Conference Agenda
The Online Program of events for the 2023 AMS & SMT Joint Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Click on the session name for a detailed view (with participant names and abstracts).
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Session Overview |
Date: Saturday, 11/Nov/2023 | |||||||
7:00am - 9:00am |
Ohio State University Student-Alumni Breakfast Location: Director's Row E |
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7:15am - 8:45am |
AMS Board and Council Breakfast Location: Plaza Ballroom A |
SMT 2024 Program Committee Meeting Location: Director's Row F |
SMT Interest Groups Breakfast Meeting Location: Director's Row I |
SMT-V Editorial Board Meeting Location: Director's Row J |
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8:00am - 10:00am |
SMT-Pod Drop-In Meeting Location: Governor's Sq. 10 SMT-Pod will be having a drop-in session, open to all attendees. Past, current, and future authors, board member, and peer reviewers are encouraged to come by! Ask questions, share experiences, and hear out about opportunities to publish or work with SMT-Pod. |
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8:30am - 6:00pm |
Exhibit Hall Open Location: Plaza Exhibit Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served. |
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9:00am - 10:00am |
Country Music Location: Silver Chair: Jocelyn Neal, UNC Chapel Hill “So Lonesome I Could Cry”: The Tear-Jerking Refrain in Country Music She Tells the Story: The Lyrical Narrator, Persona, and Empowerment in Country Songs |
Queer Theory Location: Governor's Sq. 11 Chair: Rachel Lumsden, Florida State University Knights, Incels, and Bach?: Transhistoricism and Queer Listening in Dorian Electra’s My Agenda Consonance, Dissonance, and Gender: A Queer-Theoretical Approach to Johanna Beyer's Clarinet Suites (1932) |
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9:00am - 10:30am |
Between Worlds: Making Community in Black Music Location: Grand Ballroom II Presentations of the Symposium Black Music’s Interstitial Inhabitance Mary Lou Williams’s Apartment: Sites of a Speculative Music Theory Songs of the Soil: The Science and Soul of Chthonic Jazz |
Creative Characterizations in Film Location: Governor's Sq. 17 Chair: Esther Marie Morgan-Ellis, University of North Georgia Francis Chagrin, Gerard Hoffnung, and the Art of Musical Caricature From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film through Data Analysis and Musical Topoi Inside the Score: Towards a Poetics of Theme Park Music |
Disability and Affordance in Popular Music Location: Governor's Sq. 14 Chair: Christa Bentley “Lady Gaga Hits Rock Bottom!”: The Embodied Crisis of Pop Performance Reconstructing Wheelchair-using Sexual Women: Ali Stroker, Oklahoma!, and the Politics of Visibility in Music Performance The Affordances of a Pegleg: Disablist Music-Making and (A)symmetry in Rhythm Tap Dance |
Dissertation to Book: Recent Survivors Location: Vail Dissertation to Book: Recent Survivors |
Gender, Opera, and Social Politics Location: Majesty Ballroom Chair: James Cassaro Jules Massenet and the Paradox of Gendered Reception Luigi Marescalchi and the Circulation of Power: Women on the Late Eighteenth-Century Italian Opera Stage Debating Cosmopolitan Utopia: Women Singers at the Glyndebourne Opera Festival in the 1930s |
Medieval Polyphony Location: Governor's Sq. 16 Chair: John Thomas Brobeck, University of Arizona Asses and Ales: Locating Ethnicity through Parody in Thirteenth-Century Balaam Motets Machaut’s Rests in Scribal Hands Repetition in the Insular Polyphonic Alleluya and the Integrity of Plainchant |
Mentoring Grad Students Toward Many Possible Futures: A Workshop for Faculty Advisors Location: Windows Presenter: Danielle Fosler-Lussier, Ohio State University Presenter: Stacy Hartman, Independent Scholar and Project Consultant |
Nationalism and Politics Location: Plaza Ballroom D Chair: Steven Huebner “‘No Anthem Linked to Russia’: Tchaikovsky’s Piano Concerto No. 1 as a Substitute Russian Anthem at the Olympic Games” A Lost Legacy: Multivalent Nationalism in the Works of Emilie Mayer Rehearsing Settler Colonialism: Music in The Spectacle of Canadian National Identity |
Navigating Cultural Identity: New York City’s Professional Musician Community, 1824-1858 Douglas Shadle Vanderbilt University, Location: Plaza Ballroom E Chair: Douglas Shadle, Vanderbilt University Presentations of the Symposium New York Musicians in Revolt: the 1828 Musical Fund Society as an Inspiration for the 1842 Philharmonic The True Story of the New-York American Music Association, 1855–1858 Early Nineteenth-Century American Chamber Music: Unknown and Unloved? |
Redefining Music Theory through Translation Location: Grand Ballroom I Presentations of the Symposium A Linguistic Approach to Music Analysis in 21st-Century China Metric Theory as an Instrument of Nationalism: Dobri Hristov’s “Rhythmic Fundamentals of Bulgarian Folk Music” (1913) Gusti Putu Made Geria’s World of Balinese Music Theory |
Sound Recording and Global Imperialism in the Early Twentieth Century Sergio Ospina Romero Indiana University, Location: Governor's Sq. 12 Chair: Sergio Ospina Romero, Indiana University Presentations of the Symposium Listening to the Colonial Archive Trans-Historically: Things, Sound Objects, Legacy, and the Konrad T. Preuss Collection at the Berliner Phonogramm-Archiv Talking Machine Empires and the Early Sound Recording Business in Latin America and the Caribbean Listening to Arab Modernity: Commercial Recordings from the 1932 Cairo Congress |
The History of Harmony Location: Denver William Herschel’s Modulation in Theory and Practice Twentieth-Century French Approaches to Harmonic Dualism Why Richter? Exploring the International Success of Richterian Theory Pedagogy in the Nineteenth Century |
The Ur of the Ore: Moments in the Origins of Heavy Metal Charles Wofford , Location: Plaza Ballroom F Presentations of the Symposium Metal Unchained: A Critique of the Conventional Heavy Metal Historiography Galloping through Proto-Metal with Ritchie Blackmore, John Paul Jones, and Nancy Wilson Heavy Metal Roots Left in the Dark |
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9:00am - 11:00am |
AMS Poster Session Location: South Convention Lobby _Crusader Rabbit_ and the Transition from the Theater to the Television EDB (Electronic Dance Bluegrass): Acoustic Representations of EDM in the Punch Brothers' "Familiarity" The Colonial Effects of Opera in Portuguese Brazil: An Overview Quantitatively derived markers of socio-political biases in popular music contests: Eurovision 2022 case study |
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9:00am - 12:15pm |
The SMT Committee on Disability and Accessibility Session Location: Governor's Sq. 15 Presentations of the Symposium Joni Mitchell and the Poetics of Human Imperfection Learning from misrepresentations of autism in music theory disability studies to improve scholarship and increase understanding of autism spectrum disorders Lost in Transcription? Captioning Issues for Music and Sound in Film and Television, A Presentation with Breakout Discussions |
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10:15am - 11:30am |
Coffee Break Location: Plaza Exhibit Join us in the Exhibit Hall for a complimentary service of coffee and other beverages with light snacks. First come, first served. |
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10:15am - 12:15pm |
Form in Popular Music Location: Silver Chair: Drew Nobile, University of Oregon “We All Have a Hunger”: Formal Blends as Rebuilds in Popular Song Formal Functions of Melodic Patterns in Popular Music Recombinant Teleology in Improvised Popular Music Formal Features of the Songs of Chuck Berry |
Romantic Form Location: Governor's Sq. 11 Chair: Andrew Isaac Aziz, San Diego State University Spawn of the Symphonic Boa Constrictor: Formal Strategies from the Post- and Neo-Brucknerians Retracted Tonal Areas in Sonata-Form Expositions: Circular Directionality in Early Nineteenth-Century Music Medial Caesura, wherefore art thou? The Augmented Sixth chord as a Formal Initiator in 19th-Century Sonata Expositions Corpus Studies, Sonata Typology, and the 19th-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression |
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10:45am - 12:15pm |
Compositional Strategies for Sacrality and Acceptance Location: Vail Chair: Kirsten Yri Literary Worlds and Storytelling Narratives in the Technical Death Metal of Nile: Western Subjectivities and Ancient Egyptian Historical Imagination Music and Sun Ra’s Atlantean-Egyptian Magic Notational Complexity and the Construction of Legitimacy: Steve Vai Transcribes Frank Zappa Note for Note |
Copyright, Reparations, and the Marketplace Location: Plaza Ballroom D Chair: Ryan Raul Bañagale, Colorado College "Hot Milk" to "One Hundred Guns": Samples and Riddims in Music Publishing Haunted House Blues: Bessie Smith, Vocal Possessions, and the Time of Redress Turning Rap into Pop on Commercial Radio Stations |
Georgia, Ukraine, and Decolonizing Soviet Music History Peter Schmelz , Location: Plaza Ballroom E Chair: Peter Schmelz Presentations of the Symposium Music in Uniform: The Case of Georgia Georgian Opera under Stalinism: From Celebrations to Complications The Kyiv Avant-garde Revisited: Decolonial Reflections on the Music of Valentyn Sylvestrov and Borys Lyatoshynsky |
Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Location: Grand Ballroom I Presentations of the Symposium Presentation types and formal function in Renaissance polyphony With Baccusi in the Jacuzzi; or, How I Learned to Stop Worrying and Love Numbers Block quotation in two chanson-masses by Orlando di Lasso |
Models and Maps Location: Denver Chair: Kristin Taavola, University of Denver Ulezo: Mapping Acoustic Attributes to Timbre Descriptors in Zambian Luvale Drum Tuning Developing Corpora for Musical Traditions Across the Globe: Music Analysis with the MIRAGE-MetaCorpus An Experiential Model for Pitch Centricity |
Music and the Middlebrow Location: Governor's Sq. 14 Chair: David Brackett _Sing Along with Mitch_ and the Politics of Participation Rehab in the Nightclub: Don Shirley, Middlebrow Music, and the Civil Rights Movement A breach in the postwar nursery: agency, trauma, and the binaries of operatic childhood in Benjamin Britten’s _The Little Sweep_ |
Music for White America Location: Majesty Ballroom Chair: Larry Hamberlin Music in the Blood: Race Pseudoscience in Barbershop Harmony The Guitar Music of Leopold Meignen: Popular Music Subsidization of Concert Music in Antebellum America Urbanization, Cosmopolitanism and Whiteness: Mapping Domestic Instruments in Early Republic Virginia |
My Life in Music: An Autoethnography of a Curator (AMS Committee on Women and Gender Endowed Lecture) Location: Grand Ballroom II Chair: Stephanie Jensen-Moulton, Brooklyn College Presenter: Dwandalyn R. Reece, Smithsonian Institution |
Opera on the Periphery Location: Plaza Ballroom F Chair: Ryan Ebright Czech Pan-Slavism vs. Russian Imperialism: Glinka’s "A Life for the Tsar" in Mid-Nineteenth-Century Prague From Provincial to Capital: Staging Shostakovich’s Lady Macbeth in Twentieth-Century France Opera on the periphery: 'Orpheus und Eurydike' in Kassel |
Performance, Politics, and Media in the Philippines Location: Governor's Sq. 17 Chair: John Gabriel, University of Melbourne La Mascotte’s Travels: Innocence and Empire on the Lilliputian Stages Across Asia Pacific Popular Prancing: Implications of Cultural Hybridity and Blackface Minstrelsy in Reckoning Nicanor Abelardo’s “Naku….Kenkoy!” Surveilled Soundscapes of Big Brother |
Transforming Nationalism in Spanish Music: From Cultural Expression to Propaganda (1898-1975) Alessio Olivieri University of Nebraska Lincoln, Location: Governor's Sq. 12 Chair: William Craig Krause, Hollins University Presentations of the Symposium “More than a pasodoble.” Flamenquismo, Realism, and Verismo in Manuel Penella’s El gato montés Spanish Nationalism, Neoclassicalism, and Comic (Dis)Enchantment in Manuel de Falla’s El retablo de maese Pedro “Avant Garde music, but tradition”: The Constant and Ambivalent Use of Nationalism in the Music Culture of Franco’s Spain—from Autarchy in the 1940s to Spanish Developmentalism in the 1960s |
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10:45am - 12:45pm |
European Music and Caribbean Slavery in the Eighteenth Century Maria Ryan Florida State University, Location: Governor's Sq. 16 Chair: Naomi Andre, University of North Carolina at Chapel Hill |
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12:00pm - 4:00pm |
Business meeting of the Committee on the Publication of American Music Stephanie Vander Wel University at Buffalo, SUNY Location: Director's Row F |
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12:30pm - 2:00pm |
AMS Council Location: Governor's Sq. 17 |
AMS Global Music History Business Meeting Hyun Kyong Hannah Chang University of Sheffield Location: Plaza Ballroom E |
AMS Music and Philosophy Study Group Business Meeting Location: Governor's Sq. 12 Chair: Kyle Christopher Kaplan, Syracuse University Chair: Patrick Nickleson, University of Alberta |
Decolonizing Mode in the Twenty-First Century Music History Classroom Jacob Ryan Ludwig The University of Cincinnati College-Conservatory of Music, Location: Majesty Ballroom |
Haydn Society of North America Annual General Meeting and Business Meeting Location: Governor's Sq. 10 |
LGBTQ Study Group Business Meeting Maria Murphy University of Pennsylvania Location: Vail |
Music Copyright Office Hours: Ask a Theorist-Attorney! Location: Plaza Exhibit SMT Booth 408 Bring your burning music copyright questions to the Exhibit Hall and chat with music theorists whose work in music theory has brought them to the law. |
Notation, Inscription and Visualization Study Group Business Meeting Ginger Dellenbaugh American Musicological Society, Location: Plaza Ballroom D Chair: Ginger Dellenbaugh, Yale University Chair: Giulia Accornero, Yale University Closed meeting. |
Open Access Musicology Location: Columbine |
Overcoming Barriers, Using Assets as ADHD Scholars in Musicology Stephanie Frakes University of Manitoba, Location: Plaza Ballroom F |
Popular Music Study Group Business Meeting Amy Coddington Amherst College Location: Grand Ballroom II |
SMT Jazz Interest Group Meeting Location: Governor's Sq. 15 |
SMT Music Cognition Interest Group Meeting Location: Denver |
SMT Music Informatics & Music Theory Pedagogy Interest Groups Meeting Location: Silver |
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SMT Timbre & Orchestration Interest Group Meeting Location: Governor's Sq. 11 |
SMT Work & Family Interest Group Meeting Location: Plaza Court 1 |
Speed Networking Location: South Convention Lobby |
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2:15pm - 3:45pm |
AMS Board Meet & Greet 3 Location: Plaza Exhibit |
Composition and Indigeneity Location: Majesty Ballroom Chair: Cintia Cristia Language, Ethics, and Death: '...And Points North' by Stuart Saunders Smith Pasatono Orquesta Mexicana: Tensions Surrounding Indigenous Performativity and Concert Music Pious Ears: Rendering the Obscene Audible in the Archives of the New Spain Inquisition |
Conceptualizing Mode and Key Location: Windows Chair: Christine Getz, University of Iowa Alignment between Mode and Character in Operas by Francesca Caccini and Elisabeth de la Guerre Cipriano de Rore’s _Il primo libro de madrigali a5_ (1542) and a Defense of Mode On Earth as it is in Scale Degree Seven: Understanding the Mixolydian Mode in “Revelation Song” |
Fields, Gardens, and Labyrinths Location: Governor's Sq. 16 Chair: Emily Loeffler Escaping from “dust and noise” to the “verdant abodes of feather’d minstrels”: The Politics of Sound in London’s Eighteenth-Century Pleasure Gardens From the Tiber to the Thames: Thomas Watson’s Italian Madrigalls Englished and the Naturalization of Marenzio’s Musical Arcadia Gardens, Modulations and Sacred Architecture in Marin Marais’s “Le Labyrinthe” |
From Political Work to Homoerotic Play: Music in Cults of James and Anna K. Dawn Grapes Colorado State University, Location: Governor's Sq. 12 Chair: Linda Austern Presentations of the Symposium The Countess of Bedford, Royal Imagery, and Artistic Patronage in the Age of Elizabeth and Anna Spying on Oriana: Homoerotic Codenames and the Politics of Amadís and Diana’s Nymphs “Passing the Love of Women”: Anthems and Queer-World Making in the Jacobean Era |
How George Bridgetower Flourished: A Violinist's Bridge Between Past and Future Nicole Cherry University of Texas at San Antonio Location: Governor's Sq. 14 |
Music and the Law Ginger Dellenbaugh Yale University, Location: Governor's Sq. 17 Chair: Eric Drott Presentations of the Symposium Sing for the competition and go to prison: How the Italian “opera war” of Victorian London shaped contract and labor law What was an Author? |
News, American Politics, and the Stage Location: Plaza Ballroom D Chair: Hannah Lewis “Welcome to America”: Exoticizing the United States in David Henry Hwang/Jeanine Tesori’s Soft Power (2018) Anthemic Aspirations and Operatic Opinions: Rallying Communities in An American Soldier (2018) and The Central Park Five (2019) Sex Crimes and 1990s Politics in KISS OF THE SPIDER WOMAN and PARADE |
Operetta and cultural transfer in Europe Mirjana Plath University of Oslo, Location: Vail Chair: Sarah Hibberd Presentations of the Symposium “The best from abroad is good enough for the people of Amsterdam”. Operetta transfer in Amsterdam’s theatrical landscape, 1860-1880 German operetta as a means of escape for Nazi persecutees to Stockholm in the 1930s From fantasias to cineoperette: operetta transfer and intermediality in the experience of the Casa Sonzogno (1874-1915) |
Vocal Timbre in Popular Music Location: Plaza Ballroom F Chair: Gayle Murchison, William and Mary "Strange Fruit," a Musical Ekphrasis Listening for Tammi: Vocal Identity in the Duets of Gaye and Terrell Shanghai Nights: The Cultural Politics of Vocal Timbre in 20th-century Chinese Popular Music |
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2:30pm - 3:15pm |
SMT Business Meeting Location: Grand Ballroom I Open to all attendees. |
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3:15pm - 4:00pm |
SMT Awards Ceremony Location: Grand Ballroom I |
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4:00pm - 5:15pm |
Scott Joplin's Ragtime Location: Governor's Sq. 14 Chair: Matt Brounley, American Musicological Society Presenter: Marilyn Nonken, New York University |
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4:00pm - 5:30pm |
Bases and Superstructures: Academic Music Studies and the Capitalist Present Location: Plaza Ballroom F Presentations of the Symposium Can there be a Radical Black (Marxist) Schenkerism? Musical Development: Toward a Materialist Critique of Classical Music Putting Class in Classical Music |
East Asia, Composition, and Transnationalism Location: Governor's Sq. 12 Chair: Sarah Lucas Decentralized Duets: The Dynamics of Music-Making in American-Korean Collaborations Retranslating Mahler’s Das Lied von der Erde Un-yung La, Béla Bartók, and the Beginning of Korean Musical Avant-garde |
Historicizing Queerness Location: Plaza Ballroom D Chair: Kimberly Francis, University of Guelph Dead Divas and Duets for One: Jesse Shepard, Queer Musical Mediumship, and Intermundane Vocal Drag Facing the Music: Evangelical Beliefs and Queer Identities in the Christian Contemporary Music Industry The Queer Musical Temporality of Vernon Lee |
Histories of Pedagogy/Pedagogies of History Darren Mueller Eastman School of Music, Location: Plaza Ballroom E Presentations of the Symposium The Performance and Pedagogy of Ron Miles Supporting Gender Inclusivity in Jazz Education Jazz and Academization in Los Angeles and Oakland, California The Institutes in Jazz Criticism |
Late 16th–Early 17th-Century Polyphony Location: Governor's Sq. 16 Chair: Melinda Latour Ad sacrum convivium: The Mediating Role of Confraternal Music in the German Counter-Reformation Motet persona: Vicente Lusitano, polyphonist of color, and his quest for legitimacy Motets and Mandates: Austrian Habsburg Responses to the Ottoman Empire during the Long War (1593–1606) |
Lessons from Avian Organology Robert Vincent Giglio , Location: Governor's Sq. 17 |
Machine Sounds Location: Majesty Ballroom Chair: Zachary Wallmark, University of Oregon “The Bell heard ‘round the world” Chasing modernity on two wheels: Music for bicycling on stage in fin-de-siècle Milan Pinball’s Influence on Early Video Game Music |
Race and Identity in Colonial Latin America Location: Windows Chair: Henry Stoll 'Barroco hispano-guaraní' Music: Decolonizing Paraguayan Early Modern Repertories “Animales sin Razón” in 16th Century New Spain: Music as a Theopolitical Intervention on the Capacities of the Human Listening to Black Voices in Early Modern New Spain |
Rethinking Intercultural Composition Location: Governor's Sq. 11 Chair: Olga Haldey, University of Maryland “A Letter from Siberia”: Tālivaldis Ķeniņš and Canadian Cultural Diplomacy within the Latvian SSR (1989-1991) Unification of Indian and Western Musical Idioms in Reena Esmail's "Meri Sakhi Ki Avaaz" ("My Sister's Voice") |
Wagnerian Parodies Adeline Anastasia Heck , Location: Vail Chair: Feng-Shu Lee, National Yang Ming Chiao Tung University Presentations of the Symposium Irreverent Wagnerism: French Literary Parodies of Wagner in the Fin de Siècle (1885-1895) French Instrumental Parodies of Wagner in the 1880s The Element of Parody in Anna Russell’s Wagner |
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4:00pm - 6:00pm |
Music Copyright Office Hours: Ask a Theorist-Attorney! Location: Plaza Exhibit SMT Booth 408 Bring your burning music copyright questions to the Exhibit Hall and chat with music theorists whose work in music theory has brought them to the law. |
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4:15pm - 6:00pm |
SMT Plenary: Public Music Theory Location: Grand Ballroom I Chair: Stephen Rodgers, University of Oregon Submit questions for the panel at the following link: https://shorturl.at/kvJK1 SMT Plenary: Public Music Theory |
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5:30pm - 6:15pm |
AMS Career Development Grants in American Music: Check-in 2 Location: Director's Row E |
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6:00pm - 7:00pm |
AMS Business Meeting Location: Grand Ballroom II |
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7:00pm - 7:30pm |
AMS Awards Ceremony Location: Grand Ballroom II |
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7:00pm - 9:00pm |
CCM Reception Location: Plaza Court 1 |
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7:30pm - 9:00pm |
AMS/SMT Awards Reception Location: Windows |
SMT Disability and Music Interest Group Meeting Location: Grand Ballroom I |
SMT Improvisation Interest Group Meeting Location: Silver |
SMT Music and Philosophy Interest Group Meeting Location: Denver |
SMT Performance and Analysis Interest Group Meeting Location: Governor's Sq. 15 |
SMT Scholars for Social Responsibility Interest Group Meeting Location: Governor's Sq. 11 |
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8:00pm - 10:00pm |
Archives Kyle Christopher Kaplan University College Dublin, Location: Vail Presentations of the Symposium Earth as Sound Archive Materiality, Mobility, and Music in an Early Modern Maritime Archive How would a post-custodial archive look like in the case of the AUMI Consortium? What is the Status of a Vaulted Tape When the Building Burns? |
Music and Dance Study Group Business Meeting Stephen S. Hudson Occidental College Location: Plaza Ballroom D |
Music, Sound, and the Making of Eco-Culture Heidi Lee Jensen Alfred University, Location: Governor's Sq. 17 Presentations of the Symposium “More than Topography and Landforms: Musical Depictions of Southern Utah’s Wilderness" "Surface Reflections: Hearing the Eco-History of Town Branch in Lexington, KY" "The Re-Purposing of Folk Culture in the Struggle Against Resource Extractivism in Contemporary Greece" “Goin’ to the Big Oil Show: Celebrating Oil in Song" "A Playlist for the Anthropocene: Elements of a Music-Ecological Aesthetics" |
Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Susan Boynton , Location: Majesty Ballroom Presentations of the Symposium Retrofitting the Bandura for a Soviet Childhood: Ukraine's National Instrument, Violent Erasures, and the Plan for a Communist Music |
Teaching Popular Music Studies: Pedagogy and Curriculum Amy Coddington , Location: Governor's Sq. 14 Presentations of the Symposium Soundscapes Of Learning: Rhythm Rhymes & Revolution in Education Music Videos as Music History Differentiated Instruction of Popular-Music Analysis Unlearning through Popular Music: Teaching Speech-Melody Relationships in Cantopop from a Non-native Speaker’s Perspective Ungrading Jazz: Listening and Writing as Decolonial Pedagogy in the Undergraduate Jazz History Survey Post-respectability Politics and Hip Hop in the Classroom |
UCLA Musicology Alumni Party Location: Plaza Ballroom A |
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9:00pm - 11:00pm |
Honoring Susan Youens Location: Director's Row I |
McGill Reception Location: Tower Court B |
University of Pennsylvania Department of Music Reception Location: Director's Row H |
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9:30pm - 11:00pm |
Stanford University Department of Music Reception Location: Tower Court A |
Yale Alumni and Friends Reception Location: Grand Ballroom II |
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9:30pm - 11:30pm |
AP Music Theory Reception Location: Director's Row J |
CUNY Party Location: Governor's Sq. 16 |
Indiana University Jacobs School of Music Networking Reception Location: Tower Court C |
Princeton University Party for Students, Alumni, and Friends Location: Tower Court D |
University of Illinois Reception Location: Gold |
University of North Texas Reception Location: Governor's Sq. 10 |
University of Texas at Austin Alumni Reception Location: Governor's Sq. 12 |
10:00pm - 11:59pm |
Cornell Reception Location: Plaza Ballroom E |
University of California, Berkeley Alumni Reception Location: Plaza Ballroom F |
Contact and Legal Notice · Contact Address: Conference: AMS-SMT 2023 Joint Annual Meeting |
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