Conference Agenda
The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview | |
Location: Windows |
Date: Thursday, 09/Nov/2023 | |
2:15pm - 3:45pm |
Style and Interpretation in American Music Location: Windows Chair: Jonathan A. Gómez, University of Southern California "Procession In Shout": Cecil Taylor’s Metamorphosis of Language to Music in A Rat’s Mass Disrupting Orchestral-ness in Ornette Coleman’s Skies of America Putting Ecstatic Minimalism into Words |
4:00pm - 5:30pm |
19th-Century Biography Location: Windows Chair: Sarah Day-O'Connell, Skidmore College Chorale Transformation and Triumph in Mendelssohn's Sinfonia VI and Hensel's Das Jahr Home Divided: Social Class in the Schumann Marriage Liszt’s Franciscanism Revisited: Separating Fact from Fiction |
8:30pm - 11:59pm |
AMS/SMT After Dark Location: Windows |
Date: Friday, 10/Nov/2023 | |
12:00am - 12:30am |
AMS/SMT After Dark (con't) Location: Windows |
8:30am - 10:30am |
New Approaches in Popular Music, Performance, and Technology Location: Windows Chair: John J. Sheinbaum, University of Denver AI Song Contest Revisited: Collaborative Songwriting, Technological Ethics, and an Inter/Transdisciplinary Dialogue Elizabeth Cotten, Joni Mitchell, and the Guitar/Body Interface Reconceiving Genre: Gender and Asian American Identity in Post-Millennial Rock "We are not anonymous": Gender crisis and Self-identity in Chinese Pop Star Tan Weiwei's 2020 Virtual Performance |
10:45am - 12:45pm |
18th-Century Poietics Location: Windows Chair: Bertil van Boer, Western Washington University Between Idomeneo and Tito: Seria Style and Genre in Mozart's Concert Arias of the 1780s The Metamorphosis of Style GROTESQUE AS AN ALTERNATIVE AESTHETIC MODE IN MADRILENIAN CHAMBER MUSIC DURING THE SECOND HALF OF THE EIGHTEENTH CENTURY. Johann Sebastian Bach’s Goldberg Variations as Music of Protest and Tragedy: Intertextual Readings in Theatrical Works of the Twentieth and Twenty-First Centuries |
1:45pm - 3:45pm |
Rethinking Representation and Experience Location: Windows Chair: Naomi Andre, University of North Carolina at Chapel Hill Mid-Century Mood Music as Racial Kitsch The “Black” Dutchman: Race, Casting, and Der Fliegende Holländer on the Bayreuth Stage Working Conditions, Networking, Musical Aesthetics: Exploring Gendered Minoritarian Experiences within the Classical Music Profession |
4:00pm - 5:30pm |
Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Location: Windows Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields |
8:00pm - 10:00pm |
Rethinking (Im)mobility in Global Music History Studies Hyun Kyong Hannah Chang , Location: Windows |
Date: Saturday, 11/Nov/2023 | |
9:00am - 10:30am |
Mentoring Grad Students Toward Many Possible Futures: A Workshop for Faculty Advisors Location: Windows Presenter: Danielle Fosler-Lussier, Ohio State University Presenter: Stacy Hartman, Independent Scholar and Project Consultant |
2:15pm - 3:45pm |
Conceptualizing Mode and Key Location: Windows Chair: Christine Getz, University of Iowa Alignment between Mode and Character in Operas by Francesca Caccini and Elisabeth de la Guerre Cipriano de Rore’s _Il primo libro de madrigali a5_ (1542) and a Defense of Mode On Earth as it is in Scale Degree Seven: Understanding the Mixolydian Mode in “Revelation Song” |
4:00pm - 5:30pm |
Race and Identity in Colonial Latin America Location: Windows Chair: Henry Stoll 'Barroco hispano-guaraní' Music: Decolonizing Paraguayan Early Modern Repertories “Animales sin Razón” in 16th Century New Spain: Music as a Theopolitical Intervention on the Capacities of the Human Listening to Black Voices in Early Modern New Spain |
7:30pm - 9:00pm |
AMS/SMT Awards Reception Location: Windows |
Date: Sunday, 12/Nov/2023 | |
9:00am - 10:30am |
Blindness and Musical Identity Location: Windows Chair: Jeannette Jones, College of the Holy Cross Belisario’s Blindness: The Disabling of Operatic Conventions Performing blindness and the anxiety of visuality in the career of Maria Theresia von Paradis Touching Melodies: Tactile Notation at the Vienna Institute for the Blind |
Contact and Legal Notice · Contact Address: Conference: AMS-SMT 2023 Joint Annual Meeting |
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