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Conference Agenda

The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview

Date: Saturday, 11/Nov/2023
7:00am - 9:00am	Ohio State University Student-Alumni Breakfast Location: Director's Row E
7:15am - 8:45am	AMS Board and Council Breakfast Location: Plaza Ballroom A	SMT 2024 Program Committee Meeting Location: Director's Row F	SMT Interest Groups Breakfast Meeting Location: Director's Row I	SMT-V Editorial Board Meeting Location: Director's Row J
8:00am - 10:00am	SMT-Pod Drop-In Meeting Location: Governor's Sq. 10 SMT-Pod will be having a drop-in session, open to all attendees. Past, current, and future authors, board member, and peer reviewers are encouraged to come by! Ask questions, share experiences, and hear out about opportunities to publish or work with SMT-Pod.
8:30am - 6:00pm	Exhibit Hall Open Location: Plaza Exhibit Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served.
9:00am - 10:00am	Country Music Location: Silver Chair: Jocelyn Neal, UNC Chapel Hill “So Lonesome I Could Cry”: The Tear-Jerking Refrain in Country Music Ben Duane She Tells the Story: The Lyrical Narrator, Persona, and Empowerment in Country Songs Madison Stepherson		Queer Theory Location: Governor's Sq. 11 Chair: Rachel Lumsden, Florida State University Knights, Incels, and Bach?: Transhistoricism and Queer Listening in Dorian Electra’s My Agenda hallie voulgaris Consonance, Dissonance, and Gender: A Queer-Theoretical Approach to Johanna Beyer's Clarinet Suites (1932) Alexandrea Jonker
9:00am - 10:30am	Between Worlds: Making Community in Black Music Location: Grand Ballroom II Chair(s): Gayle Murchison Presentations of the Symposium Black Music’s Interstitial Inhabitance Jonathan A. Gómez Mary Lou Williams’s Apartment: Sites of a Speculative Music Theory Marc Edward Hannaford Songs of the Soil: The Science and Soul of Chthonic Jazz Mark Lomanno	Creative Characterizations in Film Location: Governor's Sq. 17 Chair: Esther Marie Morgan-Ellis, University of North Georgia Francis Chagrin, Gerard Hoffnung, and the Art of Musical Caricature Jeremy Orosz From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film through Data Analysis and Musical Topoi Paul Allen Sommerfeld Inside the Score: Towards a Poetics of Theme Park Music Gregory Louis Camp	Disability and Affordance in Popular Music Location: Governor's Sq. 14 Chair: Christa Bentley “Lady Gaga Hits Rock Bottom!”: The Embodied Crisis of Pop Performance Katelyn Hearfield Reconstructing Wheelchair-using Sexual Women: Ali Stroker, Oklahoma!, and the Politics of Visibility in Music Performance Echo Lee Davidson The Affordances of a Pegleg: Disablist Music-Making and (A)symmetry in Rhythm Tap Dance Rachel Gain	Dissertation to Book: Recent Survivors Location: Vail Dissertation to Book: Recent Survivors Chair(s): Kimberly Hannon Teal Presenter(s): Lauron Kehrer, Darren Mueller, Kelsey Klotz, Kira Thurman
	Gender, Opera, and Social Politics Location: Majesty Ballroom Chair: James Cassaro Jules Massenet and the Paradox of Gendered Reception Jennifer Walker Luigi Marescalchi and the Circulation of Power: Women on the Late Eighteenth-Century Italian Opera Stage Margaret Butler Debating Cosmopolitan Utopia: Women Singers at the Glyndebourne Opera Festival in the 1930s Beth M Snyder	Medieval Polyphony Location: Governor's Sq. 16 Chair: John Thomas Brobeck, University of Arizona Asses and Ales: Locating Ethnicity through Parody in Thirteenth-Century Balaam Motets Eleanor Price Machaut’s Rests in Scribal Hands Emily Korzeniewski Repetition in the Insular Polyphonic Alleluya and the Integrity of Plainchant Karen Desmond	Mentoring Grad Students Toward Many Possible Futures: A Workshop for Faculty Advisors Location: Windows Presenter: Danielle Fosler-Lussier, Ohio State University Presenter: Stacy Hartman, Independent Scholar and Project Consultant	Nationalism and Politics Location: Plaza Ballroom D Chair: Steven Huebner “‘No Anthem Linked to Russia’: Tchaikovsky’s Piano Concerto No. 1 as a Substitute Russian Anthem at the Olympic Games” Lena Leson A Lost Legacy: Multivalent Nationalism in the Works of Emilie Mayer Eleanor Legault Rehearsing Settler Colonialism: Music in The Spectacle of Canadian National Identity Hannah Claire Willmann
	Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Douglas Shadle Vanderbilt University, Location: Plaza Ballroom E Chair: Douglas Shadle, Vanderbilt University Chair(s): Douglas Shadle Presentations of the Symposium New York Musicians in Revolt: the 1828 Musical Fund Society as an Inspiration for the 1842 Philharmonic Barbara Haws The True Story of the New-York American Music Association, 1855–1858 Douglas Shadle Early Nineteenth-Century American Chamber Music: Unknown and Unloved? John Graziano	Redefining Music Theory through Translation Location: Grand Ballroom I Organizer(s): Edwin Li Chair(s): Anna Yu Wang, Chris Stover Presentations of the Symposium A Linguistic Approach to Music Analysis in 21st-Century China Rong Qian Metric Theory as an Instrument of Nationalism: Dobri Hristov’s “Rhythmic Fundamentals of Bulgarian Folk Music” (1913) Daniel Goldberg Gusti Putu Made Geria’s World of Balinese Music Theory Michael Tenzer	Sound Recording and Global Imperialism in the Early Twentieth Century Sergio Ospina Romero Indiana University, Location: Governor's Sq. 12 Chair: Sergio Ospina Romero, Indiana University Chair(s): Sergio Ospina Romero Presentations of the Symposium Listening to the Colonial Archive Trans-Historically: Things, Sound Objects, Legacy, and the Konrad T. Preuss Collection at the Berliner Phonogramm-Archiv Alejandro L. Madrid Talking Machine Empires and the Early Sound Recording Business in Latin America and the Caribbean Sergio Ospina Romero Listening to Arab Modernity: Commercial Recordings from the 1932 Cairo Congress Melissa Camp	The History of Harmony Location: Denver William Herschel’s Modulation in Theory and Practice Sarah Clemmens Waltz Twentieth-Century French Approaches to Harmonic Dualism Stephanie Venturino Why Richter? Exploring the International Success of Richterian Theory Pedagogy in the Nineteenth Century Bjørnar Utne-Reitan
	The Ur of the Ore: Moments in the Origins of Heavy Metal Charles Wofford , Location: Plaza Ballroom F Chair(s): TBD TBD Presentations of the Symposium Metal Unchained: A Critique of the Conventional Heavy Metal Historiography Charles Wofford Galloping through Proto-Metal with Ritchie Blackmore, John Paul Jones, and Nancy Wilson Isaac Johnson Heavy Metal Roots Left in the Dark Amir Dawarzani
9:00am - 11:00am	AMS Poster Session Location: South Convention Lobby _Crusader Rabbit_ and the Transition from the Theater to the Television Lisa Scoggin EDB (Electronic Dance Bluegrass): Acoustic Representations of EDM in the Punch Brothers' "Familiarity" Kevin Connor Laskey The Colonial Effects of Opera in Portuguese Brazil: An Overview Brandon Lane Foskett Quantitatively derived markers of socio-political biases in popular music contests: Eurovision 2022 case study Nikolai Klotchkov
9:00am - 12:15pm	The SMT Committee on Disability and Accessibility Session Location: Governor's Sq. 15 Organizer(s): David Easley Chair(s): David Easley Discussant(s): Tekla Babyak, Kate Pukinskis, Toby Rush, Kristen Wallentinsen Presentations of the Symposium Joni Mitchell and the Poetics of Human Imperfection Timothy Koozin Learning from misrepresentations of autism in music theory disability studies to improve scholarship and increase understanding of autism spectrum disorders Kate McDonald Lost in Transcription? Captioning Issues for Music and Sound in Film and Television, A Presentation with Breakout Discussions James Deaville
10:15am - 11:30am	Coffee Break Location: Plaza Exhibit Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served.
10:15am - 12:15pm	Form in Popular Music Location: Silver Chair: Drew Nobile, University of Oregon “We All Have a Hunger”: Formal Blends as Rebuilds in Popular Song David Scott Carter Formal Functions of Melodic Patterns in Popular Music Jeremy Michael Robins Recombinant Teleology in Improvised Popular Music Micheal Sebulsky Formal Features of the Songs of Chuck Berry Christopher Doll		Romantic Form Location: Governor's Sq. 11 Chair: Andrew Isaac Aziz, San Diego State University Spawn of the Symphonic Boa Constrictor: Formal Strategies from the Post- and Neo-Brucknerians Frank Martin Lehman Retracted Tonal Areas in Sonata-Form Expositions: Circular Directionality in Early Nineteenth-Century Music Yonatan Bar-Yoshafat Medial Caesura, wherefore art thou? The Augmented Sixth chord as a Formal Initiator in 19th-Century Sonata Expositions Graham G Hunt Corpus Studies, Sonata Typology, and the 19th-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression Peter Smith, Julian Horton
10:45am - 12:15pm	Compositional Strategies for Sacrality and Acceptance Location: Vail Chair: Kirsten Yri Literary Worlds and Storytelling Narratives in the Technical Death Metal of Nile: Western Subjectivities and Ancient Egyptian Historical Imagination Eric Smialek Music and Sun Ra’s Atlantean-Egyptian Magic Anna Gawboy Notational Complexity and the Construction of Legitimacy: Steve Vai Transcribes Frank Zappa Note for Note Alexander James Hallenbeck	Copyright, Reparations, and the Marketplace Location: Plaza Ballroom D Chair: Ryan Raul Bañagale, Colorado College "Hot Milk" to "One Hundred Guns": Samples and Riddims in Music Publishing Claire E McLeish Haunted House Blues: Bessie Smith, Vocal Possessions, and the Time of Redress Matthew Mendez Turning Rap into Pop on Commercial Radio Stations Amy Coddington	Georgia, Ukraine, and Decolonizing Soviet Music History Peter Schmelz , Location: Plaza Ballroom E Chair: Peter Schmelz Chair(s): Peter Schmelz Presentations of the Symposium Music in Uniform: The Case of Georgia Nana Sharikadze Georgian Opera under Stalinism: From Celebrations to Complications Maia Sigua The Kyiv Avant-garde Revisited: Decolonial Reflections on the Music of Valentyn Sylvestrov and Borys Lyatoshynsky Peter Schmelz	Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Location: Grand Ballroom I Chair(s): Richard Freedman Presentations of the Symposium Presentation types and formal function in Renaissance polyphony Julie Cumming With Baccusi in the Jacuzzi; or, How I Learned to Stop Worrying and Love Numbers Peter Schubert, Sylvain Margot Block quotation in two chanson-masses by Orlando di Lasso Vlad Praskurnin
	Models and Maps Location: Denver Chair: Kristin Taavola, University of Denver Ulezo: Mapping Acoustic Attributes to Timbre Descriptors in Zambian Luvale Drum Tuning Jason Reid Winikoff, Lena Heng Developing Corpora for Musical Traditions Across the Globe: Music Analysis with the MIRAGE-MetaCorpus David R. W. Sears, Ting Ting Goh, Ngan V. T. Nguyen, Tommy Dang An Experiential Model for Pitch Centricity Stanley V. Kleppinger	Music and the Middlebrow Location: Governor's Sq. 14 Chair: David Brackett _Sing Along with Mitch_ and the Politics of Participation Esther Marie Morgan-Ellis Rehab in the Nightclub: Don Shirley, Middlebrow Music, and the Civil Rights Movement Pheaross Graham A breach in the postwar nursery: agency, trauma, and the binaries of operatic childhood in Benjamin Britten’s _The Little Sweep_ Justin Michael Vickers	Music for White America Location: Majesty Ballroom Chair: Larry Hamberlin Music in the Blood: Race Pseudoscience in Barbershop Harmony Clifton Boyd The Guitar Music of Leopold Meignen: Popular Music Subsidization of Concert Music in Antebellum America Lars Helgert Urbanization, Cosmopolitanism and Whiteness: Mapping Domestic Instruments in Early Republic Virginia Virginia Elizabeth Whealton	My Life in Music: An Autoethnography of a Curator (AMS Committee on Women and Gender Endowed Lecture) Location: Grand Ballroom II Chair: Stephanie Jensen-Moulton, Brooklyn College Presenter: Dwandalyn R. Reece, Smithsonian Institution
	Opera on the Periphery Location: Plaza Ballroom F Chair: Ryan Ebright Czech Pan-Slavism vs. Russian Imperialism: Glinka’s "A Life for the Tsar" in Mid-Nineteenth-Century Prague Martin Nedbal From Provincial to Capital: Staging Shostakovich’s Lady Macbeth in Twentieth-Century France Madeline Beth Roycroft Opera on the periphery: 'Orpheus und Eurydike' in Kassel Daniel Thomas Boucher	Performance, Politics, and Media in the Philippines Location: Governor's Sq. 17 Chair: John Gabriel, University of Melbourne La Mascotte’s Travels: Innocence and Empire on the Lilliputian Stages Across Asia Pacific Isidora Kabigting Miranda Popular Prancing: Implications of Cultural Hybridity and Blackface Minstrelsy in Reckoning Nicanor Abelardo’s “Naku….Kenkoy!” James Carl Lagman Osorio Surveilled Soundscapes of Big Brother James Gabrillo	Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Alessio Olivieri University of Nebraska Lincoln, Location: Governor's Sq. 12 Chair: William Craig Krause, Hollins University Chair(s): William Craig Krause Presentations of the Symposium “More than a pasodoble.” Flamenquismo, Realism, and Verismo in Manuel Penella’s El gato montés Alessio Olivieri Spanish Nationalism, Neoclassicalism, and Comic (Dis)Enchantment in Manuel de Falla’s El retablo de maese Pedro Anthony LaLena “Avant Garde music, but tradition”: The Constant and Ambivalent Use of Nationalism in the Music Culture of Franco’s Spain—from Autarchy in the 1940s to Spanish Developmentalism in the 1960s Pedro López de la Osa
10:45am - 12:45pm	European Music and Caribbean Slavery in the Eighteenth Century Maria Ryan Florida State University, Location: Governor's Sq. 16 Chair: Naomi Andre, University of North Carolina at Chapel Hill Chair(s): Naomi André Presenter(s): Julia Doe, Rebecca Geoffroy-Schwinden, Aimee González, Mary Caton Lingold, Henry Stoll
12:00pm - 4:00pm	Business meeting of the Committee on the Publication of American Music Stephanie Vander Wel University at Buffalo, SUNY Location: Director's Row F Stephanie Vander Wel
12:30pm - 2:00pm	AMS Council Location: Governor's Sq. 17	AMS Global Music History Business Meeting Hyun Kyong Hannah Chang University of Sheffield Location: Plaza Ballroom E Hyun Kyong Hannah Chang	AMS Music and Philosophy Study Group Business Meeting Location: Governor's Sq. 12 Chair: Kyle Christopher Kaplan, Syracuse University Chair: Patrick Nickleson, University of Alberta	Decolonizing Mode in the Twenty-First Century Music History Classroom Jacob Ryan Ludwig The University of Cincinnati College-Conservatory of Music, Location: Majesty Ballroom Chair(s): Pamela F. Starr, Stephen C. Meyer Presenter(s): Jacob Ryan Ludwig
	Haydn Society of North America Annual General Meeting and Business Meeting Location: Governor's Sq. 10	LGBTQ Study Group Business Meeting Maria Murphy University of Pennsylvania Location: Vail Maria Murphy	Music Copyright Office Hours: Ask a Theorist-Attorney! Location: Plaza Exhibit SMT Booth 408 Bring your burning music copyright questions to the Exhibit Hall and chat with music theorists whose work in music theory has brought them to the law.	Notation, Inscription and Visualization Study Group Business Meeting Ginger Dellenbaugh American Musicological Society, Location: Plaza Ballroom D Chair: Ginger Dellenbaugh, Yale University Chair: Giulia Accornero, Yale University Closed meeting. Ginger Dellenbaugh
	Open Access Musicology Location: Columbine	Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Stephanie Frakes University of Manitoba, Location: Plaza Ballroom F Chair(s): Jeannette DiBernardo Jones Presenter(s): Peter Lamothe, Stephanie Frakes, Jeannette DiBernardo Jones	Popular Music Study Group Business Meeting Amy Coddington Amherst College Location: Grand Ballroom II Amy Coddington	SMT Jazz Interest Group Meeting Location: Governor's Sq. 15
	SMT Music Cognition Interest Group Meeting Location: Denver	SMT Music Informatics & Music Theory Pedagogy Interest Groups Meeting Location: Silver	SMT Timbre & Orchestration Interest Group Meeting Location: Governor's Sq. 11	SMT Work & Family Interest Group Meeting Location: Plaza Court 1
	Speed Networking Location: South Convention Lobby
2:15pm - 3:45pm	AMS Board Meet & Greet 3 Location: Plaza Exhibit	Composition and Indigeneity Location: Majesty Ballroom Chair: Cintia Cristia Language, Ethics, and Death: '...And Points North' by Stuart Saunders Smith Rose Martin Pasatono Orquesta Mexicana: Tensions Surrounding Indigenous Performativity and Concert Music Mercedes Alejandra Payan Ramirez Pious Ears: Rendering the Obscene Audible in the Archives of the New Spain Inquisition Cibele Moura	Conceptualizing Mode and Key Location: Windows Chair: Christine Getz, University of Iowa Alignment between Mode and Character in Operas by Francesca Caccini and Elisabeth de la Guerre Solomon Guhl-Miller Cipriano de Rore’s _Il primo libro de madrigali a5_ (1542) and a Defense of Mode Seth J Coluzzi On Earth as it is in Scale Degree Seven: Understanding the Mixolydian Mode in “Revelation Song” Dylan Crosson	Fields, Gardens, and Labyrinths Location: Governor's Sq. 16 Chair: Emily Loeffler Escaping from “dust and noise” to the “verdant abodes of feather’d minstrels”: The Politics of Sound in London’s Eighteenth-Century Pleasure Gardens Ashley Greathouse From the Tiber to the Thames: Thomas Watson’s Italian Madrigalls Englished and the Naturalization of Marenzio’s Musical Arcadia Joseph Olivier Gauvreau Gardens, Modulations and Sacred Architecture in Marin Marais’s “Le Labyrinthe” Eric William Tinkerhess
	From Political Work to Homoerotic Play: Music in Cults of James and Anna K. Dawn Grapes Colorado State University, Location: Governor's Sq. 12 Chair: Linda Austern Chair(s): Linda Austern Discussant(s): Linda Austern Presentations of the Symposium The Countess of Bedford, Royal Imagery, and Artistic Patronage in the Age of Elizabeth and Anna K. Dawn Grapes Spying on Oriana: Homoerotic Codenames and the Politics of Amadís and Diana’s Nymphs Alexandra Siso, Jeremy L. Smith “Passing the Love of Women”: Anthems and Queer-World Making in the Jacobean Era Jordan Hugh Sam	How George Bridgetower Flourished: A Violinist's Bridge Between Past and Future Nicole Cherry University of Texas at San Antonio Location: Governor's Sq. 14 Nicole Cherry	Music and the Law Ginger Dellenbaugh Yale University, Location: Governor's Sq. 17 Chair: Eric Drott Chair(s): Eric Drott Presentations of the Symposium Sing for the competition and go to prison: How the Italian “opera war” of Victorian London shaped contract and labor law Matt Stahl What was an Author? Ginger Dellenbaugh	News, American Politics, and the Stage Location: Plaza Ballroom D Chair: Hannah Lewis “Welcome to America”: Exoticizing the United States in David Henry Hwang/Jeanine Tesori’s Soft Power (2018) Zachary Lloyd Anthemic Aspirations and Operatic Opinions: Rallying Communities in An American Soldier (2018) and The Central Park Five (2019) Allison Chu Sex Crimes and 1990s Politics in KISS OF THE SPIDER WOMAN and PARADE Michael Andrew Bennett
	Operetta and cultural transfer in Europe Mirjana Plath University of Oslo, Location: Vail Chair: Sarah Hibberd Chair(s): Sarah Hibberd Presentations of the Symposium “The best from abroad is good enough for the people of Amsterdam”. Operetta transfer in Amsterdam’s theatrical landscape, 1860-1880 Veerle Maria Everdina Driessen German operetta as a means of escape for Nazi persecutees to Stockholm in the 1930s Mirjana Plath From fantasias to cineoperette: operetta transfer and intermediality in the experience of the Casa Sonzogno (1874-1915) Alessandra Palidda	Vocal Timbre in Popular Music Location: Plaza Ballroom F Chair: Gayle Murchison, William and Mary "Strange Fruit," a Musical Ekphrasis Guillermo A. Luppi Listening for Tammi: Vocal Identity in the Duets of Gaye and Terrell Andrew Flory Shanghai Nights: The Cultural Politics of Vocal Timbre in 20th-century Chinese Popular Music Annie Yangan Liu
2:30pm - 3:15pm	SMT Business Meeting Location: Grand Ballroom I Open to all attendees.
3:15pm - 4:00pm	SMT Awards Ceremony Location: Grand Ballroom I
4:00pm - 5:15pm	Scott Joplin's Ragtime Location: Governor's Sq. 14 Chair: Matt Brounley, American Musicological Society Presenter: Marilyn Nonken, New York University
4:00pm - 5:30pm	Bases and Superstructures: Academic Music Studies and the Capitalist Present Location: Plaza Ballroom F Chair(s): Amy Bauer Presentations of the Symposium Can there be a Radical Black (Marxist) Schenkerism? Bryan Parkhurst Musical Development: Toward a Materialist Critique of Classical Music Marianna Ritchey Putting Class in Classical Music John Pippen	East Asia, Composition, and Transnationalism Location: Governor's Sq. 12 Chair: Sarah Lucas Decentralized Duets: The Dynamics of Music-Making in American-Korean Collaborations Mingyeong Son Retranslating Mahler’s Das Lied von der Erde Edwin Li Un-yung La, Béla Bartók, and the Beginning of Korean Musical Avant-garde Jung-Min Mina Lee	Historicizing Queerness Location: Plaza Ballroom D Chair: Kimberly Francis, University of Guelph Dead Divas and Duets for One: Jesse Shepard, Queer Musical Mediumship, and Intermundane Vocal Drag Gabrielle Elaine Ferrari Facing the Music: Evangelical Beliefs and Queer Identities in the Christian Contemporary Music Industry Anneli Loepp Thiessen The Queer Musical Temporality of Vernon Lee Jessica Gabriel Peritz	Histories of Pedagogy/Pedagogies of History Darren Mueller Eastman School of Music, Location: Plaza Ballroom E Chair(s): Darren Mueller Discussant(s): Kenneth Prouty Presentations of the Symposium The Performance and Pedagogy of Ron Miles Darren Mueller Supporting Gender Inclusivity in Jazz Education Annie Booth Jazz and Academization in Los Angeles and Oakland, California Jennifer Ye Ji Cho The Institutes in Jazz Criticism Christi Jay Wells
	Late 16th–Early 17th-Century Polyphony Location: Governor's Sq. 16 Chair: Melinda Latour Ad sacrum convivium: The Mediating Role of Confraternal Music in the German Counter-Reformation Alexander John Fisher Motet persona: Vicente Lusitano, polyphonist of color, and his quest for legitimacy Bernardo Illari Motets and Mandates: Austrian Habsburg Responses to the Ottoman Empire during the Long War (1593–1606) D. Linda Pearse	Lessons from Avian Organology Robert Vincent Giglio , Location: Governor's Sq. 17 Chair(s): Matthew Zeller, Lidia Chang Presenter(s): Emily I. Dolan	Machine Sounds Location: Majesty Ballroom Chair: Zachary Wallmark, University of Oregon “The Bell heard ‘round the world” Kate Mancey Chasing modernity on two wheels: Music for bicycling on stage in fin-de-siècle Milan Taryn Dubois Pinball’s Influence on Early Video Game Music Neil Lerner	Race and Identity in Colonial Latin America Location: Windows Chair: Henry Stoll 'Barroco hispano-guaraní' Music: Decolonizing Paraguayan Early Modern Repertories Camila Corvalan Ocampos “Animales sin Razón” in 16th Century New Spain: Music as a Theopolitical Intervention on the Capacities of the Human Matthew Gilbert Listening to Black Voices in Early Modern New Spain Ireri E Chávez Bárcenas
	Rethinking Intercultural Composition Location: Governor's Sq. 11 Chair: Olga Haldey, University of Maryland “A Letter from Siberia”: Tālivaldis Ķeniņš and Canadian Cultural Diplomacy within the Latvian SSR (1989-1991) Daniel David Jordan Unification of Indian and Western Musical Idioms in Reena Esmail's "Meri Sakhi Ki Avaaz" ("My Sister's Voice") Craig B. Parker	Wagnerian Parodies Adeline Anastasia Heck , Location: Vail Chair: Feng-Shu Lee, National Yang Ming Chiao Tung University Chair(s): Feng-Shu Lee Presentations of the Symposium Irreverent Wagnerism: French Literary Parodies of Wagner in the Fin de Siècle (1885-1895) Adeline Anastasia Heck French Instrumental Parodies of Wagner in the 1880s François Delécluse The Element of Parody in Anna Russell’s Wagner Jeremy Coleman
4:00pm - 6:00pm	Music Copyright Office Hours: Ask a Theorist-Attorney! Location: Plaza Exhibit SMT Booth 408 Bring your burning music copyright questions to the Exhibit Hall and chat with music theorists whose work in music theory has brought them to the law.
4:15pm - 6:00pm	SMT Plenary: Public Music Theory Location: Grand Ballroom I Chair: Stephen Rodgers, University of Oregon Submit questions for the panel at the following link: https://shorturl.at/kvJK1 SMT Plenary: Public Music Theory Harald Krebs, Cory Arnold, Lydia Bangura, Alyssa Barna, J. Daniel Jenkins
5:30pm - 6:15pm	AMS Career Development Grants in American Music: Check-in 2 Location: Director's Row E
6:00pm - 7:00pm	AMS Business Meeting Location: Grand Ballroom II
7:00pm - 7:30pm	AMS Awards Ceremony Location: Grand Ballroom II
7:00pm - 9:00pm	CCM Reception Location: Plaza Court 1
7:30pm - 9:00pm	AMS/SMT Awards Reception Location: Windows	SMT Disability and Music Interest Group Meeting Location: Grand Ballroom I	SMT Improvisation Interest Group Meeting Location: Silver	SMT Music and Philosophy Interest Group Meeting Location: Denver
7:30pm - 9:00pm	SMT Performance and Analysis Interest Group Meeting Location: Governor's Sq. 15	SMT Scholars for Social Responsibility Interest Group Meeting Location: Governor's Sq. 11
8:00pm - 10:00pm	Archives Kyle Christopher Kaplan University College Dublin, Location: Vail Chair(s): Kyle Kaplan Presentations of the Symposium Earth as Sound Archive Peter McMurray Materiality, Mobility, and Music in an Early Modern Maritime Archive Nathan Reeves How would a post-custodial archive look like in the case of the AUMI Consortium? Valentina Bertolani What is the Status of a Vaulted Tape When the Building Burns? Michael Heller	Music and Dance Study Group Business Meeting Stephen S. Hudson Occidental College Location: Plaza Ballroom D Stephen S. Hudson	Music, Sound, and the Making of Eco-Culture Heidi Lee Jensen Alfred University, Location: Governor's Sq. 17 Chair(s): Ludim Pedroza, Heidi Jensen, Emily MacCallum Presentations of the Symposium “More than Topography and Landforms: Musical Depictions of Southern Utah’s Wilderness" Kirsten Barker "Surface Reflections: Hearing the Eco-History of Town Branch in Lexington, KY" Megan Murph "The Re-Purposing of Folk Culture in the Struggle Against Resource Extractivism in Contemporary Greece" Dimitris Gkoulimaris “Goin’ to the Big Oil Show: Celebrating Oil in Song" Jamie Meyers-Riczu "A Playlist for the Anthropocene: Elements of a Music-Ecological Aesthetics" Alex Rehding	Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Susan Boynton , Location: Majesty Ballroom Chair(s): Susan Boynton, Ryan Bunch Discussant(s): Anicia Timberlake, Knar Abrahamyan, Joy Calico Presentations of the Symposium Retrofitting the Bandura for a Soviet Childhood: Ukraine's National Instrument, Violent Erasures, and the Plan for a Communist Music Maria Sonevytsky
8:00pm - 10:00pm	Teaching Popular Music Studies: Pedagogy and Curriculum Amy Coddington , Location: Governor's Sq. 14 Chair(s): Mikkel Vad, Amy Coddington Presentations of the Symposium Soundscapes Of Learning: Rhythm Rhymes & Revolution in Education Suzi Analogue Music Videos as Music History Brad Osborn Differentiated Instruction of Popular-Music Analysis Jeremy Smith Unlearning through Popular Music: Teaching Speech-Melody Relationships in Cantopop from a Non-native Speaker’s Perspective Edwin Li Ungrading Jazz: Listening and Writing as Decolonial Pedagogy in the Undergraduate Jazz History Survey Ken Tianyuan Ge Post-respectability Politics and Hip Hop in the Classroom Larissa A. Irizarry	UCLA Musicology Alumni Party Location: Plaza Ballroom A
9:00pm - 11:00pm	Honoring Susan Youens Location: Director's Row I	McGill Reception Location: Tower Court B	University of Pennsylvania Department of Music Reception Location: Director's Row H
9:30pm - 11:00pm	Stanford University Department of Music Reception Location: Tower Court A		Yale Alumni and Friends Reception Location: Grand Ballroom II
9:30pm - 11:30pm	AP Music Theory Reception Location: Director's Row J	CUNY Party Location: Governor's Sq. 16	Indiana University Jacobs School of Music Networking Reception Location: Tower Court C	Princeton University Party for Students, Alumni, and Friends Location: Tower Court D
9:30pm - 11:30pm	University of Illinois Reception Location: Gold	University of North Texas Reception Location: Governor's Sq. 10	University of Texas at Austin Alumni Reception Location: Governor's Sq. 12
10:00pm - 11:59pm	Cornell Reception Location: Plaza Ballroom E		University of California, Berkeley Alumni Reception Location: Plaza Ballroom F