Conference Agenda
The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview | |
| Location: Plaza Ballroom D |
| Date: Thursday, 09/Nov/2023 | |
| 2:15pm - 3:45pm |
Chinese Music in Theory and Practice Location: Plaza Ballroom D Chair: Heeseung Lee Chinese Musical Instruments, from Ming to Qing: Zhu Zaiyu’s Yuelü quanshu and Its Influence on Joseph-Marie Amiot’s Treatises Music and Dance in Zhu Zaiyu’s Ceremonial Music: An Ontological Intervention on Early Modern Dance Studies Stretched to the Breaking Point: Singing as Phonological Analysis in Kunqu Theory |
| 4:00pm - 5:30pm |
Representing Racialized Selves and Others in Czech Music Brian Stuart Locke Western Illinois University, Location: Plaza Ballroom D Chair: Kelly St. Pierre |
| 8:00pm - 10:00pm |
Anti-Semitism, Music, and Music Studies: Views from the Field Uri S Schreter Harvard University, Location: Plaza Ballroom D |
| Date: Friday, 10/Nov/2023 | |
| 9:00am - 10:30am |
Transnational Politics of the Stage Location: Plaza Ballroom D Chair: Anne Searcy Negotiating Racial Identity: Racialized Assimilation in the Performances of Lee Tung Foo as the First Chinese American Vaudeville Singer Mozart and Verdi for the Revolution: Performing Classical Music in Allende’s Chile (1970-73) Representation, Performative Exchange, and Afropolitanism: Rethinking Opera Production in Nigeria through The Magic Flute. |
| 10:45am - 12:15pm |
Mediation of Blackness in Mid-Twentieth-Century America Location: Plaza Ballroom D Chair: Christopher Lynch (Re)introducing Marian Anderson: Television’s Normative Power at the _Ford 50th Anniversary Show_ (1953) RCA’s Portrait of America: Opera, Blackness, and Industrial Integration Post-World War II |
| 12:30pm - 2:00pm |
AMS Global East Asian Music Research Study Group Business Meeting Kunio Hara University of South Carolina Location: Plaza Ballroom D Chair: Kunio Hara, University of South Carolina Chair: Amanda Hsieh, Durham University |
| 2:15pm - 3:45pm |
Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges Áine Palmer Yale University, Location: Plaza Ballroom D Chair: Mark Everist Presentations of the Symposium Rethinking Musical Historiographies of Thirteenth-Century Paris: Benedicamus Domino and Unwritten Polyphony Notating Contrafacta in the Chansonnier Cangé What Killed Petrus de Cruce? |
| 4:00pm - 5:30pm |
Message Music: Musicology and Social Movements Jessie Ann Owens University of California, Davis, Location: Plaza Ballroom D Chair: Jessie Ann Owens, University of California, Davis Chair: Roger Freitas, Eastman School of Music Presenter: Reiland Rabaka, University of Colorado Boulder Presenter: Loren Kajikawa, George Washington University |
| 6:45pm - 7:45pm |
Joint Student Reception Location: Plaza Ballroom D |
| 9:30pm - 11:30pm |
University of North Carolina at Chapel Hill Reception Location: Plaza Ballroom D |
| Date: Saturday, 11/Nov/2023 | |
| 9:00am - 10:30am |
Nationalism and Politics Location: Plaza Ballroom D Chair: Steven Huebner “‘No Anthem Linked to Russia’: Tchaikovsky’s Piano Concerto No. 1 as a Substitute Russian Anthem at the Olympic Games” A Lost Legacy: Multivalent Nationalism in the Works of Emilie Mayer Rehearsing Settler Colonialism: Music in The Spectacle of Canadian National Identity |
| 10:45am - 12:15pm |
Copyright, Reparations, and the Marketplace Location: Plaza Ballroom D Chair: Ryan Raul Bañagale, Colorado College "Hot Milk" to "One Hundred Guns": Samples and Riddims in Music Publishing Haunted House Blues: Bessie Smith, Vocal Possessions, and the Time of Redress Turning Rap into Pop on Commercial Radio Stations |
| 12:30pm - 2:00pm |
Notation, Inscription and Visualization Study Group Business Meeting Ginger Dellenbaugh American Musicological Society, Location: Plaza Ballroom D Chair: Ginger Dellenbaugh, Yale University Chair: Giulia Accornero, Yale University Closed meeting. |
| 2:15pm - 3:45pm |
News, American Politics, and the Stage Location: Plaza Ballroom D Chair: Hannah Lewis “Welcome to America”: Exoticizing the United States in David Henry Hwang/Jeanine Tesori’s Soft Power (2018) Anthemic Aspirations and Operatic Opinions: Rallying Communities in An American Soldier (2018) and The Central Park Five (2019) Sex Crimes and 1990s Politics in KISS OF THE SPIDER WOMAN and PARADE |
| 4:00pm - 5:30pm |
Historicizing Queerness Location: Plaza Ballroom D Chair: Kimberly Francis, University of Guelph Dead Divas and Duets for One: Jesse Shepard, Queer Musical Mediumship, and Intermundane Vocal Drag Facing the Music: Evangelical Beliefs and Queer Identities in the Christian Contemporary Music Industry The Queer Musical Temporality of Vernon Lee |
| 8:00pm - 10:00pm |
Music and Dance Study Group Business Meeting Stephen S. Hudson Occidental College Location: Plaza Ballroom D |
| Date: Sunday, 12/Nov/2023 | |
| 9:00am - 10:30am |
Music and Female Agency in European Society Location: Plaza Ballroom D Chair: Sanna Pederson “My Harmonious Companion”: English Square Pianos as Sites of Women’s Agency in the Eighteenth Century From Matinée Musicale to the Brighton Musical Union: Anna Caroline de Belleville and the Cultivation of “Classical” Chamber Music Culture Tracking Women’s Multiple Roles in the Concert Life of Vienna 1780-1830: Opportunities, Networking, and Agency |
| 10:45am - 12:15pm |
Narrating Indigenous Musical Histories Location: Plaza Ballroom D Chair: Allison Robbins How Music Renders Property: Museums, Pieces, and Other Common Dispossessions Tracing Sounds, Sounding Traces: Indigenous Musical Histories of a Mexican Island Upstream of Global Music History: Against the Musical Flow in North Sumatra |