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Conference Agenda

The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview
Location: Salon 10 3rd floor, Palmer House Hilton Hotel

Date: Thursday, 14/Nov/2024
10:45am - 12:15pm	Constructing Latinidad: Cumbia Music, Identity, and Affect Valeria Isabel Chavez Roncal Northwestern University, Location: Salon 10 Chair: Jacqueline Avila, University of Texas at Austin Chair(s): Jacqueline Avila Presentations of the Symposium La Sonora Dinamita Band and the Latin American Migration to Southern California: A Borgian Analysis of the only band in the US that can play in more than one place at a time Eloy Neira de la Cadena Dancing the Path to Congress: Cumbia Music and Peruvian Political Advertising at the Turn of the Twenty-First Century Valeria Isabel Chavez Roncal Cumbia Norteña and the Transnational Figure of the Sirreño Kristian Rodriguez
12:30pm - 2:00pm	AMS Ludomusicology Study Group Business Meeting Richard John Anatone Prince George's Community College, Location: Salon 10 Chair(s): Richard John Anatone, James Heazlewood-Dale
2:15pm - 3:45pm	Virtuosity, Disability, and Media David VanderHamm Johnson County Community College, Location: Salon 10 Chair: David VanderHamm, Johnson County Community College Chair(s): David VanderHamm Discussant(s): Blake Howe Presenter(s): Stefan Sunandan Honisch, Benjamin Oyler, Molly Joyce, Rachel Gain, David VanderHamm
4:00pm - 5:30pm	Performing Disabled or Non-Normative Bodies Location: Salon 10 Chair: Maria Cizmic, University of South Florida Discussant: Heather Hadlock, Stanford University “Visible Music”: Defiant Bodies and Instrumental Theater at the Fluxus International Festival of the Newest Music (Wiesbaden, 1962) Elaine Fitz Gibbon Beggars, Prisoners, and Other “woful Figures”: “Crutch Dances” and Performing Disability on the Eighteenth-Century Musical Stage Vanessa L. Rogers Making a Monster: Louise Bertin, Victor Hugo, and the Nineteenth-Century Hunchback Sarah K Miller

Date: Friday, 15/Nov/2024
9:00am - 10:30am	Shades of Red: Russian Musical Inheritances across the Soviet ‘Periphery’ Alexander Fadi Hardan Brown University, Location: Salon 10 Chair: Kevin Bartig, Michigan State University Chair(s): Kevin Bartig Presentations of the Symposium Listening for Sovietization in Cold War Cuba Alexander Hardan Russian "guitar poetry" in late Soviet Central Asia Katherine Wolf
10:45am - 12:15pm	The Experience and Legacy of Soviet Musical Identities Location: Salon 10 Chair: Olga Haldey, University of Maryland Discussant: Anne Searcy Sonically Articulated Spaces for Women: Soviet Women’s Labor, Ethnicity, and Solidarity in Nino Davadze’s The Geometry of Soviet Women Allison Brooks-Conrad Avet Terterian’s First Symphony: Sacred Music and Avant-garde in the Late Soviet Armenia Oksana Nesterenko Sounding US Blackness on Post-War Soviet Screens Joan Titus
12:30pm - 2:00pm	Queer at AMS: The LGBTQ Study Group Returns to Chicago Lee K. Tyson Ithaca College, Location: Salon 10 Chair(s): Lee K. Tyson, Alex Nik Pasqualini Presenter(s): Mitchel Morris, Judith Peraino
2:15pm - 3:45pm	Towards Indigenous-Led Art Music: Bridging Scholarship, Performance, and Activism Rena Roussin University of Toronto, Location: Salon 10 Chair: Alexa Woloshyn, Carnegie Mellon University Chair(s): Alexa Woloshyn Presenter(s): Rena Roussin, Bridget Cauthery, Amy Hull, Olivia Shortt
4:00pm - 5:30pm	Critical Examinations of Minimalism: Focusing on Gender and Race Location: Salon 10 Chair: Edmund Mendelssohn, University of California, Berkeley Music as Craftivism: The Feminist Minimalism and Serialism of Ann Southam Emily Abrams Ansari Notation, Repetition, and Feminism in Ann Southam’s Glass Houses Carter Miller Philip Glass’s Dance and the Institutionalization of Minimalism Anne Searcy

Date: Saturday, 16/Nov/2024
9:00am - 10:30am	Pragmatic and Creative Solution-Making in Early Composition Location: Salon 10 Chair: Lynette Bowring Composing Music at a Cardinal’s Palace: Graffiti of Two New Three-voice Rondeaux at Villeneuve-lez-Avignon Lawrence M. Earp More Than Meets the Ear: Recomposition as Exegesis in Tomás Luis de Victoria’s Imitation Masses Maura Sugg Re-used, reduced, recycled: a fragmented antiphoner from medieval Trier Anna de Bakker
10:45am - 12:15pm	Music Writing: Moving Beyond Notation Location: Salon 10 Chair: Rika Asai, University of Pittsburgh Searching for the True Land: A Critical Edition of Lee Morgan’s “Search for the New Land” Collin Felter Six String Standard: Evaluating Folk Guitaristic Legibility Through Text and Song Zeke Levine Stendhal’s Embellishments: Music Notation and the History of Writing Peter Mondelli
12:30pm - 2:00pm	Popular Music Study Group Business Meeting Location: Salon 10
2:15pm - 3:45pm	On the redistribution of the sensible: Articulating critical popular music studies through emo rap, hardcore punk, and riot grrrl Runchao Liu , Location: Salon 10 Chair: Eric Hung Chair(s): Eric Hung Presentations of the Symposium “An Empire of Emotion:” Emo Rap, Auto-Tune, and the Sonic-racial Politics of Depression Catherine Provenzano Soundtrack to (un)representable bodies: Musical archives and the urgency of alternative counter-discourses Runchao Liu “Hyperactive Child”: Punk and Reagan-Era Neuropolitics Jessica Schwartz
4:00pm - 5:30pm	Amplifying Voices: Critical Approaches to Women in Rock, Jazz, and R&B Location: Salon 10 Chair: Amy Coddington Saying Something: Esperanza Spalding's "Girl Talk" and Jazz Patriarchy Kelsey Klotz This is a Song About an Old Welsh Witch: Stevie Nicks’ “Rhiannon”(1976), the Wiccan Influx, and Feminist Spirituality in the Rock ’n’ Roll Counterculture Shelina Brown

Date: Sunday, 17/Nov/2024

9:00am
-
10:30am

Memory and Intergenerational Inheritance in Operatic Practice
Lucy Caplan
,
Location: Salon 10
Chair: Kunio Hara, University of South Carolina School of Music

Chair(s): Kunio Hara

Presentations of the Symposium

“Once Past, Also Future”: Diffractions in Canadian Operatic Performance Practice

Colleen Renihan

“No sudden thing”: Black Opera in the Age of Desegregation

Lucy Caplan

The making of a Taiwanese opera singer across colonial times: the case of Koh Bunya

Amanda Hsieh

10:45am
-
12:15pm

Inside the Opera House: A Multisensory Social World
Location: Salon 10
Chair: Matthew Franke, Howard University
Discussant: Mark Everist, University of Southampton

From the Fashion House to the Opera House: Material Revivals in Contemporary Italian Productions

Jane Margaret Sylvester

Teatri di corte, teatri di periferia: Monza’s opera houses at the turn of the nineteenth century (1778-1814)

Alessandra Palidda

From the Parisian Page to the Bavarian Stage: A Performative Approach to Opera Translation

Annelies Andries

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Conference: AMS 2024 Annual Meeting