Conference Agenda
The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview | |
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Location: Wabash 3rd floor, Palmer House Hilton Hotel |
| Date: Thursday, 14/Nov/2024 | |
| 12:30pm - 2:00pm |
Embracing the Position of Chair: Using Administrative Roles to Foster Positive Change Jennifer Saltzstein Indiana University, Location: Wabash |
| 2:15pm - 3:45pm |
Reassessing Black Musical Pioneers Location: Wabash Chair: Naomi André, University of North Carolina at Chapel Hill More Than Business Savvy: The Touring Legacy of Sallie Martin, Gospel Pioneer “I Owe It To My Race”: Racial Negotiation in the Early Works of Ulysses Kay “Were You There?”: Caterina Jarboro Signifies at Thalian Hall |
| 4:00pm - 5:30pm |
Black Musical Worlding: Early Contributors to a Black Musical Aethestic Location: Wabash Chair: Mark Lomanno, University of Miami “We almost feel with the people who wrote them”: Racialized Folk Authenticity in the Reception of William L. Dawson’s Concert Spirituals Mungo in the Ballroom(s): Performance Practice, Error, and Ignatius Sancho’s Country Dances The Luca Family Singers in Antebellum America |
| 7:30pm - 9:30pm |
Ethics and/of Early Music Jeannette Jones , Location: Wabash |
| Date: Friday, 15/Nov/2024 | |
| 9:00am - 10:30am |
Scoring the Genre Film Philip Bixby , Location: Wabash Chair: Julie Hubbert, University of South Carolina Presentations of the Symposium "Just the Right Note of Melancholy Regret": Scoring the 1970s British Gangster Film The Gay Movie Soundtrack Horror's Hostile Formalism: Inexorable Sonic Design in Dario Argento's Inferno and David Prior's The Empty Man |
| 10:45am - 12:45pm |
Cinematic Interpretations Location: Wabash Chair: Michael Baumgartner, Cleveland State University Discovery of "The Psycho Theme" Cool Jazz, Quiet Revolution: The Racial Politics of Jazz at the National Film Board of Canada in the 1960s The Theme That Was Never Born: Deleted Music from Tiomkin’s “It’s a Wonderful Life” Sounding the Clarion: Call-to-Action Music in the Attenborough Nature Documentary |
| 2:15pm - 3:45pm |
Hip-Hop Aesthetics Location: Wabash Chair: Loren Kajikawa, George Washington University Promotion Effects in Music Videos: Run DMC and Aerosmith’s “Walk this Way” Stylo Milo: Gendered Aesthetics in Tamil Rap Seriously Unserious: The Aesthetics of Absurdity in Viral Hip-Hop Remixes |
| 4:00pm - 5:30pm |
Hip-Hop as Catharsis and Social Commentary Location: Wabash Chair: Alisha Jones The “Cathartic Cry” in Hip-Hop: Redefining Sonic Warfare Night of the Social Dead: Hip-hop, Zombies, and the Aesthetics of Vulgarity in Lupe Fiasco's The Cool SIGNIFYIN’ THE GOLDEN AGE: ESTABLISHING A HIP-HOP COMMUNITY THROUGH INTRA-GENRE QUOTATION |
| 6:30pm - 8:30pm |
New York University Reception Location: Wabash |
| Date: Saturday, 16/Nov/2024 | |
| 9:00am - 10:30am |
Rethinking Gender in Music Pedagogy and Research Lauren Shepherd University of Nebraska-Lincoln, Location: Wabash Chair: Jennifer Iverson, University of Chicago Presentations of the Symposium Without a Technical Bone in My Body: Critical Strategies for Inclusive and Accessible Technical Studio Design Starting from the Beginning Advocating for Inclusivity in Pedagogy Through Analysis and the Archive |
| 10:45am - 12:15pm |
Women, Life, and Music in Iran Location: Wabash Chair: Maria Virginia Acuna, University of Victoria Opera and 'Opera' in Iran: Battleground of Ideology and Gender Sound of Iran Say Her Name, Hear Our Voice: Exploring Intersectional Soundscapes in Iranian Diasporic Protests in the United States |
| 12:30pm - 2:00pm |
Jazz and Improvisation Study Group Business Meeting Kimberly Hannon Teal , Location: Wabash |
| 2:15pm - 3:45pm |
Queer Music Modalities: Nostalgia, Grief and Activism Location: Wabash Chair: Sadie Jessica Hochman, Harper College The Classical Music “Influencer:” Social Media, Feminist Activism, and the Gen-Z Performer Camping the ‘80s: Queer Nostalgia in Pop Music Remixes on YouTube The Black Queer Gospel According to Usher: Contested Religious Meanings in Michael R. Jackson's A Strange Loop (2019) |
| 4:00pm - 5:30pm |
Jazz Convergences: Tone, Color, Fusion Location: Wabash Chair: Kimberly Hannon Teal Discussant: Justin Williams, University of Bristol Talking in Timbre: Tone Color as a Site for Interstylistic Improvisation We Like It Here: "Post-Fusion" Jazz and Snarky Puppy Ted Dunbar’s Theory of Tonal Convergence (1975) and the Speculative Tritone Substitution |
| 9:30pm - 11:30pm |
UCLA Musicology Alumni Reception Location: Wabash |
| Date: Sunday, 17/Nov/2024 | |
| 9:00am - 10:30am |
Women's Musical Networks and the Creation of Feminized Artistic Space Location: Wabash Chair: Vanessa L. Rogers, Rhodes College Women at the Heart of Opera: Juana de Orozco and the Creation of Spanish Eighteenth-Century Opera Women and the Early History of the Amarillo Symphony Subscription Lists, Concert Notices, and Musical Clues: Reconstructing Elizabeth Turner’s Mid-Eighteenth-Century Musical Network |
| 10:45am - 12:45pm |
Pioneering a Profession: Women in Musical Careers Location: Wabash Chair: Laura Stokes, Brown University The Path of the Artist: Public Performance, Class, and the Late Career of Delphine von Schauroth “Hearing her, one rejoices and delights”: Women’s Musical Activities at the Venetian Ospedali Maggiori Louise Farrenc’s Compositional Dedications: A Window on the Networks of Professional Women Musicians in 19th-Century Paris New Light on the Life and Career of the Trouvère Maroie de Dergnau |
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