Conference Agenda
The Online Program of events for the 2024 AMS Annual Meeting appears below. This program is subject to change. The final program will be published in early November.
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Session Overview |
| Date: Sunday, 17/Nov/2024 | |||||
| 8:30am - 12:15pm |
Exhibit Hall Open Location: Exhibit Hall |
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| 9:00am - 10:30am |
AI and Music / AI and Musicology: Teaching, Learning, Research, Ethics, and Generative AI Katharine Ellis , Location: Adams |
Country Musicology: A Panel in Memory of Travis D. Stimeling Brian F. Wright University of North Texas, Location: Monroe Chair: Paula Bishop, Bridgewater State University Presentations of the Symposium Harold Bradley, the Nashville A-Team, and the “Tic-Tac” Bass Style Space for Just a Few: How Carrie Underwood and Taylor Swift Navigated Country Music’s Exclusion of Women Chapel Hart’s Uses of Humor: Creating Commercial Spaces for Black Women in Country Music |
Listening, Climate Catastrophe, and Colonial Extraction Naomi Waltham-Smith University of Oxford, Location: Price Chair: James Q. Davies, University of California, Berkeley Presentations of the Symposium Dialectic of *Enlightenment* [struck out] Anthropocene: Adorno and Cage Colonial Audile Techniques in the Torrid Zone Ec(h)ologies and Worldmaking |
Memory and Intergenerational Inheritance in Operatic Practice Lucy Caplan , Location: Salon 10 Chair: Kunio Hara, University of South Carolina School of Music Presentations of the Symposium “Once Past, Also Future”: Diffractions in Canadian Operatic Performance Practice “No sudden thing”: Black Opera in the Age of Desegregation The making of a Taiwanese opera singer across colonial times: the case of Koh Bunya |
Women's Musical Networks and the Creation of Feminized Artistic Space Location: Wabash Chair: Vanessa L. Rogers, Rhodes College Women at the Heart of Opera: Juana de Orozco and the Creation of Spanish Eighteenth-Century Opera Women and the Early History of the Amarillo Symphony Subscription Lists, Concert Notices, and Musical Clues: Reconstructing Elizabeth Turner’s Mid-Eighteenth-Century Musical Network |
| 9:00am - 11:00am |
Dance Scenes: Defining Self and Community through Dance Location: Crystal Chair: Jessica Payette, Oakland University Discussant: Anne Searcy ‘Tea for Two’: Transatlanticism in the music of the British dance bands The City of Neighborhoods Takes On the 1913 “ Tango Issue” Rhythmic Diasporas and Performances of Sovereignty in London’s Early Jungle Scene Dance Like There’s No Tomorrow: Electronic Cantopop and Apocalyptic Aesthetics at the New Millennium |
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| 10:45am - 12:15pm |
Music Under Glass, 1860-1947: Magic Lanterns, Sound, and Racial Difference Anna Christine Schultz University of Chicago, Location: Adams Chair: Carolyn Abbate, Harvard University Presentations of the Symposium Between Spectacle and Event: American Missionaries and Magic Lantern Shows in Western India, 1865–1895 Die Frau ohne Schatten and the Redemption of Optical Illusion Musical Magical Thinking: Magic Lanterns, Gramophones, and (Other) Colonial Technological Fantasies in British India |
Sounding Inter-imperiality Erol Koymen Florida State University, Location: Grant Park Parlor Chair: Erol Koymen, Florida State University Presentations of the Symposium Inter-imperial Listening in Ahmed Hamdi Tanpınar’s Istanbul Inter-Imperiality and the framing of a Bengali Music History Real y maravillosa: Reviving Colonial Music in Post-Soviet Havana |
Ecomusicology/Eco-Cultures Location: Price Chair: Alison Maggart Gesamtkunstwerk Earth: Climate Change, Globalization, and Site Specificity in Sun and Sea (Marina) Preaching to Crumbling Walls: Vocal Samples and Dire Aesthetics in Post Rock Historiographies of Place, Space, and Gender: Women as Scene-Builders in Early Twentieth-Century California |
Inside the Opera House: A Multisensory Social World Location: Salon 10 Chair: Matthew Franke, Howard University Discussant: Mark Everist, University of Southampton From the Fashion House to the Opera House: Material Revivals in Contemporary Italian Productions Teatri di corte, teatri di periferia: Monza’s opera houses at the turn of the nineteenth century (1778-1814) From the Parisian Page to the Bavarian Stage: A Performative Approach to Opera Translation |
Making Sense of Trauma through Music and Dance Location: Monroe Chair: Samantha Jones, Harvard University Jubano Rikudim in Havana: Cultural Politics of Dance in Cuban Synagogues Settling the Score: Trauma and Domestic Revolution in Alicia Adelaide Needham’s Irish Suffrage Songs “Does Anyone Hear My Voice?:” Foregrounding of Sonic Trauma From Turkey and Syria's February 6th, 2023 Earthquake in Turkish Popular Music |
| 10:45am - 12:45pm |
Pioneering a Profession: Women in Musical Careers Location: Wabash Chair: Laura Stokes, Brown University The Path of the Artist: Public Performance, Class, and the Late Career of Delphine von Schauroth “Hearing her, one rejoices and delights”: Women’s Musical Activities at the Venetian Ospedali Maggiori Louise Farrenc’s Compositional Dedications: A Window on the Networks of Professional Women Musicians in 19th-Century Paris New Light on the Life and Career of the Trouvère Maroie de Dergnau |
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