Conference Agenda
The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview | |
Location: Grand Ballroom I |
Date: Thursday, 09/Nov/2023 | |
2:15pm - 3:45pm |
Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Location: Grand Ballroom I Presentations of the Symposium The (In)convenience of Labels Do I Hear Here? A Probing of Asian-American Identity in Jazz Studies Affective Contingency in the Discipline Disciplining the Professional Music Lover: On Minor Feelings in Music Theory |
4:00pm - 5:30pm |
HBCUs and Music Theory Location: Grand Ballroom I Presentations of the Symposium HBCUs and Music Theory |
7:30pm - 9:00pm |
SMT Dance & Movement Interest Group Meeting Location: Grand Ballroom I |
Date: Friday, 10/Nov/2023 | |
9:00am - 10:30am |
Theory, History, and the Practice of Listening Location: Grand Ballroom I Chair: Maryam Aline Moshaver, University of Alberta Theorizing Musical Listening in Ottoman Istanbul (1560-1640 CE): Ontology, Perception, Affect and Multiplicity “The Unpsychological Notion That Music is Made Up of Tones”: Comparative Musicology and Gestalt Theory in Berlin, 1906-1913 “There Aren’t Seven Notes”: The Affordances of Small-Vocabulary Solmization Systems |
10:45am - 12:15pm |
Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation Location: Grand Ballroom I Chair: Vivian Luong, University of Oklahoma Presentations of the Symposium Queer Otherwise Possibilities in the SMT and Beyond: A Workshop and Conversation |
12:30pm - 2:00pm |
SMT Music & Psychoanalysis Interest Group Meeting Location: Grand Ballroom I |
2:15pm - 5:30pm |
Professional Ins and Outs: Practicing/Performing Public Music Theory Location: Grand Ballroom I Presentations of the Symposium Public music theory outside the academy Public Music Theory Within the Academy |
7:30pm - 9:00pm |
SMT Musical Theater Interest Group Meeting Location: Grand Ballroom I |
Date: Saturday, 11/Nov/2023 | |
9:00am - 10:30am |
Redefining Music Theory through Translation Location: Grand Ballroom I Presentations of the Symposium A Linguistic Approach to Music Analysis in 21st-Century China Metric Theory as an Instrument of Nationalism: Dobri Hristov’s “Rhythmic Fundamentals of Bulgarian Folk Music” (1913) Gusti Putu Made Geria’s World of Balinese Music Theory |
10:45am - 12:15pm |
Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Location: Grand Ballroom I Presentations of the Symposium Presentation types and formal function in Renaissance polyphony With Baccusi in the Jacuzzi; or, How I Learned to Stop Worrying and Love Numbers Block quotation in two chanson-masses by Orlando di Lasso |
2:30pm - 3:15pm |
SMT Business Meeting Location: Grand Ballroom I Open to all attendees. |
3:15pm - 4:00pm |
SMT Awards Ceremony Location: Grand Ballroom I |
4:15pm - 6:00pm |
SMT Plenary: Public Music Theory Location: Grand Ballroom I Chair: Stephen Rodgers, University of Oregon Submit questions for the panel at the following link: https://shorturl.at/kvJK1 SMT Plenary: Public Music Theory |
7:30pm - 9:00pm |
SMT Disability and Music Interest Group Meeting Location: Grand Ballroom I |
Date: Sunday, 12/Nov/2023 | |
9:00am - 10:00am |
Analyzing Jazz Location: Grand Ballroom I Chair: Joon Park, University of Illinois Chicago Grouping Against the Groove: Metrical Dissonance in Hiromi’s “Voice” Monk's Bridges |
10:15am - 12:15pm |
The Popular Singing Voice Location: Grand Ballroom I Chair: Christine Boone Trauma, Dissociation, and the Popular Singing Voice Voicing Form in Beyoncé's Lemonade Stability and Instability in Vocal Performance: A Case Study of Rihanna’s Anti (2016) Excess Inhalations in Taylor Swift’s Midnights (2022) |