The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Click on the session name for a detailed view (with participant names and abstracts).
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Session Overview | |
| Location: Governor's Sq. 17 |
| Date: Thursday, 09/Nov/2023 | |
| 2:15pm - 3:45pm |
Musical Responses to Trauma Location: Governor's Sq. 17 Chair: Erin Brooks, SUNY Potsdam “‘Real Pain’: Trauma and Good Non-Sovereignty in the music of Indigo De Souza.” Hearing Suffering and Faith in Lingua Ignota’s SINNER GET READY Waters on Fire: Post-War Trauma, Disability, and Multi-Narrative Strategies in Prog Rock |
| 4:00pm - 5:30pm |
Organological Origins and Obsessions Location: Governor's Sq. 17 Chair: Lindsey Macchiarella, University of Texas at El Paso Albrecht Dürer: His Obsession with Music The First Instrument: Paleolithic Organology and Other Considerations on the Origins of Music Traces of European Renaissance Keyboards in Early Modern Sub-Saharan Africa |
| 7:00pm - 9:00pm |
Northwestern University Reception Location: Governor's Sq. 17 |
| Date: Friday, 10/Nov/2023 | |
| 9:00am - 12:15pm |
Microtonal Listenings Location: Governor's Sq. 17 Presentations of the Symposium “…per aiutare una consonanza…”: Learning Vicentino's Enharmonic Music by Ear Listening to Recursive Translations of Easley Blackwood’s Twelve Microtonal Etudes Danger! Wolf Crossing: Expressive Discordance in Froberger’s Keyboard Music Sonic Shadings in Two Versions of BWV 21/3, “Seufzer, Tränen, Kummer, Not” Finding Meter in Acoustics: Ryoji Ikeda’s matrix NANO-TONALITY: Queer Phenomenology or dis-Oriented Noumenology? |
| 12:30pm - 2:00pm |
Jazz and Improvisation Study Group Business Meeting Kimberly Hannon Teal University of North Texas, Location: Governor's Sq. 17 |
| 2:15pm - 3:45pm |
Puppetry, Music, and National Identity Location: Governor's Sq. 17 Chair: Margaret Lucia, Shippensburg University Between Human and Machine in Manuel de Falla’s _El retablo de Maese Pedro_ Reclaiming the Puppet’s Voice at the Petit-Théâtre de la Marionnette (1888-1894) |
| 4:00pm - 5:30pm |
Transauralities: Thinking Trans in Music/Sound Studies Alejandrina M. Medina University of California San Diego, Location: Governor's Sq. 17 Chair: Amy Cimini Presentations of the Symposium The Trans Ear/(h)earing Vocal Transcendence: Performing and Perceiving Transgender Drag Vocal Performance "I’ll figure out a way to get us out of here": Cavetown and Trans Youthful Care |
| 8:00pm - 10:00pm |
Disability Identity in Music Scholarship Elizabeth McLain Virginia Tech, Location: Governor's Sq. 17 Presentations of the Symposium Ethnography Through All Of Our Bodies: Reconsidering Methodology through Disability Expertise I got a right to be Mad: Madness in Beyoncé’s Lemonade Perspective Inclusive Music Workshops An Initial Exploration of Autistic, Synesthetic Queer Listening You Want Us to do What? : Analysing the Disability Identity in Music Scholarship Call for Papers Crip-Punk! Exploring Disability and Liberation Through Music |
| Date: Saturday, 11/Nov/2023 | |
| 9:00am - 10:30am |
Creative Characterizations in Film Location: Governor's Sq. 17 Chair: Esther Marie Morgan-Ellis, University of North Georgia Francis Chagrin, Gerard Hoffnung, and the Art of Musical Caricature From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film through Data Analysis and Musical Topoi Inside the Score: Towards a Poetics of Theme Park Music |
| 10:45am - 12:15pm |
Performance, Politics, and Media in the Philippines Location: Governor's Sq. 17 Chair: John Gabriel, University of Melbourne La Mascotte’s Travels: Innocence and Empire on the Lilliputian Stages Across Asia Pacific Popular Prancing: Implications of Cultural Hybridity and Blackface Minstrelsy in Reckoning Nicanor Abelardo’s “Naku….Kenkoy!” Surveilled Soundscapes of Big Brother |
| 12:30pm - 2:00pm |
AMS Council Location: Governor's Sq. 17 |
| 2:15pm - 3:45pm |
Music and the Law Ginger Dellenbaugh Yale University, Location: Governor's Sq. 17 Chair: Eric Drott Presentations of the Symposium Sing for the competition and go to prison: How the Italian “opera war” of Victorian London shaped contract and labor law What was an Author? |
| 4:00pm - 5:30pm |
Lessons from Avian Organology Robert Vincent Giglio , Location: Governor's Sq. 17 |
| 8:00pm - 10:00pm |
Music, Sound, and the Making of Eco-Culture Heidi Lee Jensen Alfred University, Location: Governor's Sq. 17 Presentations of the Symposium “More than Topography and Landforms: Musical Depictions of Southern Utah’s Wilderness" "Surface Reflections: Hearing the Eco-History of Town Branch in Lexington, KY" "The Re-Purposing of Folk Culture in the Struggle Against Resource Extractivism in Contemporary Greece" “Goin’ to the Big Oil Show: Celebrating Oil in Song" "A Playlist for the Anthropocene: Elements of a Music-Ecological Aesthetics" |
| Date: Sunday, 12/Nov/2023 | |
| 9:00am - 10:30am |
Power and Aurality in Colonial Latin America Javier Marín-López Universidad de Jaén, Location: Governor's Sq. 17 Presentations of the Symposium Hearing Doctrine: Catechism as Aurality in Colonial Mexico Exaudi vocem meam. Race, Voice, and Transgression in New Spain |
| 10:45am - 12:15pm |
Contrafacts: A Template for Agency and Identity Formation Kendall Hatch Winter , Location: Governor's Sq. 17 Chair: Drew Edward Davies Presentations of the Symposium Aquilino Coppini’s Third Book (1609) and the Diplomatic Use of Spiritual Contrafacts Opera Seria Contrafacts at the Amsterdam Sephardic Synagogue and the Negotiation of Jewish Identity in the Eighteenth Century Hegemonic Refashioning: The 1888 Song Leaflet of the American Woman Suffrage Association |