory of Music	Professional Ins and Outs: Practicing/Performing Public Music Theory
Lookenbill, Zachary	The Ohio State University	Temporal Transformations in the Timekeeper's Toolkit: Metric Modulation in Popular Music Drumming
Lopez, Gerardo	The Ohio State University	Understanding through Unintelligibility: A Close Reading of Neil Young’s Voice in Trans (1982)
López de la Osa, Pedro	University of California - Riverside	Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter
Lucas, Olivia Rose	Louisiana State University	Hearing Suffering and Faith in Lingua Ignota’s SINNER GET READY
Ludwig, Jacob Ryan	University of Cincinnati College-Conservatory of Music (CCM)	Decolonizing Mode in the Twenty-First Century Music History Classroom Presenter
Lumsden, Rachel	Florida State Unviersity	HBCUs and Music Theory Organizer HBCUs and Music Theory Chair
Lundgren, Siriana	Harvard University	“Wilderness of Wickedness”: How a Musical Battle between Sex Workers and the Salvation Army Shaped Montana’s Settler Ideology
Luong, Vivian	University of Oklahoma	Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Organizer Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Chair Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Presenter Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Organizer Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter
Luppi, Guillermo A.	Duke University	"Strange Fruit," a Musical Ekphrasis
Lussier, Kelsey	McGill University	Theorizing Timbre, Texture, and Space in Hip-Hop Music Presenter
Lyon, Jeff	Brigham Young University	A Corpus of Corpses: Murder and Modernism in the Crime Films of Max Steiner
Lyons, Megan	Furman University	Professional Ins and Outs: Practicing/Performing Public Music Theory
MacCallum, Emily	University of Toronto	Music, Sound, and the Making of Eco-Culture Chair
Madrid, Alejandro L.	Harvard University	Sound Recording and Global Imperialism in the Early Twentieth Century Presenter Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Magarotto, Matteo	University of Miami	“Doing Musicology” with Primary Sources Presenter
Maggart, Alison	The University of Texas at Austin	Associations & Politics in Henriëtte Bosmans’s Concertino voor piano en orkest (1928)
Mailman, Joshua Banks	N/A	The legacy of Ligeti’s unsung innovation: Textural Incline of Pitch (TIP)
Maler, Anabel	University of Iowa	Beyond the Staff: Notation Pedagogies and Practices Presenter
Maler, Anabel	University of British Columbia	Movement as Music in Signed Song: Analyzing Rosa Lee Timm’s “River Song”
Mancey, Kate	Harvard University	“The Bell heard ‘round the world”
Mann, Rachel E.	University of Texas Rio Grande Valley	A Survey of the Sources of Serialism at its Centenary Presenter
Margot, Sylvain	McGill University	Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis
Marín-López, Javier	Universidad de Jaén	Power and Aurality in Colonial Latin America Presenter
Martin, Henry	Rutgers University-Newark	Monk's Bridges
Martin, Rose	University of Washington	Language, Ethics, and Death: '...And Points North' by Stuart Saunders Smith
Martinez Vega, Cristian Damir	University of Auckland	AMS Ludomusicology Poster Session: Music, Games, and Play Chair
Massey, Elizabeth	Towson University	“Doing Musicology” with Primary Sources Presenter
Matthew, Nicholas	University of California, Berkeley	Lisette: A Song's Journey From Haiti & Back
Mayes, Catherine	University of Utah	Committee on Career-Related Issues Brown-Bag Lunch Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Chair
Mc Glynn, James Denis	Trinity College Dublin	Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter
McCorkle Okazaki, Brooke	Carleton College	Fairy tales and music between “Asia” and “Germany” Presenter
McDonald, Kate	Western University	The SMT Committee on Disability and Accessibility Session Presenter
McGartland, Aidan	McGill University	A Survey of the Sources of Serialism at its Centenary Presenter
McGhee, Cana F.	Harvard University	Sounds, Materialities, and Pleasures in the Garden Presenter
McLain, Elizabeth	Virginia Tech	Disability Identity in Music Scholarship Chair
McLeish, Claire E	Third Side Music	"Hot Milk" to "One Hundred Guns": Samples and Riddims in Music Publishing
McMurray, Peter	University of Cambridge	Archives Presenter Theorizing Musical Listening in Ottoman Istanbul (1560-1640 CE): Ontology, Perception, Affect and Multiplicity
Meadows, Destiny	University of North Carolina-Chapel Hill	Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Presenter
Medina, Alejandrina M.	UC San Diego	Transauralities: Thinking Trans in Music/Sound Studies Presenter
Melilli, Jeana	University of Florida	Reexamining the Dismissed: Cecilia Macca and the “Doom” of Sacred Nineteenth-Century Sicilian Music
Mendez, Matthew	Yale University	Haunted House Blues: Bessie Smith, Vocal Possessions, and the Time of Redress
Menicanin, Sadie	University of Oslo	Sounds, Materialities, and Pleasures in the Garden Presenter
Messelink, Jennifer	Yale University	Music for the Weaker Sex: Gender as an Organizing Principle in Postwar Mood Albums
Meyer, Stephen C.	University of Cincinnati College-Conservatory of Music (CCM)	Decolonizing Mode in the Twenty-First Century Music History Classroom Chair
Meyers-Riczu, Jamie	University of Alberta	Music, Sound, and the Making of Eco-Culture Presenter
Milius, Emily Garlen	University of Oregon,	Trauma, Dissociation, and the Popular Singing Voice
Miller, Scott Allen	CUNY Graduate Center,	Tuning and Timbre as Critical Text Setting in Kate Soper’s Cipher
Miller, Thornton	Illinois State University	Projecting Britishness to the Soviet Union: Music Coverage in Britain’s Russian-Language Journal Angliia
Milliman, Zachary	McGill University	Bartók, Communist Propaganda, and the Ban on Musical Works under Rákosi
Minnick, Jonathan	UC Davis	Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter
Minor, Ryan	SUNY Stony Brook,	The “Black” Dutchman: Race, Casting, and Der Fliegende Holländer on the Bayreuth Stage
Miranda, Isidora Kabigting	Vanderbilt University	La Mascotte’s Travels: Innocence and Empire on the Lilliputian Stages Across Asia Pacific
Mirka, Danuta	Northwestern University	Mozart's "operatic cadence"
Mitchell, Nathaniel	University of North Carolina at Greensboro	Cue Schemas
Mitterer, Dominik Ralph	Durham University,	‘Einheit’, ‘Freiheit’ and Vormärz Aesthetics: Political ventures through formal strategies in Ferdinand David’s Violin Concerti
Modolell, Jorge Luis	Washington University in St. Louis	Liszt’s Franciscanism Revisited: Separating Fact from Fiction
Momii, Toru	Harvard University	Beyond the Staff: Notation Pedagogies and Practices Presenter Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Organizer Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Chair
Moranis, Rebecca	CUNY Graduate Center	Poetic Meter: A View from Music Theory
Morgan-Ellis, Esther Marie	University of North Georgia	Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter Student Engagement: Texts and Tools _Sing Along with Mitch_ and the Politics of Participation Pedagogy Study Group Business Meeting
Mortilla, Paul	Rice University	Microtonal Listenings Presenter
Moseley, Rowland	Dartmouth College	Samuel Coleridge-Taylor and Schubert’s Promissory Note
Mosley, Imani	University of Florida	Public Scholarship: How We Got Here, Where We’re Going Chair Public Scholarship: How We Got Here, Where We’re Going Discussant
Moura, Cibele	Cornell University	Pious Ears: Rendering the Obscene Audible in the Archives of the New Spain Inquisition
Mueller, Adeline	Mount Holyoke College	Touching Melodies: Tactile Notation at the Vienna Institute for the Blind
Mueller, Darren	Eastman School of Music	Dissertation to Book: Recent Survivors Presenter Histories of Pedagogy/Pedagogies of History Chair Histories of Pedagogy/Pedagogies of History Presenter
Murchison, Gayle	William & Mary	Between Worlds: Making Community in Black Music Chair Popular Music, Gendered Violence, and Trauma Studies Presenter
Murph, Megan	University of Missouri	Music, Sound, and the Making of Eco-Culture Presenter
Murphy, Maria	University of Pennsylvania	LGBTQ Study Group Business Meeting LGBTQ Study Group Party Queer Musicology from Dykecore to the Quare Canon Chair
Murphy, Scott	University of Kansas	Situating Gospel’s Inverted M2m
Nace, Matthew	University of Western Ontario	Boethius, Harmonic Theory, and the Alia musica: New Perspectives Presenter
Nagel-Frazel, Maeve	Independent Scholar	Washington Conservatory Alumni in the Long History of Black Music Studies
Naiman, Tiffany	UCLA	Queer Musicology from Dykecore to the Quare Canon Chair
Neal, Brandi	Virginia Commonwealth University	Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Chair
Nedbal, Martin	University of Kansas	Czech Pan-Slavism vs. Russian Imperialism: Glinka’s "A Life for the Tsar" in Mid-Nineteenth-Century Prague
Neidhöfer, Christoph	McGill University	A Survey of the Sources of Serialism at its Centenary Presenter
Nemeth, Samuel T.	Case Western Reserve University	Orchestrational Absorption, Traumatic Rehearing, and the Gothic Specters of Berlioz’s _Grande symphonie funèbre et triomphale_
Nguyen, Ngan V. T.	Texas Tech University	Developing Corpora for Musical Traditions Across the Globe: Music Analysis with the MIRAGE-MetaCorpus
Nickleson, Patrick	University of Alberta	How Music Renders Property: Museums, Pieces, and Other Common Dispossessions
Nikitin, Christina Misaki	Harvard University	Queering Premodern Japan: Polycultural Vocality and Transhistorical Reappropriation in J-Pop
Nobile, Drew	University of Oregon	Professional Ins and Outs: Practicing/Performing Public Music Theory Chair Voicing Form in Beyoncé's Lemonade
Nord, Julie Anne	University of Western Ontario	“Als reines Organ Gefühles”: Wagner’s Associative Orchestration and the Tristan Matrix
Norkey, Alec	UCLA	Working Conditions, Networking, Musical Aesthetics: Exploring Gendered Minoritarian Experiences within the Classical Music Profession
O'Flynn, John H.	Dublin City University,	End of Empire? Scoring for African-based Narrative Film, 1937-1966
Ochoa Gautier, Ana María	Tulane University	Power and Aurality in Colonial Latin America Chair
Oddekalv, Kjell Andreas	RITMO - University of Oslo,	Them bars really ain't hittin' like a play fight - Analysing weak alternative lineations and ambiguous lineation in relation to metrical structure in rap flows.
Ohriner, Mitchell	Lamont School of Music	Excess Inhalations in Taylor Swift’s Midnights (2022)
Olivieri, Alessio	University of Nebraska - Lincoln	Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Presenter
Orosz, Jeremy	University of Memphis,	Francis Chagrin, Gerard Hoffnung, and the Art of Musical Caricature
Osborn, Brad	University of Kansas	Teaching Popular Music Studies: Pedagogy and Curriculum Presenter Interpreting Chromaticism in Pop Chord Loops
Osborne, Tyler	University of Louisville	A Posthuman Voice: Vocal Aesthetic and Identity in 2010s Witch House
Osorio, James Carl Lagman	University of Wisconsin - Madison/Tarlac, Philippines	Popular Prancing: Implications of Cultural Hybridity and Blackface Minstrelsy in Reckoning Nicanor Abelardo’s “Naku….Kenkoy!”
Ospina Romero, Sergio	Indiana University	Sound Recording and Global Imperialism in the Early Twentieth Century Chair Sound Recording and Global Imperialism in the Early Twentieth Century Presenter
Ospina-Romero, Sergio	Indiana University	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Owens, Jessie Ann	UC Davis; University of California, Davis,	Message Music: Musicology and Social Movements Chair Reception for Friends of the AMS
Palfy, Cora	Elon University	Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation
Palidda, Alessandra	The University of Manchester	Operetta and cultural transfer in Europe Presenter
Palmer, Áine	Yale University	Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Presenter
Palmquist, Jane	Brooklyn College	Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter
Park, Hyeonjin	University of California, Los Angeles	AMS Ludomusicology Poster Session: Music, Games, and Play Discussant
Parker, Craig B.	Kansas State University,	Unification of Indian and Western Musical Idioms in Reena Esmail's "Meri Sakhi Ki Avaaz" ("My Sister's Voice")
Parkhurst, Bryan	Oberlin	Bases and Superstructures: Academic Music Studies and the Capitalist Present Presenter
Parton, Christopher	Princeton University	Performing blindness and the anxiety of visuality in the career of Maria Theresia von Paradis
Pasqualini, Alex Nik	Cornell University	Queer Musicology from Dykecore to the Quare Canon Presenter
Patrick, Morgan	Northwestern University,	Planting Another Tree: Relational Salience as a Hierarchical Form-Building Mechanism
Payan Ramirez, Mercedes Alejandra	University of Texas at Austin	Pasatono Orquesta Mexicana: Tensions Surrounding Indigenous Performativity and Concert Music
Pearse, D. Linda	Mount Allison University / McGill University	Motets and Mandates: Austrian Habsburg Responses to the Ottoman Empire during the Long War (1593–1606)
Pedroza, Ludim	Texas State University	Music, Sound, and the Making of Eco-Culture Chair
Peebles, Crystal	Ithaca College	Gestural Analysis of Caroline Shaw’s Entr’acte Public Scholarship: How We Got Here, Where We’re Going Presenter
Peritz, Jessica Gabriel	Yale University	The Queer Musical Temporality of Vernon Lee
Perry, Lukas James	Eastman School of Music	Theorizing the Modal Double-Tonic Complex with Maurice Duruflé’s Works as a Case Study
Pfender, Joseph	Editor-in-Chief, Programs, at Aspen Music Festival and School	Demystifying Public Musicology Presenter
Pinkham, J. Frances	University of Oregon	Queer Musicology from Dykecore to the Quare Canon Presenter
Pippen, John	Colorado State University	Bases and Superstructures: Academic Music Studies and the Capitalist Present Presenter
Pistorius, Juliana M.	University College London	Rethinking (Im)mobility in Global Music History Studies Discussant
Plath, Mirjana	University of Oslo, Norway	Operetta and cultural transfer in Europe Presenter
Pollock, Emily Richmond	Massachusetts Institute of Technology	Contemporary American Opera at the Intersection of Genre and Institution Chair
Praskurnin, Vlad	CUNY Graduate Center	Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter
Presenter 1, Presenter 1	University of Presenter 1	AMS Ludomusicology Poster Session: Music, Games, and Play Presenter
Presenter 20, Presenter 20	University of Presenter 20	AMS Ludomusicology Poster Session: Music, Games, and Play Presenter
Price, Eleanor	Eastman School of Music, University of Rochester	Asses and Ales: Locating Ethnicity through Parody in Thirteenth-Century Balaam Motets
Principi, Dylan	Princeton University	Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter
Prouty, Kenneth	Michigan State University	Histories of Pedagogy/Pedagogies of History Discussant
Pugh, Grace	Roosevelt University	Price’s “Whiteness”, Shostakovich’s “Jewishness” and Cooper’s “Royalty”: Signifying Otherness as Resistance within Existing Collectivities Presenter
Pukinskis, Katherine	Carnegie Mellon	The SMT Committee on Disability and Accessibility Session Discussant Interpretive Agency: Flexibilities, Constraints, and Departures in Reena Esmail’s “Jhula Jhule”
Puri, Michael	University of Virginia	Lost and Found: New Work in Ravel Studies Presenter
Qian, Rong	Department of Musicology and Institute of Musicology, Central Conservatory of Music, China	Redefining Music Theory through Translation Presenter
Quevedo, Marysol	University of Miami	Hearing “American” Music: Subjectivity and Diplomacy during the Cold War Chair Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter
Quinn, Ian	Yale University	“There Aren’t Seven Notes”: The Affordances of Small-Vocabulary Solmization Systems
Rabaka, Reiland	University of Colorado Boulder	Message Music: Musicology and Social Movements Presenter
Ramos-Kittrell, Jesús A.	University of Oregon	Power and Aurality in Colonial Latin America Presenter
Rebuffi, Marcelo Gabriel	Case Western Reserve University,	Waters on Fire: Post-War Trauma, Disability, and Multi-Narrative Strategies in Prog Rock
Reed, Jacob	University of Chicago,	Stretched to the Breaking Point: Singing as Phonological Analysis in Kunqu Theory
Reeves, Nathan	Northwestern University	Archives Presenter
Rehding, Alexander	Harvard University	Music, Sound, and the Making of Eco-Culture Presenter Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter
Riedlinger, Luke	McGill University	Disrupting Orchestral-ness in Ornette Coleman’s Skies of America
Rifkin, Deborah	Ithaca College	Professional Ins and Outs: Practicing/Performing Public Music Theory Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation
Rindom, Ditlev	King's College London	Operetta, Neapolitan Song, and the Southern Origins of Italy’s Popular Music Industry
Ritchey, Marianna	UMass, Amherst	Bases and Superstructures: Academic Music Studies and the Capitalist Present Presenter
Robin, Will	University of Maryland	Demystifying Public Musicology Presenter
Robins, Jeremy Michael	Claflin University,	Formal Functions of Melodic Patterns in Popular Music
Rogers, Jillian C	Indiana University Bloomington	Music, Sound, and Trauma Study Group Business Meeting Popular Music, Gendered Violence, and Trauma Studies Chair
Rogers, Nancy	Florida State University	Professional Ins and Outs: Practicing/Performing Public Music Theory
Romey, John	Purdue University Fort Wayne	Mobility, Media, and Money in Early Modern Popular Music Presenter
Ronyak, Jennifer	University of Music and Performing Arts, Graz,	_Spinoza, A Life in Three Acts_: Localizing and Personalizing Jewish History and Western Thought in an American Opera
Rosenman, Rachel H.	Harvard University	Transcendent Triadic Chromaticism in Songs by Mel Bonis
Rossetti, Gregg	Rutgers University	(Chip)songs without words: Hearing Traditional and Ambiguous Rock Form in 8-bit NES Chiptunes
Rothstein, William	Queens College and The Graduate Center, CUNY	Fragments to Footlights: What can we learn from operatic sketches? Presenter
Rouget, Elizabeth Louise	Princeton University	Opéra-Comique, Politics, and the French in Early America: Monsigny’s _Le déserteur_ in Philadelphia
Roussin, Rena	University of Toronto	Whose Story Is This?: Indigenous Narratives and the Unsettling of Opera in North America
Rowden, Clair	Cardiff University	Historicizing Celebrity Chair
Roycroft, Madeline Beth	The University of Melbourne	From Provincial to Capital: Staging Shostakovich’s Lady Macbeth in Twentieth-Century France
Rumph, Stephen	University of Washington	Nondiegetic Sound and Queer Disembodiment in "Laura" (1944)
Ruppenthal Stein, Amanda	Carroll University	Anti-Semitism, Music, and Music Studies: Views from the Field Discussant
Rush, Toby	University of Dayton	The SMT Committee on Disability and Accessibility Session Discussant
Saenz, Juan Patricio	McGill University	From Topic to Prime Sonority: The Structural Evolution of the "Guitar Chord" in Alberto Ginastera’s Oeuvre
Salem, Joseph	University of Victoria (Canada)	A Survey of the Sources of Serialism at its Centenary Presenter
Salinas, Edgardo Raul	The Juilliard School	Medium, Message, Performance: Technological Inadequacy in Igor Levit’s “House Concerts"
Salkowski, David	University of Tennessee, Knoxville	Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter
Saltzstein, Jennifer	University of Oklahoma	Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Chair
Samples, Mark	Central Washington University	Duke Ellington’s Publicity Manuals and the Shaping of an Iconic Career, 1931–1967
Sánchez-Rojo, Ana Paola	Tulane University	Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Chair
Santana, M. Myrta Leslie	University of California, San Diego	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Sarno, Megan	The University of Texas at Arlington	Silence, Dissonance, and Dialogue: New Perspectives on French Modernism Presenter
Saucier, Catherine	Arizona State University	What is Latin Song in the Medieval World? Presenter
Sauvey, Tadhg	University of Cambridge	Sacred Neoclassicism: Catholic Ritual and Modernist Objectivism in Interwar France
Sayrs, Elizabeth	Ohio University	Professional Ins and Outs: Practicing/Performing Public Music Theory Chair
Schindler, Jake	Western University	Contextualizing Hildegard of Bingen’s Compositional Style through Computational Analysis
Schmelz, Peter	Arizona State Uniiversity; Johns Hopkins/Arizona State University	Does Russian music have a woman problem? (Re)locating the feminine in song, opera and music history Chair Georgia, Ukraine, and Decolonizing Soviet Music History Chair Georgia, Ukraine, and Decolonizing Soviet Music History Presenter
Schossberger, Barak	Hebrew University, Jerusalem	Cutting Out the Middle Man: The Medial Moment and the Binary-Ternary Transformation of Sonata Form
Schreter, Uri	Harvard University	Anti-Semitism, Music, and Music Studies: Views from the Field Chair
Schubert, Peter	McGill University	Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter
Schulenburg, Martha	RILM	Exotic Novelties and New Women: Orientalism and Appropriation in Tin Pan Alley
Schüler, Nico	Texas State University	From Out of Bondage to The Underground Railroad: Early African-American Musical Theatre Rediscovered
Schwartz-Bishir, Rebecca	University of Michigan	Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Chair Music and the Unique Challenges of Dance Research: MDSG Workshop 2023 Presenter
Scoggin, Lisa	San Diego, CA	_Crusader Rabbit_ and the Transition from the Theater to the Television
Sears, David R. W.	Texas Tech University	Developing Corpora for Musical Traditions Across the Globe: Music Analysis with the MIRAGE-MetaCorpus
Sebulsky, Micheal	University of Oregon	Recombinant Teleology in Improvised Popular Music
Segall, Christopher	University of Cincinnati	Specters of Bach: Hauntology in the Music of Sofia Gubaidulina
Shababi, Lily	University of California, Los Angeles	Culturally Situating Trans-Femininity through Hyperpop’s Technologically-Processed Vocals
Shadle, Douglas	Vanderbilt University	Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Chair Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Presenter
Shaffer, Melanie	Radboud University	What is Latin Song in the Medieval World? Presenter
Shannon, Alexander Michael	Indiana University,	Chord-Member Space and Transformations
Sharikadze, Nana	Tbilisi Conservatory	Georgia, Ukraine, and Decolonizing Soviet Music History Presenter
Shepherd, Lauren	Columbia University	Reconceiving Genre: Gender and Asian American Identity in Post-Millennial Rock
Shiflett, Campbell	Oklahoma City University	Lost and Found: New Work in Ravel Studies Presenter
Short, Rachel	Shenandoah Conservatory, Shenandoah University	What is “Wild” about Wildeiana Music? Music and Oscar Wilde in 1882
Shupe, Abigail	Colorado State University	Professional Ins and Outs: Practicing/Performing Public Music Theory Presenter
Sigua, Maia	Tbilisi Conservatory	Georgia, Ukraine, and Decolonizing Soviet Music History Presenter
Simpson-Litke, Rebecca Suzanne	University of Manitoba,	Not Just a “Little Parade”: Engaging Interactions Between Music and Dance in “La cumparsita” from Carlos Saura’s Tango
Siso, Alexandra	University of Sheffield	From Political Work to Homoerotic Play: Music in Cults of James and Anna Presenter
Smialek, Eric	University of Huddersfield,	Literary Worlds and Storytelling Narratives in the Technical Death Metal of Nile: Western Subjectivities and Ancient Egyptian Historical Imagination
Smith, Jeremy	Ohio State University	Teaching Popular Music Studies: Pedagogy and Curriculum Presenter
Smith, Jeremy L.	University of Colorado at Boulder	From Political Work to Homoerotic Play: Music in Cults of James and Anna
Smith, Mags	Independent Researcher	Disability Identity in Music Scholarship
Smith, Peter	University of Notre Dame	Corpus Studies, Sonata Typology, and the 19th-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression
Snyder, Beth M	University of North Texas,	Debating Cosmopolitan Utopia: Women Singers at the Glyndebourne Opera Festival in the 1930s
Sommerfeld, Paul Allen	Library of Congress	From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film through Data Analysis and Musical Topoi
Son, Mingyeong	Harvard University	Decentralized Duets: The Dynamics of Music-Making in American-Korean Collaborations Presenter
Sonevytsky, Maria	Bard College	Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Presenter
Sosa, Helkin	University of Massachusetts Amherst	The “what” and “when” of cadences
Southard-Dobbs, Shana	Lander University	Investigating Relationships among Mindset, Rapport, and Belonging in Undergraduate Music Theory Learners
Spencer, Stephen	Hunter College and the Graduate Center, CUNY	Visualizing the relative brightness of concurrent textural layers in Ruth Crawford’s Music for Small Orchestra (1926)
St. Pierre, Kelly	Wichita State University	Representing Racialized Selves and Others in Czech Music Chair
Stahl, Matt	University of Western Ontario	Music and the Law Presenter
Starr, Pamela F.	University of Nebraska-Lincoln	Decolonizing Mode in the Twenty-First Century Music History Classroom Chair
Stegall, Dmitriy	The University of Texas, Austin	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Steigerwald Ille, Megan	University of Cincinnati	Contemporary American Opera at the Intersection of Genre and Institution Presenter
Stein, Danielle R.	UCLA	New Approaches to Studying Recorded Jewish Music Presenter
Stemke, Ash	Murray State University	The "Nostalgic Sentence": Historical Contexts and Sample Analyses
Stepherson, Madison	University of Oregon	She Tells the Story: The Lyrical Narrator, Persona, and Empowerment in Country Songs
Stevens, Daniel B.	University of Delaware	Workshop: Rethinking Aural Skills Through Backwards Design Organizer Workshop: Rethinking Aural Skills Through Backwards Design Professional Ins and Outs: Practicing/Performing Public Music Theory
Stoecker, Philip	Hofstra University	A Survey of the Sources of Serialism at its Centenary Organizer A Survey of the Sources of Serialism at its Centenary Chair
Stokes, Jordan	West Chester University	Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Chair
Stoll, Henry	University of Michigan	European Music and Caribbean Slavery in the Eighteenth Century Presenter
Stover, Chris	Queensland Conservatorium, Griffith University	“A network of interacting forces”: rhythm, African philosophy, and music theory Redefining Music Theory through Translation Chair
Straus, Joseph	CUNY Graduate Center,	Poetic Meter: A View from Music Theory
Strohschein, Heather	Bowling Green State University	Disability Identity in Music Scholarship Presenter
Styskal, Madeline	The University of Texas, Austin	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Sullivan, James	Michigan State University	The Energetics of Florence Price’s Caged Birds
Summers, William J.	Dartmouth College	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Swanson, Cole D.	Duke University	Timbre Dematerialized: Illusory Instruments in "Arrival" and "The Lighthouse"
Swift, Kristy	University of Cincinnati College-Conservatory of Music	Student Engagement: Texts and Tools
Tabak, Lina Sofia	CUNY Graduate Center	Long-form Non-isochrony and Implicit Music Theory: Cyclicity and Entrainment in Cantos de Boga
Tagliari Sousa, Miranda Bartira	University of Pittsburgh,	There is no Audience Without Ladies: Gendered Participation in Nineteenth-Century Rio de Janeiro Concert Culture (1860-1900)
Tanovich, Evan	University of Toronto,	Analyzing Displacement Techniques in Prokofiev’s Music
Tatar, Jeremy Piotr	McGill University	Theorizing Timbre, Texture, and Space in Hip-Hop Music Organizer Theorizing Timbre, Texture, and Space in Hip-Hop Music Chair Hip-Hop Sampling as Analytic Act
TBD, TBD	n/a	The Ur of the Ore: Moments in the Origins of Heavy Metal Chair
Teeple, Samuel	The Graduate Center, CUNY	German Jewish Universality and the Passions of Graun and Bach
Tenzer, Michael	University of British Columbia	Redefining Music Theory through Translation Presenter
Terrigno, Loretta	Eastman School of Music	Paths Toward bII and Revelations of Loss in Brahms’s Songs
Thompson, Christopher Preston	NYU Steinhardt	What is Latin Song in the Medieval World? Presenter
Thöne, Johanna-Pauline	University of Oslo	Imitating Birdsong or Praising Saint Catherine? The Courtly Remaking of a Fourteenth-Century Virelai
Thurmaier, David	University of Missouri-Kansas City	A Survey of the Sources of Serialism at its Centenary Presenter Professional Ins and Outs: Practicing/Performing Public Music Theory
Thurman, Kira	University of Michigan	Demystifying Public Musicology Presenter Dissertation to Book: Recent Survivors Presenter
Timberlake, Anicia	Johns Hopkins University	Fairy tales and music between “Asia” and “Germany” Chair Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant
Timmermans, Matthew Keenan	CUNY Graduate Center,	RCA’s Portrait of America: Opera, Blackness, and Industrial Integration Post-World War II
Tinkerhess, Eric William	University of Southern California	Gardens, Modulations and Sacred Architecture in Marin Marais’s “Le Labyrinthe”
Torralvo da Silva, Rafael	Cornell University	Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter
Trippett, David	Cambridge University (UK)	Fragments to Footlights: What can we learn from operatic sketches? Presenter
Trujillo Sanz, Laura	University of Oregon	GROTESQUE AS AN ALTERNATIVE AESTHETIC MODE IN MADRILENIAN CHAMBER MUSIC DURING THE SECOND HALF OF THE EIGHTEENTH CENTURY.
Turabian, Michael	McGill University	European or Oriental? Armenian Folksong Publications, Transnational Networks, and Self-Making in Fin-De-Siècle France
Uslin, Karen	Defiant Requiem Foundation	Public Scholarship: How We Got Here, Where We’re Going Presenter
Utne-Reitan, Bjørnar	Norwegian Academy of Music	Why Richter? Exploring the International Success of Richterian Theory Pedagogy in the Nineteenth Century
Vad, Mikkel	Bucknell University	Teaching Popular Music Studies: Pedagogy and Curriculum Chair
van den Bogerd, Nicolette	Indiana University	Anti-Semitism, Music, and Music Studies: Views from the Field Chair
Van Handel, Leigh	University of British Columbia	Workshop: Rethinking Aural Skills Through Backwards Design Organizer Workshop: Rethinking Aural Skills Through Backwards Design
van Krieken, Robert	The University of Sydney	Historicizing Celebrity Discussant
Vander Wel, Stephanie	University at Buffalo, SUNY	Business meeting of the Committee on the Publication of American Music
Vélez-Justo, Cristina "Trinity"	The Ohio State University	"What's Up Danger?" and the Assimilative Implications of its Musical Hybridity in Spider-Man: Into the Spiderverse
Venturino, Stephanie	Yale School of Music	Twentieth-Century French Approaches to Harmonic Dualism
Vickers, Justin Michael	Illinois State University	A breach in the postwar nursery: agency, trauma, and the binaries of operatic childhood in Benjamin Britten’s _The Little Sweep_
Viloria Hernández, Clara	Harvard University	Crossing the Pyrenees: The Spanish troupe of queen Maria Theresa at the court of France (1660-1672).
Von Glahn, Denise	Florida State University	Sounds, Materialities, and Pleasures in the Garden Chair
voulgaris, hallie	Yale University	Knights, Incels, and Bach?: Transhistoricism and Queer Listening in Dorian Electra’s My Agenda
Walker, Jennifer	West Virginia University	Jules Massenet and the Paradox of Gendered Reception
Wallentinsen, Kristen	Rutgers, The State University of New Jersey	The SMT Committee on Disability and Accessibility Session Discussant
Waltz, Sarah Clemmens	University of the Pacific	Student Engagement: Texts and Tools Chair William Herschel’s Modulation in Theory and Practice
Wan, Morton	Cornell University	Mobility, Media, and Money in Early Modern Popular Music Presenter
Wang, Lizhou	Indiana University	Computational Analysis of Melodic Contour Based on CSIM and Clustering Techniques: A Model Tested by J. S. Bach’s Preludes in Cello Suites No.2 and 3
Waters, Keith	University of Colorado	Monk's Bridges
Weiss, Susan Forscher	Johns Hopkins University,	Albrecht Dürer: His Obsession with Music
Weitz, Shaena	University of Bristol	Historicizing Celebrity Presenter
Wells, Christi Jay	Arizona State University	Histories of Pedagogy/Pedagogies of History Presenter Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter
Werntz, Julia	Berklee College of Music	Microtonal Listenings Discussant
Whealton, Virginia Elizabeth	Texas Tech University	Urbanization, Cosmopolitanism and Whiteness: Mapping Domestic Instruments in Early Republic Virginia
Wheeldon, Marianne	University of Texas at Austin	Lost and Found: New Work in Ravel Studies Chair
White, Christopher	University of Massachusetts Amherst	The “what” and “when” of cadences
Whittaker, Adam	Royal Birmingham Conservatoire	Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Williams Roberts, Emily	University of Chicago	Disability Identity in Music Scholarship Presenter
Willmann, Hannah Claire	University of Ottawa	Rehearsing Settler Colonialism: Music in The Spectacle of Canadian National Identity
Willson, Julianna	Eastman School of Music,	Play, Nonsense, and Illusory Identities in Unsuk Chin’s Akrostichon-Wortspiel
Wilson Kimber, Marian	University of Iowa	Lifting as She Climbed: Mollie Fines and Music in African American Women’s Clubs
Winikoff, Jason Reid	University of British Columbia	Ulezo: Mapping Acoustic Attributes to Timbre Descriptors in Zambian Luvale Drum Tuning
Winter, Kendall Hatch	University of North Carolina at Chapel Hill	Contrafacts: A Template for Agency and Identity Formation Presenter
Wissner, Reba	Columbus State University	“Doing Musicology” with Primary Sources Chair “Doing Musicology” with Primary Sources Presenter Public Scholarship: How We Got Here, Where We’re Going Presenter
Wofford, Charles	University of Colorado at Boulder	The Ur of the Ore: Moments in the Origins of Heavy Metal Presenter
Wright, Trudi	Regis University	Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Chair
Wrigley, Robert B.	The Graduate Center, City University of New York	"Symphonies for God": The Disenchantment and Re-enchantment of Joseph Haydn's Mass Settings
Wroth, Emmanuela	University of Toronto	Historicizing Celebrity Presenter
Wu, Yi-Cheng Daniel	Soochow University School of Music	Expanding Music Literacy: Chinese Kunqü Opera Stage-Speech Tone Contour Transformation in YAO Chen’s Pipa Plays Opera (2013)
Wylie, Chris	N/A	Disability Identity in Music Scholarship Presenter
Yates, Linda	Independent Researcher	Disability Identity in Music Scholarship
Yom, Michelle Aeojin	CUNY Graduate Center	"Procession In Shout": Cecil Taylor’s Metamorphosis of Language to Music in A Rat’s Mass
Yom, Michelle Aeojin	The Graduate Center, CUNY	Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter
Yorgason, Brent	Brigham Young University	A Corpus of Corpses: Murder and Modernism in the Crime Films of Max Steiner
Youngerman, Irit	University of Haifa, Israel,	Jewish Music, Right and Left
Yu Wang, Anna	Princeton University	Redefining Music Theory through Translation Chair What is the Difference Between Polyphony and Heterophony?: Music Theory Classifications as Instruments of Social Class-Making
Yust, Jason	Boston University	Animated Harmonic Analysis Using DFT Phase Spaces and Coefficient Products
Zayaruznaya, Anna	Yale University	Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Presenter
Zeller, Matthew	Musical Instrument Museum, Phoenix	Lessons from Avian Organology Chair
Zhang, Wenzhuo	SUNY Fredonia	"We are not anonymous": Gender crisis and Self-identity in Chinese Pop Star Tan Weiwei's 2020 Virtual Performance
Ziegenhagel, Blaire	University of Oregon	Lyrical, Ludic, and Leitmotivic: Video Game Song Lyrics and Semantic-Leitmotivic Transformation