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Conference Agenda

The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview
Location: Adams 6th floor, Palmer House Hilton Hotel

Date: Thursday, 14/Nov/2024
10:45am - 12:15pm	Chant among the Franciscans: Songs, Singing, Sequences Location: Adams Chair: Catherine Saucier Chant among the Franciscans: Songs, Singing, Sequences Chair(s): Catherine Saucier Presentations of the Symposium Dance, Dance Revolution Peter Loewen A Reformer’s Dilemma: Colette of Corbie and St. Clare’s Rule of Life Martha Culshaw By Women and For Women: Music and Art for the Franciscans of Villingen Margot Fassler
12:30pm - 2:00pm	AMS Music and Disability Business Meeting Tekla Babyak Disabled Independent Scholar, Location: Adams Chair(s): Tekla Babyak, James Deaville, Stefan Sunandan Honisch, Rena Roussin, Jeannette DiBernardo Jones
2:15pm - 3:45pm	Beyond the Musical Friendship Album: Collective Memory and Transnational Exchange Abigail Fine University of Oregon, Location: Adams Chair: Kevin Karnes, Emory College Chair(s): Kevin Karnes Discussant(s): Halina Goldberg, Henrike Rost Presentations of the Symposium Presentation Album, Madrid, 1838 Christine E. Wisch Binder’s Volumes, Bogotá, 1860-1888 Juan Fernando Velasquez Ospina Monument Album, Salzburg, 1877-1924 Abigail Fine Commonplace/Scrapbook Albums, Chennai, London, and Delhi, 1909-1939 Nalini Ghuman Charity Album, Britain, 1924 Stewart Duncan Visitor’s Books, Riga, 1982-2008 Laura Švītiņa
4:00pm - 5:30pm	Adapting the Eighteenth Century to the Nineteenth: Access, Authenticity, and Authority Mark Egerton Everist University of Southampton, Location: Adams Chair: Dana Gooley, Brown University Chair(s): Dana Gooley Presentations of the Symposium The Musical Past in the Age of the Virtuoso; or, Mortier de Fontaine Plays Handel Kregor Jonathan Mozart Opera Beyond the ‘Romantic Arrangement’ Nancy November Time, Place, Tradition: Authorizing Musical Adaptation in the Long Nineteenth-Century Mark Everist
7:30pm - 9:30pm	Music, Games, Performance, and Play Richard John Anatone Prince George's Community College, Location: Adams Chair(s): Richard John Anatone, James Heazlewood-Dale Presenter(s): Gregg Rossetti, Pamela Mason-Nguyen, Yun-Kiu Lo, Jordan Good, Natalie Miller, Ryan Bunch

Date: Friday, 15/Nov/2024
9:00am - 10:30am	Rendering Audible: Voice, Creative Practice, and 18th-century Airs about African Enslavement Berta Joncus Goldsmiths, University of London, Location: Adams Chair: Naomi André, University of North Carolina at Chapel Hill Chair(s): Naomi André Discussant(s): Jasmine Henry Presenter(s): Awet Andemicael, Rebecca Cypess, Berta Joncus, Julia Hamilton-Louey, Maria Ryan
10:45am - 12:15pm	“Vivir mi vida: Toward a Critical Salsa Romántica and a Sonic Global South Brownness” (Critical Race Lecture) Location: Adams “Vivir mi vida: Toward a Critical Salsa Romántica and a Sonic Global South Brownness” (Critical Race Lecture) Chair(s): Jessica Bissett Perea, Diane Oliva, Alison Martin Presenter(s): Frances R. Aparicio
12:30pm - 2:00pm	Accessibility and the History of Theory August Sheehy , Location: Adams Chair(s): August Sheehy
2:15pm - 3:45pm	Movement and Emotion in the Works of Franz Joseph Haydn Location: Adams Chair: Barbara Dietlinger, University of North Texas Learnedness as Type and Style in Haydn's Nelsonmesse Robert Benjamin Wrigley Reassessing Haydn's Orfeo in the Theater Caryl Clark, Dorian Bandy Incorporating Haydn’s Minuets: Towards a Somatic Theory of Music Joseph Fort
4:00pm - 5:30pm	Handel, Cosmopolitanism and Empire in the 18th Century Location: Adams Chair: Erica Levenson, University of Michigan Handel, Queen Caroline, Merlin's Cave, and the Performance of Power in 1730s London Joseph V. Nelson “What a father the lord has bestowed upon me”: The Fowke Family, Handel, and Imperial Gender in Eighteenth-Century Calcutta Peter Kohanski Staging Conquest and Colonial Encounter in Handel’s Poro, re dell’Indie Anushka Kulkarni
7:30pm - 9:30pm	Sex, Drugs, and Disappointment: Popular Music And Feeling Badly Amy Coddington , Location: Adams Chair(s): Dan DiPiero, Amy Coddington Presentations of the Symposium Keynote: The Travels of Unhappy Songs: Or, Feeling Mediated, from Du Bois to “Fast Car” Sara Marcus Depression in Three Tempos: RAYE’s 21st Century Blues Amy Skjerseth Survivor’s Guilt: Navigations of Masculinity, Political Disdain and Mental Health in Black-British Rap Music Lizzie Bowes Tuning into Emotions: How Bad Feelings Resonate within the TikTok Music Industry Ecosystem Kate Hamori Climate Afro-Dysphoria, Ugly Feelings, and Affective Analysis in Childish Gambino’s “Feels Like Summer” ken tianyuan Ge

Date: Saturday, 16/Nov/2024
9:00am - 10:30am	“Unblemished Harmonies: Modernism in Spanish Music, 1898-1936” Alessio Olivieri University of Nebraska - Lincoln, Location: Adams Chair: William Krause, Hollins University Chair(s): William Craig Krause Presentations of the Symposium Tradition and Modernity in Usandizaga’s Las golondrinas (1914): A Veristic Exploration Alessio Olivieri Disinfecting the Piano: Suite para piano (1923) and the Advent of Bitonality in the Works of Joaquín Rodrigo Walter Aaron Clark Rafael Rodríguez Albert between Tradition and Modernism: a Multifaceted Composer in the Silver Era. Pedro López de la Osa
10:45am - 12:15pm	Decolonizing Ukrainian Music Location: Adams Chair: Halina Goldberg, Indiana University Chair: Laikin Dantchenko, Indiana University
12:30pm - 2:00pm	2024 MDSG Business Meeting Rebecca Schwartz University of Michigan, Location: Adams Chair: Rebecca Schwartz, University of Michigan Chair(s): Rebecca Schwartz, Rachel Gain
2:15pm - 3:45pm	Rethinking Beethoven in Theory and Practice Location: Adams Chair: Stephen Husarik, University of Arkansas - Fort Smith When Theory Intersects Performance: Flexible Formal Boundaries and Schmalfeldt’s “Becoming” in Beethoven’s Sonata in F major, Op. 10, no. 2, First Movement James MacKay, James MacKay From Apotheosis to Bacchanal: Dance and the Beethovenian Finale Erica Buurman Beethoven's Theme-and-Variation Movement in String Quartet Op. 131: Approaches to Formal and Hypermetrical Strategies Revealed Through Comparative Analysis Wanyi Li
4:00pm - 5:30pm	Transnational Currents Location: Adams Chair: Marysol Quevedo, University of Miami Strained Strains: Complicating Nationalist Rhetoric at the NFL Super Bowl Joanna Love The Invention of Andalusi Music as Western Music during the Decolonization of the Maghreb Samuel Llano Face to face with the 1889 gamelan: A first study of this legendary instrument, its features, and implications in the context of the Paris Universal Exhibition Angela Lopez-Lara, Luca Chiantore
9:30pm - 11:30pm	Case Western Reserve University Reception Featuring a Celebration of Georgia Cowart Location: Adams

Date: Sunday, 17/Nov/2024

9:00am
-
10:30am

AI and Music / AI and Musicology: Teaching, Learning, Research, Ethics, and Generative AI
Katharine Ellis
,
Location: Adams

Chair(s): Mark Clague

Presenter(s): Ritwik Banerji, Imani Mosley, Garrett Schumann, Reba Wissner, Julie Zhu

10:45am
-
12:15pm

Music Under Glass, 1860-1947: Magic Lanterns, Sound, and Racial Difference
Anna Christine Schultz
University of Chicago,
Location: Adams
Chair: Carolyn Abbate, Harvard University

Chair(s): Carolyn Abbate

Discussant(s): Carolyn Abbate

Presentations of the Symposium

Between Spectacle and Event: American Missionaries and Magic Lantern Shows in Western India, 1865–1895

Anna Schultz

Die Frau ohne Schatten and the Redemption of Optical Illusion

Feng-Shu Lee

Musical Magical Thinking: Magic Lanterns, Gramophones, and (Other) Colonial Technological Fantasies in British India

Davindar Singh

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Conference: AMS 2024 Annual Meeting