Conference Agenda
The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview | |
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Location: Price 5th floor, Palmer House Hilton Hotel |
| Date: Thursday, 14/Nov/2024 | |
| 10:45am - 12:15pm |
New American Opera in the Institutional Imagination Ryan Ebright , Location: Price Chair: Gundula Kreuzer, Yale University Presentations of the Symposium Giving Voice to the Voiceless? OPERA America’s Multicultural Turn In “Opera for a New America” Bold Voices, Clear Conventions: The Challenge of Contemporary Opera at the Opera Theatre of Saint Louis Narrating Redemption at the Met: _Fire Shut Up in My Bones_ and the Performance of Blackness |
| 2:15pm - 3:45pm |
The Current State of Music Librarianship and Implications for Musicology Jonathan Sauceda University of Rochester, Location: Price Chair: Jonathan Sauceda, University of Rochester Presentations of the Symposium Digital Scholarship: A Present and Future for Musicology Music Information Literacy’s Critical Turn W(h)ither Music Research Collections? |
| 4:00pm - 5:30pm |
Demystifying Academic Publishing Jennifer Saltzstein Indiana University, Location: Price |
| Date: Friday, 15/Nov/2024 | |
| 8:30am - 10:30am |
Power and Resistance: Musical Historiographs of China and Tibet Location: Price Chair: Hedy Law What makes listening “extractive”? Sulfur, jade, and resource-making in 18th-century China Wang Xilin, Tiananmen Square, and Symphony no. 3 “Music is for the People”: Zheng Xiaoying, Yangxizhongchang, and Das Lied von der Erde Tibetan Buddhist Philosophy in Jokar's Symphonic Poem Gendun Chophel |
| 10:45am - 12:45pm |
Performing Gender in Music and Dance Location: Price Chair: Sharon Mirchandani, Westminster Choir College The Jeanie Auditions: Stephen Foster and White Southern Womanhood in Florida, 1951-1979 "Girling" at the Tropical Piano: Race, Sex, Value, and the Domestication of Cuban Contradance The Relatable Rebel: Miranda Lambert’s Expressions of Femininity Erotic Agency and Queer Embodiment in Martines–Metastasio’s Secular Chamber Cantata La Tempesta (1778) |
| 1:45pm - 3:45pm |
The Instrumental Self: Musical Instruments as Expressions of Social and Spiritual Identity Location: Price Chair: John Romey, Purdue University Fort Wayne Phonocentrism in Chopin’s Piano Music Silenced Voices and History from Below: Working-Class Violin Culture in Britain, 1880-1930 Coya Huarmi: Reconstruction of a Song, a Vessel, and an Ancestor’s voice “A Bad Instrument Although Well Played”: Status, Identity, and the Nineteenth-Century Double Bassist |
| 4:00pm - 5:30pm |
Forensic Musicology Now Katherine Leo , Location: Price Chair: Katherine Leo |
| Date: Saturday, 16/Nov/2024 | |
| 9:00am - 10:00am |
Copyright Controversies: Evolutions and Legacies Location: Price Chair: Joshua Neumann, Academy of Sciences and Literature Mainz Discussant: Katherine Leo Vaughan Williams and the Folksong Copyright Controversy Revisited "Everything Has Changed"? Taylor Swift's Music Copyright Legacy |
| 10:45am - 12:15pm |
“Fight the Real Enemy”: Sinéad O’Connor’s Musical and Cultural Legacies Áine Palmer Yale University, Location: Price Chair: Emmalouise St. Amand, Colby College Presentations of the Symposium Sinéad O’Connor, Catholicism, and Irish Society, 1990-1997 “I Never Said I Had a Problem with America”: Genre Trouble in Sinéad O’Connor’s Am I Not Your Girl? The Ceaseless Twilight of ‘Pop Time’ |
| 12:30pm - 2:00pm |
Music and Philosophy Study Group Business Meeting Kyle Kaplan Syracuse University, Location: Price |
| 2:15pm - 3:45pm |
Navigating the Archive: Collection Development, Stewardship, and Access Issues for Researchers in the 21st Century Paul Sommerfeld Library of Congress, Location: Price Chair: Paul Sommerfeld, Library of Congress |
| 4:00pm - 5:30pm |
Global Music Theory: Perspectives on Tonality and Phrasing Location: Price Chair: Michael Weinstein-Reiman, The University of Wisconsin - Madison Theorizing Phrase Structure in Guqin Music Schoenberg over the Dnipro: Free Atonality and Dodecaphony in modernist Ukraine Alfabeto, punto, and diapason: the guitar as an instrument of music theory in seventeenth-century Iberia |
| Date: Sunday, 17/Nov/2024 | |
| 9:00am - 10:30am |
Listening, Climate Catastrophe, and Colonial Extraction Naomi Waltham-Smith University of Oxford, Location: Price Chair: James Q. Davies, University of California, Berkeley Presentations of the Symposium Dialectic of *Enlightenment* [struck out] Anthropocene: Adorno and Cage Colonial Audile Techniques in the Torrid Zone Ec(h)ologies and Worldmaking |
| 10:45am - 12:15pm |
Ecomusicology/Eco-Cultures Location: Price Chair: Alison Maggart Gesamtkunstwerk Earth: Climate Change, Globalization, and Site Specificity in Sun and Sea (Marina) Preaching to Crumbling Walls: Vocal Samples and Dire Aesthetics in Post Rock Historiographies of Place, Space, and Gender: Women as Scene-Builders in Early Twentieth-Century California |
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