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Session Overview | |
| Location: Governor's Sq. 16 |
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| 4:00pm - 5:30pm |
British Imaginings of the Other Location: Governor's Sq. 16 Chair: Arman Schwartz “Look Not in My Eyes”: Musical Readings of A. E. Housman’s Strategies of Concealment in A Shropshire Lad Music Aesthetics and the Urban Imaginary in Late-Victorian London Projecting Britishness to the Soviet Union: Music Coverage in Britain’s Russian-Language Journal Angliia |
| 8:00pm - 10:00pm |
AMS Ecomusicology Study Group Lightning Talks and Business Meeting Heidi Lee Jensen Alfred University Location: Governor's Sq. 16 |
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| 9:00am - 10:30am |
Fairy tales and music between “Asia” and “Germany” Amanda Hsieh Durham University, Location: Governor's Sq. 16 Chair: Anicia Timberlake Presentations of the Symposium Wagner, Fairy Tales, and the Staging of _Hänsel und Gretel_ in Japan, 1913 Modern Magic and Demystified Difference: Musical Fairy Tales in Weimar Republic Germany Making a Modern Fairy Tale: Music and Narrative in _Ponyo_ (2008) |
| 10:45am - 12:15pm |
Mobility, Media, and Money in Early Modern Popular Music Erica Pauline Levenson SUNY Potsdam, Location: Governor's Sq. 16 Chair: Rebecca Geoffroy-Schwinden Presentations of the Symposium Servants and the Circulation of Opera Airs in Seventeenth-Century France Fashionable Farces: The Economics of French Musical Theater in Early Eighteenth-Century London Bubble Ballads, Moving Media: Music and Financial Crisis, circa 1720 |
| 12:30pm - 2:00pm |
Society for Seventeenth Century Music Business Meeting Location: Governor's Sq. 16 |
| 2:15pm - 3:45pm |
Historicizing Celebrity Shaena Weitz University of Bristol, Location: Governor's Sq. 16 Chair: Clair Rowden |
| 4:00pm - 5:30pm |
Music, Technology, and Communication Location: Governor's Sq. 16 Chair: James Gabrillo, University of Texas at Austin Medium, Message, Performance: Technological Inadequacy in Igor Levit’s “House Concerts" Raising a Proper American Citizen: The Politics of Childhood in the Music of American Cartoons of the 1950s Timbre Dematerialized: Illusory Instruments in "Arrival" and "The Lighthouse" |
| 8:00pm - 10:00pm |
Student Engagement: Texts and Tools Esther Marie Morgan-Ellis University of North Georgia, Location: Governor's Sq. 16 Presentations of the Symposium Music History Texts in the Modern College Classroom Tools for Active Learning |
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| 9:00am - 10:30am |
Medieval Polyphony Location: Governor's Sq. 16 Chair: John Thomas Brobeck, University of Arizona Asses and Ales: Locating Ethnicity through Parody in Thirteenth-Century Balaam Motets Machaut’s Rests in Scribal Hands Repetition in the Insular Polyphonic Alleluya and the Integrity of Plainchant |
| 10:45am - 12:45pm |
European Music and Caribbean Slavery in the Eighteenth Century Maria Ryan Florida State University, Location: Governor's Sq. 16 Chair: Naomi Andre, University of North Carolina at Chapel Hill |
| 2:15pm - 3:45pm |
Fields, Gardens, and Labyrinths Location: Governor's Sq. 16 Chair: Emily Loeffler Escaping from “dust and noise” to the “verdant abodes of feather’d minstrels”: The Politics of Sound in London’s Eighteenth-Century Pleasure Gardens From the Tiber to the Thames: Thomas Watson’s Italian Madrigalls Englished and the Naturalization of Marenzio’s Musical Arcadia Gardens, Modulations and Sacred Architecture in Marin Marais’s “Le Labyrinthe” |
| 4:00pm - 5:30pm |
Late 16th–Early 17th-Century Polyphony Location: Governor's Sq. 16 Chair: Melinda Latour Ad sacrum convivium: The Mediating Role of Confraternal Music in the German Counter-Reformation Motet persona: Vicente Lusitano, polyphonist of color, and his quest for legitimacy Motets and Mandates: Austrian Habsburg Responses to the Ottoman Empire during the Long War (1593–1606) |
| 9:30pm - 11:30pm |
CUNY Party Location: Governor's Sq. 16 |
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| 9:00am - 10:30am |
Music and World War II Location: Governor's Sq. 16 Chair: Heather de Savage, Central Connecticut State University "The Answer to the Enemy's Siren": GI Jill and Government Sponsored Intimacy in World War II Radio Thriving in a WWII Margaritaville: Musical Ecology, Leonard Bernstein, and Key West in 1941 |
| 10:45am - 12:15pm |
On the Totalitarian Stage Location: Governor's Sq. 16 Chair: Gabrielle Cornish Bartók, Communist Propaganda, and the Ban on Musical Works under Rákosi In 'The Land of Smiles:' Ideology, theatricality and responsibility on the totalitarian stage Late Operetta and Early Fascism: Politics of Light Music in Italy, 1920–30 |