Conference Agenda
The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview | |
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Location: Grant Park Parlor 6th floor, Palmer House Hilton Hotel |
| Date: Thursday, 14/Nov/2024 | |
| 10:45am - 12:15pm |
Student-led Approaches to Teaching Equity in Music Studies Ely Lyonblum University of Toronto, Location: Grant Park Parlor Chair: Ely Lyonblum, University of Toronto |
| 2:15pm - 3:45pm |
Video Game Songbooks: Matching Music to the Medium Location: Grant Park Parlor Chair: William Cheng, Dartmouth College Sound Card Showdown: Timbre and Genre in 1990s PC Game Music "She's My Main": VALORANT (2020) and Ludic Persona Why Jazz Musicians Prefer Nintendo: Ludic Frameworks, Playful Standards, and "The Great Video Game Songbook" |
| 4:00pm - 5:30pm |
The Past and Present of Activist Music-Making in the United States Alexandria Sofia Pecoraro , Location: Grant Park Parlor Chair: Eugenia Siegel Conte, Ithaca College Presentations of the Symposium Fighting AIDS with Pop Culture: The Red Hot Organization, Cover Songs, and HIV/AIDS “Sing Out, March On”: Social Justice Choirs’ Repertoires of Resistance The Bifarious Social Character of Community Singing in the Industrial Workers of the World (IWW) |
| Date: Friday, 15/Nov/2024 | |
| 9:00am - 10:30am |
Disciplinarity and the Affordances of Musicological Critique Derek Baron Rutgers University-New Brunswick, Location: Grant Park Parlor Chair: Sumanth Gopinath, University of Minnesota Presentations of the Symposium How does the Law Hear? Settler Jurisdiction, Aurality and the Sound/Law Problem Music Studies Against Race Science; or, Some Limits of Some Critique Unveiling Silence: A Paradigmatic Critique of Musicological Criticism through Voiceless Voice in Hiroshima by Toshio Hosokawa |
| 10:45am - 12:15pm |
Representations of Musical Mentorship Nina Penner Brock University, Location: Grant Park Parlor Chair: Nathan Platte Presentations of the Symposium “If you cannot fight them with art, do so as a teacher”: Musical Influence and Mentorship in Der Musikfeind (1835) and Der Sohn vom Ritter Gluck (1837) “Push People Beyond What’s Expected of Them”: Pedagogy and Narrative Control in Mr. Holland’s Opus (1995) and Whiplash (2014) Mentorship Relationships and the Weight of Tradition in Lena Raine’s Soundtrack to Chicory: A Colorful Tale (2021) |
| 12:30pm - 2:00pm |
Organology Study Group Annual Meeting Lidia Chang Colorado College, Location: Grant Park Parlor Presentations of the Symposium Instruments as specimens: How the Photographs of 19th-century English Instrument Collections Made Organology a Science The Plek Machine: A Study of Automation in California’s Guitar Repair Shops Berthelot’s Serpent Tablature: A Blueprint for a Lost Musical Instrument from Colonial Canada |
| 2:15pm - 3:45pm |
Axes of Time in Eastern Orthodox Sonic Space Brian Fairley University of Pittsburgh, Location: Grant Park Parlor Chair: Luisa Nardini, University of Texas at Austin Presentations of the Symposium Anaphora, Anamnesis, Apocalypse: Music and Time in the Hymns of the Great Entrance in the Orthodox Church The Veil Was Torn: Inverse Perspective in Sofia Gubaidulina’s St. John Passion Deep Time of Polyphony: Twentieth-Century Excavations of Medieval Georgian Chant |
| 4:00pm - 5:30pm |
Rethinking Bruckner Studies: Questioning Old Answers and Asking New Questions in a Bicentennial Year Benjamin Korstvedt Clark University, Location: Grant Park Parlor Chair: R. Larry Todd, Duke University Presentations of the Symposium “A Titan in Battle with the Gods”: Viennese Reception of Bruckner in the 1880s and 1890s The New Anton Bruckner Complete Edition: Revisiting Old Editorial Issues Bruckner, postcritique |
| 7:00pm - 9:00pm |
University of Pittsburgh Reception Location: Grant Park Parlor |
| Date: Saturday, 16/Nov/2024 | |
| 9:00am - 10:30am |
Early Modern Musical Theater Location: Grant Park Parlor Chair: Berta Joncus, Guildhall School of Music and Drama Rediscovering Dramma in Musica: A Re-Consideration of its Origins at the Crossroads between Art Theory, Rhetoric, and Counter-Reformation. Singing for Others: Marionettes, Children, and ‘Pygmées’ at the Palais-Royal Death Once-Removed: Zombie Biopolitics and White World-Building in 'Le Turc généreux' (1735) |
| 10:45am - 12:15pm |
Sounding European Identities Location: Grant Park Parlor Chair: John Gabriel, University of Melbourne “Everybody Wanna Move Like Us!”: Performing Afro-Sweden in the Eurovision Song Contest, 2019-2021 Synthesizers as Markers of Identity in the "Ost-Berlin School" of East German Electronic Rock Libation as Intercultural Communication: Hermann Leopoldi’s “I bin a stiller Zecher” |
| 12:30pm - 2:00pm |
Music, Sound, and Trauma Study Group Business Meeting Jillian Rogers , Location: Grant Park Parlor |
| 2:15pm - 3:45pm |
Home Away from Home: Diasporic Musical Expressions in the United States Uri S. Schreter Harvard University, Location: Grant Park Parlor Chair: Kay Kaufman Shelemay, Harvard University Presentations of the Symposium “As Natural to Me as Breathing”: Wedding Music and Jewish Identity in Postwar New York City “Subcultural Things: A Study of Transnational Being of the Balalaika and Domra in the United States” Rehearsing Multiculturalism: Andean Grupos Folklóricos in the Florida Panhandle |
| 4:00pm - 5:30pm |
Global Economies of Talent Anaar Desai-Stephens Eastman School of Music, University of Rochester, Location: Grant Park Parlor Chair: Lindsay Wright, Yale University Chair: Anaar Desai-Stephens, CUNY Graduate Center Presentations of the Symposium “Get the Hook”: the Birth of U.S. Talent Shows and the Aesthetics of Exclusion The Economy of Talent and Other Tales of Extractivism “‘All That Matters Here Is Talent:’ Musical Talent and the (Bio)Politics of Meritocracy in NeoLiberalizing India” |
| 7:30pm - 9:30pm |
Memes, Reels, TikToks: Inscribing and Visualizing Music in the Age of Social Media Giulia Accornero Yale University, Location: Grant Park Parlor |
| Date: Sunday, 17/Nov/2024 | |
| 10:45am - 12:15pm |
Sounding Inter-imperiality Erol Koymen Florida State University, Location: Grant Park Parlor Chair: Erol Koymen, Florida State University Presentations of the Symposium Inter-imperial Listening in Ahmed Hamdi Tanpınar’s Istanbul Inter-Imperiality and the framing of a Bengali Music History Real y maravillosa: Reviving Colonial Music in Post-Soviet Havana |
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