Conference Agenda

The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview
Location: Honoré
2nd floor lobby level, Palmer House Hilton Hotel
Date: Thursday, 14/Nov/2024
4:30pm
-
6:00pm
AMS Affiliates Fair
Location: Honoré
Date: Friday, 15/Nov/2024
9:00am
-
10:30am
Building Ideology in Chicago
Natalie Farrell
University of Chicago,
Location: Honoré
Chair: Mark Clague, University of Michigan
 

Chair(s): Mark Clague

 

Presentations of the Symposium

 

From Fieldhouse to Opera House: Ideology, Infrastructure, and Music in Chicago’s Parks During the Early 20th Century

Katherine Brucher

 

In Search of Lost Reverb Time: Orchestra Hall Renovations and the Acoustic Work Environment

Natalie Farrell

 

The Battle to Preserve The Warehouse

Max Chavez

10:45am
-
12:15pm
Chicago: America's Musical Crossroads
Location: Honoré
Chair: Larry Hamberlin, Middlebury College
 

The Chicago Musical College and Midwestern Modernism

Nancy Newman



Alternative Country Love Songs: Bloodshot Records and the "Chicago Sound"

Nancy Park Riley



Gigging in the Great Migration: How Chicago Musicians Built New Careers on the South Side, 1940-1950

Reed Alexis Williams

2:15pm
-
3:45pm
South Side Impresarios: Sonic Legacies and Lineages
Location: Honoré
4:00pm
-
5:30pm
Improvisation in Chicago
Kimberly Hannon Teal
,
Location: Honoré
 

Chair(s): Kimberly Hannon Teal, ken tianyuan Ge

Presenter(s): Coco Elysses, Ritwik Banerji

6:30pm
-
7:45pm
Skills and Resources for Early Music Study Group Business Meeting and Keynote
Daniel DiCenso
College of the Holy Cross,
Location: Honoré
Presenter: Janie Cole, University of Connecticut
 

Chair(s): Daniel DiCenso, Jeannette DiBernardo Jones

7:45pm
-
9:30pm
Lenka Hlávková Memorial Session
Michael Beckerman
New York University,
Location: Honoré
 

Chair(s): Michael Beckerman

Presenter(s): Erica Honisch, Martha Feldman, Jeannette di Bernardo Jones, Laurie Stras, Anne Robertson, Tereza Havelkova, Marc Niubo, Jan Ciglbauer, Margaret Bent

Date: Saturday, 16/Nov/2024
9:00am
-
10:30am
Seeking the Unseen, Hearing the Unheard: Amplifying Voices from the Periphery, c.1300–1500
Elina Hamilton
,
Location: Honoré
Chair: Evan A. MacCarthy, UMass Amherst
 

Chair(s): Evan A. MacCarthy

 

Presentations of the Symposium

 

Songbooks for Margherita and Marietta: Florentine Women’s Musical Lives c. 1500

Jane Hatter

 

Theinred of Dover and the Consonance of the Third, c. 1340 [sic]

Elina Hamilton

 

Relying on the Lost and Unknown—the 15th-century manuscript Strasbourg, Bibliothèque Municipale 222 C.22

Carolann Buff

10:45am
-
12:15pm
Identity and Aesthetics in Asian American Popular Music
Location: Honoré
Chair: Eric Hung
 

Shaping a Pluralistic Asian America: Revisiting Asian American Popular Music in the 1970s

Peng Liu



“The Ballad of Chol Soo Lee”: Asian American Song about You and Me

Sora Woo



Aesthetics of Deterritorialization: Transforming Traditional Music by Korean Diasporic Artists in 21st Century America

Mingyeong Son

12:30pm
-
2:00pm
AMS Council
Location: Honoré
2:15pm
-
3:45pm
Traveling Tunes, Pilfered Poems: Medieval Song Across Language, Genre, and Setting
Anya B. Wilkening
Columbia University,
Location: Honoré
Chair: Mary Channen Caldwell, University of Pennsylvania
 

Chair(s): Mary Channen Caldwell

 

Presentations of the Symposium

 

Stealing the Show: Composition, Authorship, and Musical Theft in the Kitāb al-Aghānī and the Troubadour Tradition

Anya B. Wilkening

 

The Winner Takes It All? How Melody Determines Attribution in Three Apparent Self-Contrafaction Networks

Nicholas W. Bleisch

 

Contrafacture and the lai lyrique

Daniel E. O’Sullivan

4:00pm
-
5:30pm
East Asian Explorations of Temporality, Cyclicity, and Form
Location: Honoré
Chair: James Gabrillo
Discussant: Bess Xintong Liu
 

Music, Time, and History in East Asian Modernity: Temporal Disjuncture in He Zhanhao’s Eternal Regrets at Lin’an

Gavin S. K. Lee



A Japanese Imperial Philosophy of Musical Fantasy

Rina Sugawara



A Taoist Approach to Bach: Zhu Xiao-Mei's Performance of the Goldberg Variations

FANGYUAN LIU

7:30pm
-
9:30pm
The Body as Instrument, the Body as Insight: Bridging Jazz Music and Its Dance through Rhythm Tap, MDSG Workshop 2024
Rebecca Schwartz
University of Michigan,
Location: Honoré
 

Chair(s): Rebecca Schwartz, Rachel Gain

Presenter(s): Bril Barrett


 
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