| C. Moss, Fabian | Politecnico di Milano | SMT Poster Session |
| Caldwell, Mary Channen | University of Pennsylvania | What is Latin Song in the Medieval World? Chair |
| Calico, Joy | University of California, Los Angeles | Retrofitting the Bandura for a Soviet Childhood: Ukraine’s National Instrument, Violent Erasures, and the Plan for a Communist Music Discussant |
| Callahan, Daniel | | Composing the "Other" in the Early 20th Century Session Chair |
| Camp, Gregory Louis | University of Auckland | Creative Characterizations in Film |
| Camp, Melissa | University of North Carolina at Chapel Hill | Sound Recording and Global Imperialism in the Early Twentieth Century Presenter |
| Campo-Bowen, Christopher | Virginia Tech University | Representing Racialized Selves and Others in Czech Music Presenter |
| Camprubi, Marcel | Princeton University | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter |
| Carlson, Michael | University of North Carolina at Chapel Hill | Contrafacts: A Template for Agency and Identity Formation Presenter |
| Carroll, Rebecca | Rutgers University, | Opera and the Politics of Inclusion and Consent |
| Carter, David Scott | Loyola Marymount University | Form in Popular Music |
| Carter, Stewart Arlen | Wake Forest University, | Chinese Music in Theory and Practice |
| Cassaro, James | | Gender, Opera, and Social Politics Session Chair |
| Castle, Harry | University of Michigan | Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Presenter |
| Castro Pantoja, Daniel | UNC Greensboro;
University of North Carolina-Greensboro | Rethinking (Im)mobility in Global Music History Studies Chair
Music, State Populism, and Affective Nationalism in Early 20th-Century Latin America Presenter |
| Cawyer, Brad | Texas Tech University | SMT Poster Session |
| Celora, Eleonora | University of Notre Dame | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter
Change and Conflict in Chant |
| Cerin, Jean Bernard | Cornell University | Lisette: A Song's Journey From Haiti & Back |
| Cerveux, Alexandre | University of Oxford | Rethinking the West: Arabic and Hebrew Music Theory in Medieval Iberia Presenter |
| Chandrasekhar, Varun | Washington University in St. Louis | Visibility, Coalition, and Hearing Otherwise: Music Theory and Asian/American Identities Presenter |
| Chang, Hyun Kyong Hannah | University of Sheffield | Rethinking (Im)mobility in Global Music History Studies Chair
AMS Global Music History Business Meeting
Missionaries and Music |
| Chang, Lidia Aurora | Colorado College;
N/A | Riddled with Regression?: Prospects for Inclusive Professionalism in the Music Fields Presenter
Lessons from Avian Organology Chair |
| Chapman, Dale | Bates College | Music, Media, and Place: AMS Music and Media Study Group Panel and Business Meeting Presenter |
| Charney, Joshua | N/A | Organological Origins and Obsessions |
| Chen, Joyce Wei-Jo | Princeton University; University of Oregon | Chinese Music in Theory and Practice |
| Chen, Sitong | University of Oregon | Music of China |
| Chenette, Timothy | Utah State University, | Workshop: Rethinking Aural Skills Through Backwards Design Organizer
Workshop: Rethinking Aural Skills Through Backwards Design Chair
Workshop: Rethinking Aural Skills Through Backwards Design Presenter |
| Cheng, William | Dartmouth College;
Dartmouth University/Harvard University | Revisiting the 2017 _Musicology Now_ "Open Letter to AMS Members on the State of the Academic Job Market": Strategies for Implementation Presenter
Demystifying Public Musicology Presenter
Now You See Us, Now You Don’t: Radical Queer Expression and Mainstream Assimilation Chair
[Single Presentation of ID 433] Session Chair |
| Cherry, Nicole | University of Texas at San Antonio | How George Bridgetower Flourished: A Violinist's Bridge Between Past and Future |
| Chiu, Matt | Baldwin Wallace University | SMT Poster Session |
| Chiu, Remi | Peabody Institute of the Johns Hopkins University | Music and Quackery in Britain and America Presenter |
| Cho, Jennifer Ye Ji | University of California, Berkeley | Histories of Pedagogy/Pedagogies of History Presenter |
| Christensen, Thomas | University of Chicago | Expanded Anthology of Sources in the History of Music Theory
[Single Presentation of ID 1024] Session Chair |
| Chu, Allison | Yale University | News, American Politics, and the Stage |
| Chávez Bárcenas, Ireri E | Bowdoin College, | Race and Identity in Colonial Latin America |
| Chávez, Hermán Luis | King's College London | Transauralities: Thinking Trans in Music/Sound Studies Presenter |
| Cimini, Amy | UC San Diego | Transauralities: Thinking Trans in Music/Sound Studies Chair
[Single Presentation of ID 633] Session Chair |
| Clark, Walter A. | University of California, Riverside | Taking Stock: The Ibero-American Music Study Group Turns Thirty Presenter |
| Clawson-Cannestra, Kaitlyn | University of Oregon | Text and Music |
| Cobb, Nathan | UC Santa Barbara | A Survey of the Sources of Serialism at its Centenary Presenter |
| Coddington, Amy | Amherst College | Teaching Popular Music Studies: Pedagogy and Curriculum Chair
Popular Music Study Group Business Meeting
Copyright, Reparations, and the Marketplace |
| Cohen, David | Max-Planck-Institut für empirische Äesthetik | Boethius, Harmonic Theory, and the Alia musica: New Perspectives Discussant |
| Cohen, Sara Jo | University of Michigan Press | Open Access Resources in the Music History Classroom and Beyond: A Roundtable Discussion Presenter |
| Colanduoni, Christina | University of Chicago | Blindness and Musical Identity |
| Cole, Christa | Oberlin College and Conservatory | Performance, Analysis, and Embodiment |
| Cole, Janie | Yale University | Organological Origins and Obsessions |
| Coleman, Jeremy | University of Malta | Wagnerian Parodies Presenter |
| Colletti, Carla | Webster University, | Exploring Feminist Scholarship in Music Theory Organizer
Exploring Feminist Scholarship in Music Theory Chair |
| Collison, Thomas Charles | Indiana University | SMT Poster Session |
| Coluzzi, Seth J | Colgate University | Conceptualizing Mode and Key |
| Conlee, Jade | Yale University | Rethinking Representation and Experience |
| Cook, James | University of Edinburgh | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Cooper, Samantha Madison | University of Pennsylvania | Music, Labor, and Jewish Identity |
| Cornish, Gabrielle | | On the Totalitarian Stage Session Chair |
| Cornish, Gabrielle | University of Miami | “Godless Communists” and “Christian Patriots”: Music and Spirituality in the Cold War Chair |
| Corrigan, Ralph | independent scholar | Early Sacred/Liturgical Musics and Digital Humanities: Skills and Resources Presenter |
| Corvalan Ocampos, Camila | N/A | Race and Identity in Colonial Latin America |
| Cosme-Clifford, Nicole | Yale University | The Genesis of Popular Song |
| Cottle, Alyssa | Harvard University | Transnational Politics of the Stage |
| Coury-Hall, M. A. | New York City, NY | SMT Poster Session |
| Cowart, Georgia | Case Western Reserve University | Dreaming Reparative Musicologies in a Paranoid Time (AMS President’s Endowed Plenary Lecture) Session Chair |
| Cowgill, Rachel | University of York | Missionaries and Music |
| Cristia, Cintia | | Composition and Indigeneity Session Chair |
| Crosson, Dylan | The Ohio State University | Conceptualizing Mode and Key |
| Cruz, Gabriela | University of Michigan | On the Totalitarian Stage |
| Cumming, Julie | McGill University | Lessons from the CRIM Project: What Can We Teach Machines about Renaissance Counterpoint, and What Can They Teach Us about Analysis Presenter |
| Cunnigham, Maya | N/A | HBCUs and Music Theory Presenter |
| Cusick, Suzanne G | New York University | Dreaming Reparative Musicologies in a Paranoid Time (AMS President’s Endowed Plenary Lecture) Session Chair |
| Cypess, Rebecca | Rutgers University | Anti-Semitism, Music, and Music Studies: Views from the Field Presenter
Taking on Administrative Roles in Academia: Preparation, Challenges, Rewards Presenter
Music and Female Agency in European Society |
