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Conference Agenda

The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview
Location: State Ballroom

Date: Thursday, 14/Nov/2024
2:15pm - 3:45pm	Bis repetita placent: C. P. E. Bach, W. A. Mozart, and the Sonata with Varied Reprises Location: State Ballroom
4:00pm - 5:30pm	Creating Soundscapes Location: State Ballroom Chair: Sarah Fuchs, Royal College of Music “. . . and they started to insult the priests”: Disruptive Behavior in Milan’s Duomo Lorenzo Tunesi Sound(e)scaping Skateparks: Headphone Listening as Self-Imposed Isolation within Skateboard Culture Bryce Carey Noe Remapping València in the Festival Borderlands: Musical Repertoire and the Reconfiguration of the Everyday Rachel Horner
7:30pm - 8:00pm	President's Toast for AMS Committee and Governance Volunteers Location: State Ballroom

Date: Friday, 15/Nov/2024
9:00am - 11:00am	Composition / Adaptation / Reception Location: State Ballroom Chair: Lindsey Macchiarella, University of Texas at El Paso Virtuosic (Dis)continuities: Ravel Translating Liszt Caleb Labbe Phelan Philosophy’s Unsounded Note: The Silence of Melody in Erik Satie’s Vexations Luke Martin Americanizing Berlioz’s Roméo et Juliette: Theodore Thomas, the John Church Company, and J.H. Cornell’s English Translation Rebecca Anna Schreiber Romantic Thresholds Matteo Magarotto
11:45am - 1:15pm	Sound Expertise LIVE! The American Composer and the Future of the Conservatory with Jonathan Bailey Holland Katharine Ellis , Location: State Ballroom Chair: William Robin, Visa Chair(s): William Robin Presenter(s): Jonathan Bailey Holland
2:15pm - 3:45pm	Ancient Forms in Modern Times: Sacred, Semiotic, and Situated Interpretations of Guqin (古琴) Repertory MingJun X Wilson University of Michigan, Location: State Ballroom Chair: Qingfan Jiang, Peabody Institute at the Johns Hopkins University Chair(s): MingJun X Wilson Presentations of the Symposium Performing Sacred Connections: Interpreting Divine-Human Interactions and the Revival of an Ancient Genre through “Shenren Chang” (神人畅) MingJun X Wilson Qin as Performable Work: Two Semiotic Analysis of "Meihua Sannong" Yiqing Ma Responding to Composing/Performing Dynamics in Contemporary Guqin Music Bryan Wang
5:00pm - 6:30pm	Robert F. Judd Fund Donor Reception Location: State Ballroom
9:00pm - 11:00pm	Harvard Alumni and Affiliates Reception Location: State Ballroom

Date: Saturday, 16/Nov/2024
9:00am - 10:30am	Global Opera and Cross-Cultural Aesthetics Location: State Ballroom Chair: Ryan Minor, Stony Brook University Callas Athena: Greekness, Rebetiko, and the Unsentimental Martha Feldman Performing Dissimulation in Jingju: Mei Lanfang and the Cross-Cultural Aesthetics of Feigned Madness Wendy Heller The Butterfly (Lovers) Effect: Opera Reform and Composition in Western Idiom in the Chinese Yue Opera Film The Butterfly Lovers (1953) Xinyi Ye
10:45am - 12:15pm	Ensemble Origo Presents "Un sarao de la Chacona – Tracing the African and Mesoamerican Origins of the Sarabande and the Chaconne" Eric Rice University of Connecticut, Location: State Ballroom Eric Rice
2:15pm - 3:45pm	Frozen Figures: Grief, Denial, and Stephen Sondheim's 1966 Television Musical Evening Primrose Location: State Ballroom
4:00pm - 6:00pm	Taylor Swift: Economies of Fandom and Female Rage Location: State Ballroom Chair: Paula Clare Harper, University of Chicago On Heartbeats and Heartbreaks: Diagnostic Listening in the Era of Taylor Swift Ailsa Lipscombe Mean Girls: Or, Violence as Female Rage in Contemporary Popular Music Sharri K. Hall Taylor Swift, Her Prosumer "Swifties," And The New Commodified Celebrity Narrative Emilie Catlett Creating Concert Culture: How Fan Behaviour at the Taylor Swift Eras Tour Movie Highlights Audience Co-Creation in Concert Experiences Alyssa Michaud

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Conference: AMS 2024 Annual Meeting