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Conference Agenda

The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.

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Session Overview
Location: Crystal 3rd floor, Palmer House Hilton Hotel

Date: Thursday, 14/Nov/2024
10:45am - 12:15pm	Bordering Modernisms Sherry Lee , Location: Crystal Chair: Sherry Lee Chair(s): Daniel M. Grimley, Sherry D. Lee Presenter(s): Ana R. Alonso Minutti, Noriko Manabe, Kevin Karnes, Sherry Lee, Daniel Grimley
2:15pm - 3:45pm	New Perspectives on Opera Education and Uplift Ideology in the United States, 1880–1940 Lily Tamara Kass , Location: Crystal Chair: Lucy Caplan Chair(s): Lucy Caplan Presentations of the Symposium “Vivid, Graphic, and Dramatic”: Opera Lecture Recitals as Audience Outreach Lily Tamara Kass Overcoming “Yellow Elbows”: Jewish New Yorkers and the Uplifting Potential of Opera Education, 1880-1940 Samantha M. Cooper Homeopathic Opera: Uplift and Education in Vaudeville Kristen M. Turner
4:00pm - 5:30pm	(Re)Mediating Metastasio at 300 Jessica Gabriel Peritz Yale University, Location: Crystal Chair: Martha Feldman, University of Chicago Chair(s): Martha Feldman Presentations of the Symposium Metastasio's Lyric Imperium Jessica Gabriel Peritz Markedness Correlations and the Constraints of Operatic Multimedia Nathaniel Mitchell The (In)Audible Master: Reading as Listening in/to Metastasio’s Libretti Carlo Lanfossi
7:30pm - 9:30pm	“We will dance again”: Amplifying Jewish Joy in the Face of Contemporary Trauma Samantha Madison Cooper University of Wisconsin Milwaukee, Location: Crystal Chair(s): Ezekiel Levine, Nicolette van den Bogerd Discussant(s): Samantha Madison Cooper Presenter(s): Rachel Baum, Philip V. Bohlman

Date: Friday, 15/Nov/2024
9:00am - 10:30am	Curating Memory: Sonic and Musical Commemorations of Systematic Persecution and Genocide Nicole Gabrielle Steinberg University of Maryland, College Park, Location: Crystal Chair: Amy Lynn Wlodarski, Dickenson College Chair(s): Amy Lynn Wlodarski Presentations of the Symposium Resonant Legacies, Dissonant Translations: A Comparative Ethnographic Analysis of Sonic Curation in Holocaust and US Slave Memorial Sites Kathryn Agnes Huether Performing Auschwitz Abroad: The Passenger in Bregenz, Tel Aviv, and Madrid Nicole Gabrielle Steinberg Negotiating Appropriateness: Ambivalence about the Use of Music in Exhibitions Commemorating Romani Genocide Siv B. Lie
10:45am - 12:15pm	Grove Music Online Roundtable Deane Root University of Pittsburgh, Location: Crystal Chair: Scott Gleason, Oxford University Press Chair(s): Scott Gleason Presenter(s): Philip V. Bohlman, Kimberly A. Francis, Tes Slominski, Imani Mosley, Marcus Pyle, Scott Gleason, Deane Root
12:30pm - 2:00pm	Religious Conversion and Music among Christians and Jews: A Transhistorical View Uri Jacob , Location: Crystal Chair(s): Tina Frühauf Discussant(s): Mary Channen Caldwell Presenter(s): Uri Jacob, Paul Feller-Simmons, Rebecca Cypess, Dan Deutsch‬
2:15pm - 3:45pm	Workshop in Research Techniques and Bibliography, led by Répertoire International de Littérature Musicale Ralph Whyte Répertoire International de Littérature Musicale (RILM), Location: Crystal Chair: Ralph Whyte, Répertoire International de Littérature Musicale (RILM) Chair(s): Ralph Whyte Presenter(s): Ralph Whyte
4:00pm - 5:30pm	Making Music for the Screen: Duke Ellington, Leonard Bernstein, and Mr. Rogers Location: Crystal Chair: Julie Hubbert, University of South Carolina Manufacturing the Maestro: the Infrastructure of Educational Television on Omnibus (1952–61) Lauren Berlin Riffing on the Soundtrack Album in Duke Ellington Plays with the Original Motion Picture Score from Walt Disney’s Mary Poppins (1964) Nathan Platte Mister Rogers the Opera Composer and the Peculiar Genesis of Josephine the Short Neck Giraffe Molly M. Breckling
7:30pm - 9:30pm	Childhood and Youth Session and Business Meeting: Spotlight on New and Emerging Work from Early-Career Scholars Ryan Bunch , Location: Crystal Chair(s): Ryan Bunch, Susan Boynton Presenter(s): Demetrius Shahmehri, Ala Krivov, Trevor R. Nelson, Hannah Neuhauser, Carrie A. Danielson

Date: Saturday, 16/Nov/2024
9:00am - 10:30am	Open Access Publishing in Musicology: A Roundtable Discussion Rachel Scott Illinois State University Library, Location: Crystal Chair: Rachel Scott, Illinois State University Library Chair(s): Rachel E. Scott Presenter(s): Daniel Barolsky, Matthew Franke, Jesse P. Karlsberg, Colin Roust, Anne Shelley
10:45am - 12:15pm	Navigating Issues of Trauma and Safety in the Post-Secondary Music Classroom Location: Crystal Chair: Matthew Baumer, Indiana University of Pennsylvania Discussant: Sara Haefeli, Ithaca College Abuse, Trauma, and the Politics of "Excellence" in US Musical Training Programs Jillian Rogers Trauma-informed Pedagogy and the Post-secondary Music Class Kimber Andrews, Kristy Swift The Student Experience Project in the Music History Classroom: Outcomes, Activities, and Observations J. Drew Stephen
12:30pm - 2:00pm	Listening to the Cold War Through the Anthropocene Gabrielle Cornish University of Wisconsin–Madison, Location: Crystal Chair(s): Andrew Barrett Discussant(s): Gabrielle Cornish Presentations of the Symposium “Power to Produce for Peace”: The University of Michigan Symphony Band at the 1961 Cairo Agricultural Exhibition Kari Lindquist John Cage, 0’00”, and the Atomic Sublime Sara Haefeli Reflecting on Gaia: How Can the Soil Change in the New Cold War? Oksana Nesterenko
2:15pm - 3:45pm	Sounding Blackness: Defining Racial Identity through Music Location: Crystal Chair: Clifton Boyd, New York University Stride Organology: Fats Waller’s Victor Pipe Organ Recordings, 1926–1928 Emma Wimberg “In Our Raven-Like Body … Blooms a Heart as White as a Lily”: Sonic, Kinetic, and Visual Imaginings of Blackness in Court Festivals of the Protestant Union, 1596-1616 Arne Spohr “Property of the Race”: Betty Boop, “Hot Licks,” and Musical Expropriation, ca. 1934 Matthew Mendez
4:00pm - 5:30pm	The Outsider Within: Black and African Voices in European Music Location: Crystal Chair: Mark A. Pottinger, Manhattan University African Music and the History of Colonial Time Martin Scherzinger Blackening music: Joseph Bologne Chevalier de Saint-Georges on the 19th-century stage Thomas Ludwig Betzwieser Style Change as Tactical Repositioning: José Maurício Nunes Garcia as a Black Colonial Subject Bernardo Illari
7:30pm - 9:30pm	Accommodation and Accessibility in the Music Classroom Tekla Babyak Disabled Independent Scholar, Location: Crystal Chair(s): James Deaville, Tekla Babyak, Stefan Sunandan Honisch, Rena Roussin, Kristy Swift, Reba Wissner Presentations of the Symposium Leveraging Technology in Universal Design for Learning in the Music Classroom Faith Lanam Beyond Compliance: Enhancing Accessibility in Higher Education through Universal Design for Learning Shannon McAlister Accommodation and Accessibility in the Music Classroom Michael Weinstein-Reiman Exploring the Neurodiverse Classroom Eric Whitmer Sound Pedagogy: Using UDL in Score Reading and Music Listening Reba Wissner

Date: Sunday, 17/Nov/2024

9:00am
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11:00am

Dance Scenes: Defining Self and Community through Dance
Location: Crystal
Chair: Jessica Payette, Oakland University
Discussant: Anne Searcy

‘Tea for Two’: Transatlanticism in the music of the British dance bands

Catherine Tackley

The City of Neighborhoods Takes On the 1913 “ Tango Issue”

Sophie Benn

Rhythmic Diasporas and Performances of Sovereignty in London’s Early Jungle Scene

Kyle Rogers

Dance Like There’s No Tomorrow: Electronic Cantopop and Apocalyptic Aesthetics at the New Millennium

Heidi Yin-Hsuan Tai

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Conference: AMS 2024 Annual Meeting